PARTITIONS GRATUITES : CHœUR SATB
- Claus Dieter Ludwig

Mixed choir - advanced

SKU: HL.49044192

SATB German Text. Composed by Claus-Dieter Ludwig. This edition: Saddle stitching. Sheet music. Choral. Octavo. 20 pages. Schott Music #C56035. Published by Schott Music (HL.49044192).

ISBN 9790001196994. UPC: 841886021266. 7.5x10.75x0.085 inches. German.

Ein Standchen der ganz besonderen Art liefert Claus-Dieter Ludwig mit seinen heiteren Variationen fur gemischten Chor (SATB) a cappella uber das allseits bekannte und beliebte Geburtstagslied Happy Birthday. Ob Giovanni Giacomo Gastoldi, Johann Sebastian Bach, Franz Schubert, Johannes Brahms oder gar die Jazz-Ikone Louis Armstrong: Sie alle kommen musikalisch zu Wort, um jeder in seiner ureigensten Stilistik dem Geburtstagskind zu huldigen. Aber nicht nur das: Auch das Loblied auf gutes und uppiges Essen sowie reichlich freie Getranke kommt in diesen funf augenzwinkernden Variationen keineswegs zu kurz. Ein auch fur Laienchore oder Vokalquartett gut machbares Geburtstagsstandchen, das mit relativ einfachen, aber wirkungsvollen Mitteln garantiert fur gute Stimmung auf jeder Geburtstagsparty sorgt.

Wind quintet (Querflute, oboe, clarinet, horn and bassoon) (Mixed Ensemble) - intermediate

SKU: HL.49044190

Fl/ob/cl/bsn/hn. Composed by Claus-Dieter Ludwig. Arranged by Andreas N. Tarkmann. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. 32 pages. Duration 10'. Schott Music #ED21118. Published by Schott Music (HL.49044190).

ISBN 9790001177054. UPC: 841886016996.

Most well-known and generally popular - that's what the Happy Birthday meals served by Claus-Dieter Ludwig are. Meanwhile, they are available in various instrumentations (for piano solo and piano duet, accordion duo, string quartet, piano trio). Now, Andreas Tarkmann has rearranged the work, and it's the wind instrument players' turn to be invited to the buffet - we beg your pardon, to come into their own as gourmets! Flute, oboe, clarinet, horn and bassoon enjoy five entertaining variations on the famous birthday song into which other music titles have been sneaked as well: 'Andante festivo e culinario', 'Lento lasagne e lambrusco', 'Marcia marsala e mozzarella', 'Valzero vongole e vaniglia', and the crowning dessert, a fiery 'Tango tartufo e tagliatelle'!

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039414

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Violoncello/double bass. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/14. Published by Carus Verlag (CA.1039414).

ISBN M-007-25222-9. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039412

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Violin 2. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/12. Published by Carus Verlag (CA.1039412).

ISBN M-007-25220-5. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039413

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Viola. Secular choral music. Part. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/13. Published by Carus Verlag (CA.1039413).

ISBN M-007-25221-2. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.

Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc/Cb

SKU: CA.1039419

Choral Fantasy. Composed by Ludwig van Beethoven. Edited by Ulrich Leisinger. Arranged by Xaver Scharwenka, Claus-Dieter Ludwig. Complete orchestral parts. Secular choral music. Set of Orchestra Parts. Composed 1808/1809. Op. 80. Duration 20 minutes. Carus Verlag #CV 10.394/19. Published by Carus Verlag (CA.1039419).

ISBN M-007-25223-6. Key: C minor. German/English. Text: Christoph Kuffner.

In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.