PARTITIONS GRATUITES : CHœUR SSA, PIANO
- Shelley Thomas

12 Songs for Voice and Piano. By Thomas Pasatieri. Text: Anonymous; Christina Rossetti; Coventry Patmore; Emily Bronte; Herman Melville; P.B. Shelley; Robert Burns; Robert Herrick; Thomas Love Peacock; Thomas Moore; William Shakespeare. For voice, piano. Piano/Vocal Score. 36 pages. Duration 30:00. Published by Theodore Presser Company.

(Fall (September, October, and November) - for S.A.T.B. Chorus and Piano). By Peter Schickele. SATB chorus. For SATB, Piano. Choral. Piano reduction/vocal score. Standard notation. 27 pages. Duration 6 minutes, 30 seconds. Published by Theodore Presser Company

compiled by Dr. Ed Whitcomb. For Fiddle. songbook. Canadian. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

SATB Choir and Organ

SKU: C4.9790902260473

Composed by Various. Classical. Score. Crescendo Music Publications #9790902260473. Published by Crescendo Music Publications (C4.9790902260473).

ISBN 9790902260473. 8.27 x 11.7 inches.

Forming part of the A Distant Music anthology, Praise: Psalms and Prayers 1 showcases 20 sacred choral works by Australian composers, most published here for the first time.

Containing a variety of accompanied and unaccompanied works, Praise: Psalms and Prayers 1 offers choirs access to quality Australian sacred music. Settings include texts from the Book of Psalms, well-known prayers as well as a spiritual poem by Australian Erica Jolly.

The 90-page volume covers a range of abilities and variety of compositional styles.

SKU: GI.G-8462

Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462).

ISBN 9781622771004. English.

The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc.

SKU: ST.MB49

Composed by Charles Hubert Hastings Parry. Edited by Geoffrey Bush. Library Volumes. Edited by Geoffrey Bush. First published in 1982. Pages: 144. Format: Paperback. Dimensions (mm): 330 x 254 x 13. Score. Stainer & Bell Ltd. #MB49. Published by Stainer & Bell Ltd. (ST.MB49).

ISBN 9790220212093.

This is a representative collection of solo songs by a seminal figure in the English Musical Renaissance. 36 items selected from the English Lyrics show a fine sense of word setting and poetic subtlety, with texts by Sir Philip Sidney, Shelley, Scott, Lovelace, Beddoes, Byron, Keats, Sir John Suckling, Julian Sturgis, Beaumont and Fletcher, Meredith, Haywood, Herrick, Thomas Lodge and Rossetti. The four Shakespeare Sonnets are also included.