PARTITIONS GRATUITES : VOIX SOPRANO ET GUITARE
- Mad

SATB/Cello Choral (SATB + Cello)

SKU: HL.1361690

From Donnie Darko. By Tears For Fears. By Roland Orzabal. Arranged by Roger Emerson. Pop Choral Series. Eighties, Movies, Rock, Soft Rock, Tv & Movies. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.1361690).

UPC: 196288193005. 6.75x10.5x0.019 inches.

Cult favorite film Donnie Darko is perhaps most famous for its moody, introspective cover of Tears for Fears' “Mad World” by Michael Andrews and Gary Jules. “Stripped down” from its pop/rock roots, this arrangement captures the melancholy and pensive feel of this iconic tune masterfully, with the wistful cello part included in the score.

Choral (2-Part/Cello)

SKU: HL.1361692

From Donnie Darko. By Tears For Fears. By Roland Orzabal. Arranged by Roger Emerson. Pop Choral Series. Eighties, Movies, Rock, Soft Rock, Tv & Movies. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.1361692).

UPC: 196288193029. 6.75x10.5x0.019 inches.

Cult favorite film Donnie Darko is perhaps most famous for its moody, introspective cover of Tears for Fears' “Mad World” by Michael Andrews and Gary Jules. “Stripped down” from its pop/rock roots, this arrangement captures the melancholy and pensive feel of this iconic tune masterfully, with the wistful cello part included in the score.

Made Easy for Piano Solo. By Amilcare Ponchielli, Charles Francois Gounod, Camille Saint-Saens. Arranged by John Brimhall. Solo piano. For Piano Solo. Great Music Made Easy: Masterpieces. Soft Cover. 256 pages. Published by Carl Fischer.

Composed by Kirby Shaw. For Choral (SATB a cappella). Choral. Octavo. 4 pages. Published by Hal Leonard

Mixed choir (SSATTBar)

SKU: HL.49015916

For six voices. Composed by Gavin Bryars. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Composed 2001-2002. 94 pages. Duration 35'. Schott Music #ED12786. Published by Schott Music (HL.49015916).

ISBN 9790220124518. UPC: 884088567606. 8.25x11.75x0.375 inches. Italian.

Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I found, as I began an extended exploration of the madrigal as a creative venture, that the richest source lies in the Italian Renaissance.In 1998 I embarked on a project to write a series of madrigals, eventually deciding to collect them in 'books' in the manner of Italian madrigalists, such as Monteverdi or Gesualdo. The Second Book is for an unusual six-part group - the Scandinavian Trio Mediaeval (3 sopranos) and three tenors (John Potter plus two from the Hilliard Ensemble) - and sets Petrarch in the original 14th century Italian. I focused on those sonnets known as the Rima Sparsi (scattered verses) and added one extra Petrarch setting - originally a radiophonic piece (Marconi's Madrigal) for CBC's Marconi Day. Gavin Bryars.

Choir (2-6 Voices)

SKU: HL.49005639

Madrigale und Chansons. Edited by Egon Kraus. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Choral Score. 124 pages. Schott Music #ED5405. Published by Schott Music (HL.49005639).

ISBN 9783795715038. UPC: 073999803570. 7.5x10.75x0.391 inches.

SATB Choir

SKU: HL.14011727

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Motet. Vocal Score. 60 pages. Music Sales #KP01211. Published by Music Sales (HL.14011727).

ISBN 9788759880678. 10.5x14.25x0.52 inches. Danish.

Pelle Gudmundsen-Holmgreen 's Four Madrigals From The Natural World for 6-12 part mixed chorus. This piece incorporates texts by Les Murray. ' FOUR MADRIGALS to texts by the Australian poet Les Murray are composed of two songs (Bats' Ultrasound and The Octave of Elephants) written for the Australian vocal group THE SONG COMPANY, and two songs (Cattle Egret and Comete) from my larger work SOUND / SIGHT, written for the Danish Radio Chamber Choir, but here arranged for six voices. The texts are pictures and situations from - or meditations over - THE NATURAL WORLD. Les Murray's way of approaching this world is not in the least sentimentalor nostalgic: the poems reveal a truebeing-out-there realism: so basically the approach is realistic, but the creating of form elevates the material to an abstractplay, a daring and exuberant poetic language. These poems asked to be set to music. I gave up old idiosyncrasies regarding descriptive music, and surrendered to the madrigal, with its special so-called madrigalisms, which entails also animal-imitations. You will hear this particulary inThe Octave of Elephants. ' - Pelle Gudmundsen-Holmgreen.