PARTITIONS GRATUITES : QUATUOR DE SAXOPHONES
- RHYTHMIC SCHERZO

SKU: GI.G-317070

Medium. Composed by Garwood Whaley. Music Education. 4 pages. GIA Publications #317070. Published by GIA Publications (GI.G-317070).

ISBN 9781574634792. UPC: 073999170702.

This rhythmically driving solo with many meter changes requires the use of four drums. Dedicated to Saul Goodman, Scherzo captures the rhythmic excitement and drive of this master teacher. Click here for a YouTube video on Scherzo for Timpani.

Gavotte (Bach) Fantasy In A Flat,op76#1(alkan) Klavierstuck (C.p.e.bach) Etude For L.h. (Bartok) 9 Etudes For L.h. (Berens) Etude For L.h. (Berger) Etude Op.36 (Blumenfeld) Etude No. 3,op.273 (Bonimici) Etude In E Flat Minor,op.10#6 Etude For One Hand (Czerny) Capriccio In E Flat,op.26#2 Elegy (Godowsky) Meditation (Godowsky) Etude For L.h.(op.19) Greulich Four-voiced Fugue (Kalkbrenner) Exercise In Arpeggio (Kohler) Melody(weber's Freischutz)kohler Rhythmic Studies (Kohler) 3 Folk Songs For L.h. (Kohler) Hungary's God (Liszt) La Ricordanza (Marxsen) Etude,op.92,#4 (Moskowski) Scherzo (Reger) Humoreske (Reger) Romanze (Reger) Prelude And Fugue (Reger) see all... Finale (Son.for L.h.) Reinecke Moto Perpetuo (Saint-saens) Nocturne, Op.9,#2 (Scriabin) Prelude,op.9#1 (Scriabin) Exercises For L.h.(22,45)tappert Viennese Pranks (Zichy) Solfeggietto Piano Music for 1 Hand (Piano Solo). By Various. Edited by Raymond Lewenthal. Piano Collection. Difficult Class piece for the One Hand Piano Music for Specially Capable Junior Musician (SCJM) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. SMP Level 8 (Early Advanced). 136 pages. G. Schirmer #ED2773. Published by G. Schirmer

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Oboe, Piccolo, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trumpet 1, Trumpet 2, Trumpet 3, Tuba, Xylophone and more. - Grade 3-3.5

SKU: CF.CPS66F

Composed by Joseph Compello. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. Carl Fischer Music #CPS66F. Published by Carl Fischer Music (CF.CPS66F).

ISBN 9780825864742. UPC: 798408064747. 9 X 12 inches. Key: C major.

Inspired by the Slavonic Dances of Czech master Antonín Dvořák, Joseph Compello has written his own Furiant, a Bohemian dance, usually in triple meter with frequently shifting accents. This dazzling little original piece makes much of the contrast between 6/8 and 3/4. This variety of rhythmic pulse gives the piece tremendous energy and momentum. Slavic Scherzo is a selection that will energize the band and delight the audience in equal measure.

By David Karp. For Piano. FJH Written For You Piano Solos. Solo Sheet. Published by The FJH Music Company Inc.

Two Performance Scores viola and double bass - advanced

SKU: HL.49046217

For Viola and Double Bass Two Performance Scores. Composed by Pierre Jalbert. Sheet music. String Ensemble. Softcover. Composed 2018. 12 pages. Duration 14'. Schott Music #ED30190. Published by Schott Music (HL.49046217).

ISBN 9781540056368. UPC: 888680948054. 9.0x12.0x0.075 inches.

Duo Concertante contains five brief movements of contrasting character. The first movement functions as a short prelude, with the viola and bass combining to form alternating high and low harmonies and trading off solo lines. The second movement is a playful scherzo, played pizzicato by both instruments, while the third movement is the central, lyrical movement of the work, with undulating natural harmonic tremolos and a rhythmically driving interruptive middle section. The fourth movement consists almost entirely of quickly bowed natural harmonics with fleeting rhythmic tremolos on both instruments. The final movement contains rapidly driving music in constant motion, interrupted twice by cadenza-like free sections which are non-synchronized. The two instruments then come together for the final push to the end.Duo Concertante was written for James and Deborah Dunham on the occasion of their 35th anniversary, with support from the Shepherd School of Music, Rice University. Pierre Jalbert.

Violin and orchestra

SKU: BO.B.3340

Composed by Jordi Cervello. Instrumental Sets. Duration 29:00. Published by Editorial de Musica Boileau (BO.B.3340).

ISBN 9788480207591.

Engl ish comments:
My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The author

Comentari os del Espanol:
A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.