| Nonnenmann R Angebot Durch Verweigerung Schott
(HC) SKU: HL.49032992 Die Asthetik instrumentalkonkreten Klangkomponie...(+)
(HC) SKU:
HL.49032992 Die
Asthetik
instrumentalkonkreten
Klangkomponierens in
Helmut Lachenmanns
Orchesterwerken.
Composed by Nonnenmann.
This edition:
Hardback/Hard Cover.
Book. Edition Schott. 315
pages. Schott Music #ED
9288. Published by Schott
Music (HL.49032992).
ISBN 9783795718978.
German. Eine
umfassende
musikwissenschaftliche
Auseinandersetzung mit
Lachenmanns
kunstlerischem und
theoretischem Schaffen,
das zweifellos zu den
asthetisch und
intellektuell
bedeutendsten Phanomenen
der Musik des 20.
Jahrhunderts zahlt, steht
im Rahmen einer grosseren
Monographie einstweilen
noch aus. Mit diesem Buch
sollte diesem Mangel
abgeholfen werden,
sollten bereits
vorliegende Erkenntnisse
gebundelt und
weitergefuhrt, bestehende
Vorurteile aufgeklart,
Antworten auf alte Fragen
angeboten, neue Fragen
aufgeworfen und Anstosse,
Ansatzpunkte und
Widerspruche aufgezeigt
werden, von denen sich -
wie und von wem auch
immer - weiterdenken
lasst. (R.
Nonnenmann). $64.00 - Voir plus => Acheter | | |
| Naninana PWM (Polskie Wydawnictwo Muzyczne)
Keyboard; String Orchestra (Score) SKU: HL.337527 For Amplified Keyboa...(+)
Keyboard; String
Orchestra (Score) SKU:
HL.337527 For
Amplified Keyboard and
String Orchestra in 2
Groups Score.
Composed by Aleksander
Nowak. PWM. Classical.
Softcover. 30 pages.
Duration 660 seconds.
Polskie Wydawnictwo
Muzyczne #11622.
Published by Polskie
Wydawnictwo Muzyczne
(HL.337527). ISBN
9781540087553. UPC:
840126911886.
9.25x13.0x0.13
inches. Work
commissioned by the
National Audiovisual
Institute, Poland on the
occasion of the opening
of the new venue.
NANINANA for amplified
keyboard instrument
(preferably the classic
Fender Rhodes Stage
Piano) and string
orchestra arranged in two
symmetric groups, which
was commissioned by the
National Audivisual
Institute for the opening
of its new seat in 2015,
is a composition on a
special kind of absence.
You could define this
absence as perceivable,
but difficult to
understand. There are a
lotof elements here which
can illustrate this
absence: from the
interlude tones that are
supposed to sound, yet
not to the full, through
the first appearance of
the soloist with his part
containing fragments of a
composed melody which is
mostly improvised, the
second movement with
harmony that can suggest
hopeless longing for
something that can never
return, to the final
culmination which is
there, but seems as if it
were not there... The
work's motto is an
anonymous poem that seems
to refer to the concept
of the so-called
Schrodinger's cat, i.e. a
hopeless attempt to
rationally explain
illogical phenomena in
our world's microscale:
Where, oh, where is that
cat which is and is not
there? Aleksander
Nowak. $20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Zuruck in die Gegenwart? Weltbezuge in Neuer Musik Schott
SKU: HL.49044706 Weltbezuge in Neuer Musik. Edited by Joern Peter ...(+)
SKU: HL.49044706
Weltbezuge in Neuer
Musik. Edited by
Joern Peter Hiekel. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical
Reference, German
Edition. Softcover. 218
pages. Schott Music #ED
22346. Published by
Schott Music
(HL.49044706). ISBN
9783795708900. 6.5x9.5
inches.
German. Inwieweit
ist die oft zu horende
These berechtigt, der
zufolge sich die
zeitgenossische Musik der
letzten Jahre in vollig
neuartiger Weise auf die
Gegenwart bezieht und
sich in ihr eine
konzeptionelle Wende
vollzieht? Die 68.
Fruhjahrstagung des
Instituts fur Neue Musik
und Musikerziehung in
Darmstadt vom 23. bis 26.
April 2014 diskutierte
grundsatzliche
Erfahrungen und
Auffassungen zu dem, was
Aspekte wie etwa
Engagement,
Alltaglichkeit oder
Wirklichkeitsbezug in
Musik uberhaupt heissen
konnen.Sie portratierte
die Komponisten Helmut
Lachenmann und Manos
Tsangaris. Und sie
brachte KomponistInnen
der mittleren und
jungeren Generation ins
Gesprach, die mit
bestechender Energie und
einer neuen Vielfalt an
digitalen Moglichkeiten
auf einen
Paradigmenwechsel zielen:
Brigitta Muntendorf,
Annesley Black, Trond
Reinoldtsen, Hannes
Seidl, Martin Schuttler,
Mesias Maiguashca und
Manos Tsangaris. Weitere
AutorInnen des Bandes
sind Jorn Peter Hiekel,
Dieter Mersch, Patrick
Frank, Lydia Jeschke,
Wolfgang Rudiger, Rainer
Nonnenmann, Barbara Balba
Weber, Wolfgang Lessing
und Raoul Morchen. $46.00 - Voir plus => Acheter | | |
| Reflecting Landscapes (Emily Dickinson in memoriam) [Conducteur et Parties séparées] Fennica Gehrman
Piano, Violin, Violoncello SKU: FG.55011-526-2 Composed by Kai Nieminen. ...(+)
Piano, Violin,
Violoncello SKU:
FG.55011-526-2
Composed by Kai Nieminen.
Score and parts. Fennica
Gehrman #55011-526-2.
Published by Fennica
Gehrman (FG.55011-526-2).
ISBN
9790550115262. The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011. The
poetry of Emily Dickinson
has been one of the
sources of inspiration
for Kai Nieminen (1953-).
Piano trio Reflecting
Landscapes was inspired
by Dickinson's poem A
bird came down a walk, a
same poem that also gave
name to a piece for viola
and piano by Toru
Takemitsu. Takemitsu
being one composer that
Nieminen helds in high
esteem. Especially calm,
meditative athmosphere at
the beginning of the
piano trio has much that
reminds listener from
Nieminen's Japanese
collegue. The tolling
chruch bell -like motives
reminds the composer from
the death of his father,
that occurred at the time
of the composition of the
piece. Later in the
piece, bird song -like
motives emerge, like
birds in the calm summer
night somewhere in the
north. The piece was
commissioned by Trio la
Rue and they gave the
first performance at
Saaksmaki Soi -festival
6th July 2011. $54.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blues and the Soul of Man Guitare notes et tablatures [Partition + Accès audio] Mel Bay
Guitar (fingerpicking) SKU: MB.30844M An Autobiography of Nehemiah Ski...(+)
Guitar (fingerpicking)
SKU: MB.30844M
An Autobiography of
Nehemiah Skip James.
Composed by Nehemiah Skip
James. Theory and
Reference, Squareback
saddle stitch. Style.
Book and online audio.
132 pages. Mel Bay
Publications, Inc
#30844M. Published by Mel
Bay Publications, Inc
(MB.30844M). ISBN
9781513464268. 8.75 x
11.75
inches. Skip James was one
of the most influential
early Bluesmen, but his
importance as a stylist
remained undiscovered
until he was brought out
of a long retirement by
the Folk/Blues revival of
the early 1960â??s. Born
in 1902 and raised in
Bentonia, Nehemiah Curtis
James was brought up in a
religious family: his
father was a bootlegger
who reformed and became a
Baptist preacher. Skip
learned piano in school
but picked up guitar from
his friend Henry Stuckey.
In 1931 Skip was picked
up by a scout for
Paramount Records and he
cut 26 tracks, of which
18 were released, in a
two day session at their
Grafton, Wisconsin
studios. These recordings
presented a unique and
haunting genius that
influenced legendary
bluesmen as Robert
Johnson, Kansas Joe McCoy
and Johnny Temple. But
the recordings sold
poorly, having been
released during the Great
Depression, and he
drifted into
obscurity. <
span style=font-family:
Arial;> We have included
as online downloads
Skipâ??s 1931
recordings. The crackling
sound of these rare
recordings cannot obscure
the brilliance of this
seminal Blues
master. After over 30
yearâ??s retirement from
music, Skip was
rediscovered by Blues
enthusiasts Bill Barth,
John Fahey and Henry
Vestine. They persuaded
Skip to appear at the
Newport Folk Festival in
1964, where his
renditions of his old
songs were still powerful
and moving. His
performances as well as
his old and new
recordings influenced a
generation of new
musicians: Eric Clapton,
Alan Wilson of Canned
Heat, Cream, Deep Purple,
Chris Thomas King, Alvin
Youngblood Hart, Derek
Trucks, Beck, Big Sugar,
John Martyn, Lucinda
Williams and Rory Block
to name a
few. Books on
legendary Blues musicians
written by white
musicologists tend to
offer a subjective
perspective on how the
artists felt, thought or
reacted. A tainted
picture is captured that
has more to do with the
writerâ??s social and
musical experiences. This
autobiography is
different. The words,
thoughts and feelings
come directly from the
artistâ??s lips. This is
the story of Nehemiah
â??Skipâ? James told
by Nehemiah â??Skipâ?
James. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Quadri Morandi Guitare Fennica Gehrman
Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4). ISBN
9790550113244. Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Palomar (nel giardino fantastico) - Concerto for Flute and Orchestra Flûte traversière et Piano Fennica Gehrman
Flute, piano SKU: FG.55011-613-9 Composed by Kai Nieminen. Fennica Gehrma...(+)
Flute, piano SKU:
FG.55011-613-9
Composed by Kai Nieminen.
Fennica Gehrman
#55011-613-9. Published
by Fennica Gehrman
(FG.55011-613-9). ISBN
9790550116139. The
music of Finnish composer
Kai Nieminen (b. 1953)
does not conform to any
isms. He remarks: I feel
like I am a painter in
music, who having seen or
experienced something
attempts to give that
something a shape in
music. The flute concerto
Palomar was written for
Patrick Gallois and
premiered 2001 in Milan,
Italy. The idea for his
Flute Concerto came to
Nieminen at the Villa
Lante in Rome when he was
kept awake by persistent
birdsong in the heat of
the night. The title
alludes to the last
novel, Palomar, by Italo
Calvino. Though Nieminen
finds inspiration in
literature, the visual
arts and nature, he has
no desire to confine the
listener to any
programme. The aim of the
extra-musical stimuli is
at most to fire his
listeners' imagination
and to make them savour
musical visions with a
mind as open as that of
Calvino's Mr Palomar
examining the little
wonders of the world
around him. The
orchestral score is
available for sale (ISMN
9790550096370) and the
performance material for
hire from Fennica
Gehrman. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Images of Fear Guitare Fennica Gehrman
Guitar SKU: FG.55011-071-7 Hommage to Paul Klee. Composed by Kai N...(+)
Guitar SKU:
FG.55011-071-7
Hommage to Paul
Klee. Composed by Kai
Nieminen. Fennica Gehrman
#55011-071-7. Published
by Fennica Gehrman
(FG.55011-071-7). ISBN
9790550110717. Comp
leted in Karstula,
Finland during late July
2010, this carefully
structured, but also
free-ranging work is
drawn from ideas for a
much earlier work in four
movements, Fantasy dating
from the 1980s. Kai
Nieminen has been for a
long time an admirer of
the work of artist Paul
Klee (1879-1940), and the
solo presented in its
final form here is
influenced by the
painting Dances caused by
Fear or as it is often
refered to Dancing from
Fear painted towards the
end of Klee's life in
Bern, 1938. Having
left Germany for
Switzerland in December
1933, Klee's later works
were often full of signs
and lines, very often
represented in black,
depicting human figures
or various objects
against a variety of
coloured backgrounds, in
the case of this painting
of a brownish hue. This
development in his
painting style and
technique is felt by some
to be an effect perhaps
of his long-term illness,
systemic sclerosis, but
in the case of Dances
caused by Fear there is
suggested an atmosphere
of panic and terror, an
attempt to escape from
horrors to come (World
War II), represented in
the violent movement of
the arms and legs of the
figures, and the dark,
indeed brooding nature of
the colours. In Kai
Nieminen's guitar work
Images of Fear, there is
only a very brief passage
of calm at the very
beginning, after which
come three main connected
sections in which a wide
range of musically
unsettling ideas emerge
one by one, making use of
the tritone, minor
seconds, glissandos,
tamboura, campanella,
etc. The third and final
section incorporates the
grouping of 5
sixteenth-notes, to give
an uneasy feeling to the
music, with a short
haunting and pleading
five-note phrase
(Cantando) heard
immediately following
this passage, before the
work ends with further
glissandos, and distant
and diminishing
harmonics. As with
Kai Nieminen's other
guitar works, the use of
'orchestral colour' is
vital to the performance,
and passages suggestive
of for example brass,
strings, woodwind, etc.,
should be taken into
account and played with
suitably considered
contrast of tone.
John Mills. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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