| Let's Enjoy Arranged Hanon Exercises! Vol.2 1 Piano, 4 mains [Conducteur] Yamaha
Piano Duet SKU: YM.GTP01100297 Accompaniment Audio Access Included...(+)
Piano Duet SKU:
YM.GTP01100297
Accompaniment Audio
Access Included.
Composed by Charles-Louis
Hanon. Arranged Hanon.
Arranged Classical Music,
Educational, Exercise,
Lesson. Score. Yamaha
Music Media #GTP01100297.
Published by Yamaha Music
Media (YM.GTP01100297).
ISBN 9784636102079.
8.5 x 12
inches. Here comes
a collection of sheet
music for playing Hanon
and Scales, the standard
finger exercises, in a
fun way! If you find the
Hanon and scales you use
in your daily practice
boring, this is the
perfect book for you. In
the Hanon arrangements,
the seconds are arranged
in various tunes such as
Tango, Rock, and Ragtime
styles. In the Scales
arrangements, one
arrangement is presented
in two different keys.
These are not only
exercises in fingerings,
but also exercises in
expression. Preliminary
exercises are also
provided for each
arrangement. Reference
performances and
second-only accompaniment
sound samples are
available for playing and
downloading, so you can
enjoy the book on your
own. Enjoy practicing
fingerings with your
teacher, students,
siblings, or friends! $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Easy Hanon Piano seul - Débutant Santorella Publications
Hanon for Easy Piano composed by Charles-Louis Hanon. Arranged by Jonathon Robbi...(+)
Hanon for Easy Piano
composed by Charles-Louis
Hanon. Arranged by
Jonathon Robbins. For
easy piano. This edition:
Paperback. Instructional.
Exercises. Book. Text
Language: English. 32
pages. Published by
Santorella Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gypsy Jazz Guitar, Volume 1 Guitare notes et tablatures [Partition + CD] Alfred Publishing
(A Tribute to Gypsy Jazz * Introduction into the style of Jazz-Manouche). By Ber...(+)
(A Tribute to Gypsy Jazz
* Introduction into the
style of Jazz-Manouche).
By Bertino Rodmann. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction. Jazz.
Published by Alfred Music
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Violinist’s Daily Warm-Ups and Scale System Violon Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131). ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches. Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Enjoy arranged Hanon exercises in Piano Duet! with CD 1 Piano, 4 mains [Conducteur] - Facile Yamaha
Piano 4 hands - Easy and Intermediate SKU: YM.GTP01097952 Piano Pop and V...(+)
Piano 4 hands - Easy and
Intermediate SKU:
YM.GTP01097952 Piano
Pop and Vocal. Score.
Yamaha Music Media
#GTP01097952. Published
by Yamaha Music Media
(YM.GTP01097952). ISBN
9784636979527. Let'
s make the routine
mechanical exercises more
fun piano duet
performances and enjoy
practicing the fingers
while having fun! The
accompaniment (as a
secondo, a second part)
is arranged in various
styles, like Ballroom,
Bossa Nova, Tango, Waltz,
and more! In addition to
the reference
performance, there is
also a karaoke soundtrack
for the accompaniment
only, so it is also
enjoyable even for one
person. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Barbara Kirkby-Mason: First Album For Piano - Part 1 Piano seul Music Sales
Piano (Piano) SKU: HL.14017985 Composed by Barbara Kirkby-Mason. Music Sa...(+)
Piano (Piano) SKU:
HL.14017985 Composed
by Barbara Kirkby-Mason.
Music Sales America. 20th
Century. Book
[Softcover]. 24 pages.
Music Sales #BOE003620.
Published by Music Sales
(HL.14017985). ISBN
9781844497065.
9.0x12.0x0.116
inches. For
absolute beginners at
their first lesson. This
book includes a guide to
the position of middle C
and the notes in the
treble and bass. In order
to play the first few
pieces in the, which are
confined to the
five-finger group in each
hand, you only need to
know how to find notes by
position from middle C.
Daily finger exercises
are included at the
beginning of the book,
containing the various
time-signatures and note
values used in the
album. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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