| Joshua Fit The Battle Cloches Hope Publishing Company
Arranged by Thomas Gregory. General Worship, Sacred. Handbell score. 8 pages. P...(+)
Arranged by Thomas
Gregory. General Worship,
Sacred. Handbell score.
8 pages. Published by
Hope Publishing Company
(HP.2788).
$6.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| God of Grace and God of Glory (Guide Me, O Thou Great Jehovah) Cloches [Partie séparée] - Intermédiaire Hope Publishing Company
Arranged by Cynthia Dobrinski. For handbell choir (3-6 octaves) with optional Bb...(+)
Arranged by Cynthia
Dobrinski. For handbell
choir (3-6 octaves) with
optional Bb Trumpet.
Hymntune, Sacred. Grade
3. Handbells. 12 pages
$6.50 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Call Me Maybe Cloches Hope Publishing Company
Composed by Carly Rae Jepsen, Tavish Crowe and Joshua Ramsay. Arranged by Dougla...(+)
Composed by Carly Rae
Jepsen, Tavish Crowe and
Joshua Ramsay. Arranged
by Douglas Anderson. For
3-5 octave handbell choir
with optional rhythm.
Level 3 . Handbell score.
12 pages. Published by
Hope Publishing Company
$7.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| How Firm a Foundation/Simple Gifts Cloches - Facile Hope Publishing Company
Handbells 3-6 octave handbell choir 3-7 octave handbell choir - Level 2 - 3 S...(+)
Handbells 3-6 octave
handbell choir 3-7 octave
handbell choir - Level 2
- 3 SKU: HP.2183
Arranged by Susan T.
Nelson. General Worship,
Sacred. Handbell score.
Hope Publishing Company
#2183. Published by Hope
Publishing Company
(HP.2183). UPC:
763628121839. 1
Corinthians 3:11, 2
Timothy 2:19, Jeremiah
29:11, Psalms 42:5, 1
Peter 4:12, 2 Corinthians
12:9, Genesis 26:24,
Hebrews 13:5, Isaiah
43:1-5, Joshua 1:5-9,
Romans
8:37-39. Medley of
hymn tunes Lots of
special techniques
enhance the flavor and
add challenge for your
ringers. How Firm A
Foundation/Simple Gifts
Medley employs
both hymn tunes,
skillfully interwoven
throughout in this highly
orchestral,
multi-textural
arrangement. It is scored
for 3-7 octaves of
handbells with OPTIONAL
3-4 octaves of
handchimes, plus optional
3-4 octaves of
handchimes, plus optional
2-3 octaves of Petit &
Fritsen or Silver Melody
Bells. An orchestral bell
(tubular) part is added
which can substitute for
the alternate bells if
they are not available.
This setting also sports
a bell tree (Simple
Gifts) in the upper 5th
octave. A glockenspiel
part is provided
especially for 3 and 4
octave choirs, which
duplicates the bell tree
part. $6.50 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Concerto Violon Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone,
Bassoon 1, Bassoon 2,
Celesta, Clarinet 1,
Clarinet 2, Contrabass,
English Horn, Flute 1,
Flute 2, Harp, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion, Piccolo,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Viola, Violin 1 and more.
SKU: PR.41641366L
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Contemporary. Large
Score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366L.
Published by Theodore
Presser Company
(PR.41641366L). UPC:
680160585755. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violins open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movements primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violinas open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movementas primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notion of
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures. The notes of the
violin's open strings (G,
D, A, E) also influenced
many of the melodic and
harmonic elements of my
violin concerto. The
opening tutti is mostly
based on intervals of a
perfect 4th and 5th. The
primary material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes: 1 st
movement: A-D-A 2nd
movement: D-G-D 3rd
movement: E-A-E The
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement's primary
theme. While the
movements share similar
musical materials, each
one is defined by
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and unforgiving
ferocity. The second
movement is haunting,
mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
from the previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. From
my early years studying
violin at the Tehran
Music Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ring With 6: Year-Round II Cloches [Partition] Hope Publishing Company
(Music for 6 Ringers). Arranged by Martha Thompson. For 12 Bells, 3-6 Ringers wi...(+)
(Music for 6 Ringers).
Arranged by Martha
Thompson. For 12 Bells,
3-6 Ringers with optional
handchimes. This edition:
Complete. Collection.
Ring with 6 Series.
General Worship, Sacred.
Handbell score. 24 pages.
Published by Hope
Publishing Company
$39.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Siyahamba Cloches Hope Publishing Company
Concert CD & DVD handbell choir SKU: HP.8529 Composed by Agape Ringers. A...(+)
Concert CD & DVD handbell
choir SKU: HP.8529
Composed by Agape
Ringers. Arranged by The
Agape Ringers. This
edition: Complete.
Handbell Listening Media.
Agape Ringers Series.
General Worship, Sacred.
CD. Hope Publishing
Company #8529. Published
by Hope Publishing
Company (HP.8529).
UPC:
763628185299. Perfo
rmance DVD New for 2011
is the latest recording
by The Agape Ringers,
Chicago's Premier
Handbell Ensemble,
containing 18
selections.New for 2011
is the latest recording
by The Agape Ringers,
Chicago's Premier
Handbell Ensemble,
containing 18
selections. $15.00 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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