| Expectations - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS97
Composed by Larry Clark.
First-Plus String
Orchestra (FAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+2+5+12 pages.
Duration 2 minutes, 59
seconds. Carl Fischer
Music #FAS97. Published
by Carl Fischer Music
(CF.FAS97). ISBN
9781491143049. UPC:
680160900541. Key: D
major. Expectations
is dedicated to Larry
Clark's young son. It was
written with thoughts of
his playful nature, which
can be heard throughout
the piece, while the
lush, emotional opening
depicts the composer's
awe at being a parent to
a wonderful little boy.
This touching piece will
stretch the musicianship
of young string students,
but it will be worth the
journey. Expectations
is a special piece for
me. I wrote it with my
youngest son Benjamin in
mind. Most nine year
olds, as Benjamin, are
full of carefree joy,
wonder and excitement. It
was my hope to depict
that nature in the style
of the piece.The piece
begins sentimentally, as
I remember the
overwhelming joy I felt
upon his birth. There is
nothing that can replace
the feeling of becoming a
dad. Ben has always been
a “daddy's
boy†and is a great
hugger! This first
section of the piece
should be lush and
musical. It is important
to ask young musicians to
play with heart. They can
certainly do it but might
have to be asked to pour
some emotion into
bringing the music to
life.After the lyrical
opening the piece heads
off on a carefree journey
with a bouncy bass line
and a jaunty tune. There
are moments of
counterpoint in the piece
where the melody echoes
itself. The musical
material from the
beginning returns several
times as the bridge
material, the glue that
holds the piece together.
It is my hope that if
nothing else, the piece
brings a smile to your
face. Perhaps it can also
serve to teach young
students contrast and
musicianship in music.It
has been my pleasure to
have the opportunity to
write this piece. I hope
you andyour students
enjoy it and find it
useful for your
program.-Larry
ClarkLakeland, FL
2016. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Expectations Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Carl Fischer
Composed by Larry Clark. Score and part(s). Duration 3 minutes, 3 seconds. Carl ...(+)
Composed by Larry Clark.
Score and part(s).
Duration 3 minutes, 3
seconds. Carl Fischer
#BPS91. Published by Carl
Fischer (CF.BPS91).
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Expectations - Débutant Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 1.5 SKU:
CF.FAS97F Composed by
Larry Clark. Carl Fischer
First Plus String
Orchestra Series. Full
score. With Standard
notation. 12 pages.
Duration 2 minutes, 59
seconds. Carl Fischer
Music #FAS97F. Published
by Carl Fischer Music
(CF.FAS97F). ISBN
9781491143056. UPC:
680160900558. Expec
tations is dedicated to
Larry Clark's young son.
It was written with
thoughts of his playful
nature, which can be
heard throughout the
piece, while the lush,
emotional opening depicts
the composer's awe at
being a parent to a
wonderful little boy.
This touching piece will
stretch the musicianship
of young string students,
but it will be worth the
journey. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Protocol: A Guide to the Collegiate Audition Process for Cello Violoncelle Carl Fischer
(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Dani...(+)
(Foreword and Additional
Editing by Richard
Hughey). By Camille
Saint-Saens Daniel
Francois Van Goens.
Edited by Richard Hughey,
Larry Clark. For Cello,
Cello and Piano. 104
pages. Published by Carl
Fischer
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Protocol: A Guide to the Collegiate Audition Process for Viola Alto seul Carl Fischer
(Foreword and Additional Editing by Doris Gazda). By Giovanni Marco Bordogni Geo...(+)
(Foreword and Additional
Editing by Doris Gazda).
By Giovanni Marco
Bordogni Georg Philipp
Telemann. Edited by
Various. For Viola. Book.
52 pages. Published by
Carl Fischer
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-27
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27). ISBN
9790004300732. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A Handbook for Charter School Music Educators GIA Publications
SKU: GI.G-10803 Composed by David Hedgecoth. Music Education. Book. 118 p...(+)
SKU: GI.G-10803
Composed by David
Hedgecoth. Music
Education. Book. 118
pages. GIA Publications
#10803. Published by GIA
Publications
(GI.G-10803). ISBN
9781622777112. The
environment, resources,
and expectations for
teaching music in charter
schools often differ from
traditional public
schools, but the
teacher’s mission
remains the same: to
provide quality music
education for all
students. This concise
handbook, written by
David M. Hedgecoth of The
Ohio State University,
offers practical tools
and information for music
educators who accept
charter positions and are
tasked with beginning or
sustaining a music
program at their school.
In Part I, Hedgecoth
answers more than two
dozen critical questions
about charter schools,
addressing everything
from class size,
scheduling, funding, and
performance expectations
to non-profit status,
assessment, school
culture, and working with
administration. He also
provides a brief history
of charter schools,
defines essential
vocabulary, and offers
tips for first-year
teachers. In Part II,
Hedgecoth highlights
pertinent charter
legislation, which varies
greatly from state to
state. In clear language,
he reviews key elements
of each state’s
charter law and provides
links to additional
information and resources
for music teachers. A
Handbook for Charter
School Music Educators is
essential reference
material for any music
educator or administrator
looking to deliver
quality music instruction
to charter school
students. David M.
Hedgecoth is Associate
Professor of Music
Education as well as
Associate Director and
Chair of Undergraduate
Studies at The Ohio State
University School of
Music. He leads courses
in graduate and
undergraduate methods and
conducts the Collegiate
Winds. His research
interests include charter
schools, educational
policy and change, and
international
education. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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