| The Book of Urizen - Symphony No. 1 (CD incl.) Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
$533.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The same stream of life Chorale TTBB [Conducteur] Carus Verlag
SSAATTBB Choir SKU: CA.739400 Composed by Vytautas Miskinis. CARUS CONTEM...(+)
SSAATTBB Choir SKU:
CA.739400 Composed by
Vytautas Miskinis. CARUS
CONTEMPORARY. Secular
choral music. Full score.
8 pages. Duration 4
minutes. Carus Verlag #CV
07.394/00. Published by
Carus Verlag (CA.739400).
ISBN 9790007186067.
Language: English. Text:
Tagore,
Rabindranath. The
same stream of life for
mixed choir (SSAATTBB),
lyrics by Bengali poet
and philosopher
Rabindranath Tagore, was
commissioned by the
conductor of the New
Dublin Voices, Bernie
Sherlock. The New Dublin
Voices were awarded for
the piece, from the Arts
Council Ireland. The
piece was premiered at
the Unitarian Church on
Sunday 11th September
2016 in Dublin. It was
performed at leading
festivals and
competitions including
the International Chamber
Choir Competition in
Marktoberdorf in June
2017, and the World
Symposium on Choral Music
in Barcelona (July
2017). $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Summer Songs. Medium Voice & Pf [Conducteur] Stainer and Bell
Medium Voice & Piano SKU: ST.Y297 Composed by Rhian Samuel. Vocal music. ...(+)
Medium Voice & Piano
SKU: ST.Y297
Composed by Rhian Samuel.
Vocal music. Score.
Stainer & Bell Ltd.
#Y297. Published by
Stainer & Bell Ltd.
(ST.Y297). ISBN
9790220223563. 1.
In Summer (Denise
Levertov) (d - f') 2.
A Dragonfly in the Sun
(Zulfikar Ghose) (c -
g') The poetry
of Denise Levertov
(1923-1997) and of
Zulfikar Ghose (born
1935) is the inspiration
for the two Summer Songs
by Rhian Samuel, first
performed by tenor James
Gilchrist and pianist
William Vann at The
Forge, Camden Town, on 10
May 2012 as part of the
London English Song
Festival. Though
Levertov chiefly explored
themes of left-wing
politics and of religion
in her work, her poem 'In
Summer' is a brief
aubade, uncomplicated by
philosophical overtones.
Sunrise is observed with
a pensive humour that in
Samuel's setting is
registered through the
interrupted flow of
predominantly pastoral
textures. Complementary
to Levertov's image of
the slow diurnal
transformation of light,
'A Dragonfly in the Sun'
by the Pakistan-born poet
Zulfikar Ghose presents
the intense perception of
a moment, the myriad
colours of the creature's
wing an unalloyed
sensation evoked in words
and music.
Summer Songs would suit a
confident and
accomplished singer who
is looking in particular
for a concise example of
contemporary vocal
material as a vehicle for
sensitivity of
declamation and the
artful communication of
vividly contrasting moods
in English. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Art of String Teaching GIA Publications
SKU: GI.G-9735 Composed by Michael Hopkins. Music Education. GIA Publicat...(+)
SKU: GI.G-9735
Composed by Michael
Hopkins. Music Education.
GIA Publications #9735.
Published by GIA
Publications (GI.G-9735).
ISBN
9781622773381. Mich
ael Hopkins brought this
massive compendium of
information into an
organized setting useful
for collegiate string
methods, performance and
pedagogy classes,
in-service and convention
settings, individuals in
the field, and for the
studio teacher.
—Robert Culver,
from the Foreword The Art
of String
Teaching—a hybrid
of written text and
high-quality online
videos—is a
comprehensive string
pedagogy resource
covering everything from
the origins and history
of the string family to
advanced-level string
techniques. This
one-of-a-kind resource
has been divided into two
parts. In Part I, Michael
Hopkins offers an
orientation to string
education, outlines his
philosophical approach to
string education, and
provides four chapters on
the foundational aspects
of string playing for
beginning string players.
Part 2 focuses on
intermediate- and
advanced-level
instruction, touching on
such topics as left-hand
shifting, vibrato, bowing
techniques, tuning
skills, improvisation and
composition, and music
listening, among others.
The two concluding
chapters offer insight
into the string rehearsal
and how to run a
successful orchestra
program. The appendices
contain an abundance of
practical and
convenient teacher
resources, including
worksheets, flashcards,
string repertoire, scales
and arpeggios, a template
for method book analysis,
and sample assessments
and rubrics. QR codes
throughout the book
link to online video
demonstrations of string
techniques, and the
spiral binding is ideal
for playing the included
string repertoire from a
music stand. This book
serves as a useful
reference guide for
professional orchestra
conductors, teachers of
group string classes, and
private studio teachers.
It also addresses the
needs of students whose
primary instrument is not
strings and is suited for
use in a string
techniques or pedagogy
course at the college
level. Michael Hopkins is
Associate Professor of
Music Education at the
University of Michigan in
Ann Arbor. In addition to
serving as a guest
conductor at string
festivals across the
country, he has given
many presentations at
state and national
conferences on various
topics related to string
education and music
technology. He has also
published articles in a
number of the most
notable music and
education journals. $59.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano quartet (1925-26, rev. 1935) - Score (piano) & string parts [Conducteur et Parties séparées] Fennica Gehrman
Violin, viola, violoncello, piano SKU: FG.55011-755-6 Composed by Helvi L...(+)
Violin, viola,
violoncello, piano
SKU:
FG.55011-755-6
Composed by Helvi
Leiviskä. Classical,
contemporary. Score &
parts. Fennica Gehrman
#55011-755-6. Published
by Fennica Gehrman
(FG.55011-755-6). ISBN
9790550117556. Finn
ish composer Helvi
Leiviskä (1902-1982)
created a broad-based
output of orchestral
works, solo songs and
chamber music. Her style
could be described as
moderate modernism,
deriving influences from
multiple sources such as
late Romanticism,
Symbolism, Expressionism,
Existentialism and
Neo-Classicism.
Leiviskä's output is
characterised by
philosophical and
religious themes, images
of nature and narrative
structures. Many of her
works focus on human
existential angst and
spiritual searching and
growth.
Helvi
Leiviskä originally
completed her Piano
Quartet in A major op. 1
in 1926 but revised it a
decade later, in 1935.
Written for the
traditional piano quartet
lineup (violin, viola,
cello and piano), the
work is in three
movements and has a
duration of about 25
minutes. It features
religious and ecstatic
imagery such as may be
found in French, German
or Russian neo-Romantic
styles.
LeiviskÃ
's Piano Quartet is
considered one of the
cornerstones of her
chamber music output. Its
early version was
premiered in two parts at
student recitals of the
Helsinki Music Institute
(the 1st movement in 1925
and the 2nd and 3rd
movements in 1926). The
revised version was
performed in full by Timo
Mikkilä (piano), Sulo
Aro (violin), Ilmo Ranta
(viola) and Pentti
Rautawaara (cello) on
Finnish radio in 1939.
The work was also on the
programme of
Leiviskä's second
composition concert in
1945, being performed on
that occasion by Jussi
Jalas (piano), Erik
Cronvall (violin), Erik
Karma (viola) and Yrjö
Selin (cello). Two
commercial recordings
have been released
(Finlandia Classics 2012
and Telos Music 2016). It
is published for the
first time 2022 with an
extensive foreword by
Susanna Välimäki.
The product includes the
full score (piano part)
and a set of string
parts.
Duration:
c. 25'. Have a look
inside by clicking
sample. $60.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Book of Urizen - Symphony No. 1 Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 10: Peking Fantasy Lauren Keiser Music Publishing
Full Score SKU: HL.369854 For Orchestra Full Score. Composed by Pe...(+)
Full Score SKU:
HL.369854 For
Orchestra Full Score.
Composed by Peng Peng
Gong. LKM Music.
Softcover. 9 pages.
Lauren Keiser Music
Publishing #X077614.
Published by Lauren
Keiser Music Publishing
(HL.369854). ISBN
9781705144770. UPC:
840126992694.
11.0x17.0x0.5
inches. “In
celebration of the 40th
anniversary of China-U.S.
diplomatic relations and
in hope to support the
promotion of Chinese
culture abroad, Peng-Peng
Gong's (b. 1992) Tenth
Symphony, subtitled
'Peking Fantasy' (Op. 55)
was co-commissioned by
the Philadelphia
Orchestra and the
Shanghai Philharmonic
Orchestra in 2017. The
world premiere of the
2018 original version was
presented by the SPO in
April of the same year in
Shanghai, while the world
premiere of the 2019
revised version was
presented by the
Philadelphia Orchestra in
January at its home venue
with the combined forces
of both orchestras
side-by-side. Inspired by
the artistic power of
Peking Opera the
crowning heritage of
Chinese traditional
performing arts, the
symphony strives to
translate the emotional
and philosophical
experience of the art
form for international
audiences and to explore
the Western orchestra's
expressive abilities in
capturing the Eastern
spirit. The 2018 original
version ran as long as 76
minutes, before the
composer extensively
revised the score down to
40 and presented it in a
single movement without
pause. The work is scored
for a huge orchestra of
over 100 players. Main
materials that inspired
the music are from the
traditional Peking Opera
repertory: The Drunken
Beauty, Farewell My
Concubine, In Pursuit of
the General, and The
Chancellor and the
Advisor (lit. Cao Cao and
Yang Xiu). 'Peking
Fantasy' is in a sweet,
direct musical language
...It's a work of highly
original sounds presented
in a series of vivid
episodes.” -Peter
Dobrin, The Philadelphia
Inquirer. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sinfonia XVI: Transcendental Vienna Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729. Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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