| Cavatina Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-140<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5 SKU:
BT.DHP-1135392-140
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo &
Concerto. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1135392-140.
Published by De Haske
Publications
(BT.DHP-1135392-140).
9x12 inches.
English-German-French-Dut
ch. Goethe’s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounod’s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(“Salut, demeure
chaste et pureâ€).
Wil van der Beek has
arranged the
Cavatina with the
euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(“Salut, demeure
chaste et pureâ€),
in deze versie van Wil
van der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem für herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pure“). Wil van der
Beek wählte für
seine Bearbeitung das
Euphonium als
Soloinstrument.
Faust, de Goethe a
été plusieurs fois
mis en musique par des
compositeurs
célèbres - dont
Berlioz, Busoni et Spohr.
En s’inspirant de
la pièce de Goethe,
Charles Gounod composa un
opéra connu pour ses
belles mélodies, ses
chants expressifs et ses
orchestrations subtiles.
Un des points forts de
cet opéra est sans
aucun doute cette
impressionnante
Cavatine
intitulée Salut !
Demeure chaste et
pure. Wil van der
Beek a choisi, pour son
arrangement, de
confi_x001C_er la partie
solo l’euphonium.
Un choix judicieux, qui
placera votre soliste
sous les feux de la rampe
gr ce cette cavatine
vibrante
d’émotion et de
sensibilité.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
l’opera omonima.
Il suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
l’imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cavatina Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie and Euphonium Solo - Grade 2.5 SKU: BT.DHP-1135392-010<...(+)
Concert Band/Harmonie and
Euphonium Solo - Grade
2.5 SKU:
BT.DHP-1135392-010
From Faust.
Composed by Charles
Francois Gounod. Arranged
by Wil van der Beek. Solo
Spectrum. Solo and
Concerto. Set (Score and
Parts). Composed 2013. De
Haske Publications #DHP
1135392-010. Published by
De Haske Publications
(BT.DHP-1135392-010).
9x12 inches.
English-German-French-Dut
ch. Goetheâ??s
Faust has already
been set to music by
various renowned
musicians, such as
Berlioz, Busoni and
Spohr, and indeed Charles
Gounod, who built his
eponymous opera around
the tale. Gounodâ??s
Faust is primarily
known for its lovely
melodies and its
beautifully expressive
vocal parts and subtle
orchestrations. One of
the high points of this
opera is doubtless this
impressive
Cavatina
(â??Salut, demeure
chaste et pureâ?). Wil
van der Beek has arranged
the Cavatina with
the euphonium as solo
instrument.
Goethe
s Faust is in het
verleden al door
verschillende componisten
- waaronder Berlioz en
Spohr - op muziek gezet.
Ook Charles Gounod
gebruikte Faust
voor zijn gelijknamige
opera. Zijn versie staat
bol van prachtige
melodieën en uiterst
expressieve zangpartijen
in een
gera_x001C_ffineerde
orkestratie. Een van deze
hoogtepunten is zeker
zijn Cavatina
(â??Salut, demeure
chaste et pureâ?), in
deze versie van Wil van
der Beek bewerkt voor
euphonium en
orkest.
Goethes
Faust wurde schon
mehrfach von namhaften
Komponisten vertont -
darunter Berlioz, Busoni,
Spohr und eben auch
Charles Gounod, der aus
dem Stoff_x001F_ die
gleichnamige Oper
komponierte. Sein
Faust ist vor
allem fu?r herrliche
Melodien sowie schöne,
ausdrucksvolle
Vokalpartien und
feinsinnige
Orchestrierungen bekannt.
Einer der Höhepunkte
dieser Oper ist
zweifellos diese
eindrucksvolle
Cavatina (Salut,
demeure chaste et
pureâ??). Wil van der
Beek wählte fu?r seine
Bearbeitung das Euphonium
als
Soloinstrument.
Faust, de Goethe a
été plusieurs fois
mis en musique par des
compositeurs
célèbres - dont
Berlioz, Busoni et Spohr.
En sâ??inspirant de la
pièce de Goethe,
Charles Gounod composa un
opéra connu pour ses
belles mélodies, ses
chants expressifs et ses
orchestrations subtiles.
Un des points forts de
cet opéra est sans
aucun doute cette
impressionnante
Cavatine
intitulée Salut !
Demeure chaste et
pure. Wil van der
Beek a choisi, pour son
arrangement, de
confi_x001C_er la partie
solo lâ??euphonium. Un
choix judicieux, qui
placera votre soliste
sous les feux de la rampe
gr ce cette cavatine
vibrante dâ??émotion
et de
sensibilité.
Il
Faust di Goethe fu
più volte messo in
musica da compositori
famosi quali Berlioz,
Busoni, Spohr e Charles
Gounod che compose
lâ??opera omonima. Il
suo Faust è
noto per le belle
melodie, le parti vocali
particolarmente
espressive e la
ra_x001F_nata
orchestrazione. Uno dei
punti di forza di questa
opera è senza dubbio
lâ??imponente
Cavatina (Salut,
demeure chaste et pure).
Wil van der Beek ha
scelto di arrangiare la
sua Cavatina per
eufonio solo e banda. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Doktor Faust K 303 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: S.9T.5Bar.7B - choir: SSAATTBB - 3(2pic...(+)
Chorus (with soloists)
and piano (solos:
S.9T.5Bar.7B - choir:
SSAATTBB - 3(2pic).2(cor
ang).2.Bb-clar.2.dble bsn
- 5.3.3.1 - timp.perc.(4)
- 2hp - cel.org - str -
stage music: 0.2.0.0 -
6.3.3.0 - timp.perc.(2) -
2hp - cel - vl.va.vc)
SKU: BR.EB-9434
Poem for Music in 2
Preludes, an Intermezzo
and 3 Principal
Scenes. Composed by
Ferruccio Busoni. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Early modern;
Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
9434. Published by
Breitkopf and Haertel
(BR.EB-9434). ISBN
9790004189115. 9 x 12
inches. Ferruccio
Busoni died in 1924,
leaving his last opera
Doktor Faust incomplete
in two places: in the
Helena scene in the
second scene and in the
final scene with the
protagonist's death. The
premiere took place
posthumously with the
addenda by Busoni's
student Philipp Jarnach.
In 1984, the conductor
and Busoni biographer
Antony Beaumont presented
his addendum based on
autograph sketches of
which Jarnach had also
been quite aware (!). The
edition of the piano
vocal score released in
advance of the Busoni
anniversary (100th
anniversary of his death)
combines for the first
time the solutions
previously published
separately and offers, in
addition, a music text
with many improved
passages that is well
aligned with the full
score. $80.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Arlecchino Op. 50 K 270 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: Sp MezT2BarB - 2(picc).2(cor ang).2(Bkl...(+)
Chorus (with soloists)
and piano (solos: Sp
MezT2BarB - 2(picc).2(cor
ang).2(Bkl).2(dble bsn) -
3.2.3.0 - timp.perc.(2) -
Cel - str - stage music:
2trp.timp.perc) SKU:
BR.EB-9433 A
Theatrical Caprice in One
Act. Composed by
Ferruccio Busoni. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Early modern;
Late-romantic.
Piano/Vocal Score.
Duration 60'. Breitkopf
and Haertel #EB 9433.
Published by Breitkopf
and Haertel (BR.EB-9433).
ISBN 9790004189108. 9
x 12 inches.
German. Text by the
composerTranslation:
engl. (E. J. Dent), ital.
(V. Levi), port. (G. de
Medeiros)Place and time:
Bergamo, around the 18th
century.Characters: Ser
Matteo del Sarto, master
tailor (baritone) -
Abbate Cospicuo
(baritone) - Dottore
Bombasto (bass) -
Leandro, Cavaliere
(tenor) - Arlecchino
(speaking part) -
Colombina, Arlecchino's
wife (mezzo-soprano) -
Annunziata, Matteo's wife
- Zwei Sbirren - Ein
Karrner - a Donkey -
People at the windows
(silent parts)The idea
behind this work was to
combine a major speaking
role with a part for a
female singer and
orchestra in the spirit
of the opera buffa. The
overall tone is
pacifistic and
anti-bourgeois. Busoni's
inspiration was that of
an opera-play in the
style of Italian
improvised comedy; he
wanted types and
characters on stage whose
varying typology would
provide the source of
conflict ... The title
hero absconds with the
young wife of the
Dante-reading tailor
Matteo. He returns as a
false barbarian
commander, as a husband
who engages in a duel
with the suitor Count
Leandro, and as a
conqueror who announces
the moral of the story in
the epilogue: how to be
able to bow in rags and
still retain one's
dignity and rights. The
piece takes a turn for
the absurd when the
Abbate, at the sight of
Leandro, who is presumed
dead, begins to sing a
chorale-like song of
praise to the donkey of
Providence who comes
trotting in at that
moment. This introduces
the most musically
refined number in the
piece, the quartet, in
which Leandro's love aria
and his duet with
Columbina satirize the
attitudes prevalent in
Italian opera from
Scarlatti to Verdi.
Musically, Busoni uses
throughout the entire
work an idiom of
dance-like, blissfully
transparent comedy and
hides harmonic audacities
behind touches of
lightness. The orchestral
sound radiates an
incomparable brightness
and buoyant elegance.
(Hans Heinz
Stuckenschmidt,
1967)
In the
appendix, EB 9433
contains the later
composed aria Wer siegt?
Wer fallt?.. $57.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Turandot K 273 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc)...(+)
Chorus (with soloists)
and piano (solos:
2S2Mez6TBar7B - choir:
SSAATB - 2(picc).2(cor
ang).2(Bb-clar).2(dble
bsn) - 4.2.3.0 -
timp.perc(3) - hp - cel -
str - stage music:
trp.2tbne.perc) SKU:
BR.EB-9429 A
Chinese Fable in 2 Acts
after Carlo Gozzi.
Composed by Ferruccio
Busoni. Choir. Edition
Breitkopf. Opera; Music
theatre; Early modern.
Piano/Vocal Score.
Duration 85'. Breitkopf
and Haertel #EB 9429.
Published by Breitkopf
and Haertel (BR.EB-9429).
ISBN 9790004189061. 0
x 0 inches. German /
Italian. Text by
the composer based on a
drama by Carlo
GozziTranslation: engl.
(L. Salter), ital. (O.
Previtali)Place: Im
aussersten Orient. Vor
dem Stadttor Pekings,
Thronsaal im
Kaiserpalast, das
Frauengemach
TurandotsCharacters:
Altoum, Kaiser (bass) -
Turandot, seine Tochter
(soprano) - Adelma, ihre
Vertraute (mezzo-soprano)
- Kalaf, Sohn des Timur,
ein Prinz (tenor) -
Barak, sein Getreuer
(baritone) - Die
Koniginmutter von
Samarkand, eine Mohrin
(soprano) - Truffaldino,
Haupt der Eunuchen
(tenor) - Pantalone,
Minister (bass) -
Tartaglia, Minister
(bass) - Acht Doktoren (4
tenors, 4 basses) - Eine
Vorsangerin
(mezzo-soprano) - Der
Scharfrichter (stumme
Rolle)Busoni's work,
which antedates Puccini's
famous setting by a few
years, seems rather cool
in com-parison to the
later piece. Busoni tones
down the colors of his
orientalisms and totally
eschews sentimental
lyricism. His strengths
lie especially in the
scintillating,
unfathomable characters
and in a music that
hovers in an ambivalent
manner between brightness
and darkness, sadness and
humor, danger and
harmlessness. This work
of art makes its
references clear: Gozzi's
play about the murderous
princess is peopled with
familiar commedia
dell'arte figures, and
one is not quite sure
whether this mixture of
fun and danger gives a
more relaxed feeling to
the activity on the stage
or whether it does not do
precisely the opposite,
adding the irreconcilable
perspective of a gondola
trip on the edge of a
bottomless gulf. Busoni
is more faithful to Gozzi
than Puccini and thus to
the gracious levity that
hovers over the excesses
of the action. His mild
chinoiseries repeatedly
lead to a Neo-Classicism
inspired by Venetian
folklore. (Hans-Klaus
Jungheinrich, 1985)
Turandot was premiered
with Arlecchino in Zurich
on 11 May 1917. $92.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Brautwahl Op. 45 K 258 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: MezTTTBarBarB - choir: SATTBB - 3(3picc...(+)
Chorus (with soloists)
and piano (solos:
MezTTTBarBarB - choir:
SATTBB - 3(3picc)3(cor
ang).3(B-clar).3(dble
bsn) - 4.3.3.1 -
timp.perc - hp - cel.org
- str - stage music:
1.2.2.2 - 2.2.corn.0.0 -
timp.perc(2) - pno - db -
low bell) SKU:
BR.EB-9432
Musical-phantastic
Comedy in 3 Acts with a
Postlude. Composed by
Ferruccio Busoni. Choir.
Edition Breitkopf. Opera;
Music theatre; Early
modern; Late-romantic.
Piano/Vocal Score.
Breitkopf and Haertel #EB
9432. Published by
Breitkopf and Haertel
(BR.EB-9432). ISBN
9790004189092. 0 x 0
inches. Duration:
full evening Text by the
composer basesd on E.T.A.
Hoffmann's tale of the
same name from
Serapionsbrudern
Translation: ital. (G.
Trampus), La sposa
sorteggiata Place and
time: Berlin, um 1820
Characters: Der
Kommissionsrat Voswinkel
(baritone) - Albertine,
his daughter
(mezzo-soprano) -
Thusman, Freier (tenor) -
Edmund Lehsen, paintor,
Freier (tenor) - Baron
Bensch, Freier (tenor) -
the goldsmith Leonhard
(baritone) - the jew
Manasse (bass) - the
valet Voswinkels - crowd,
a Chancre (silent parts)
In Busoni's musical
evolution, this work
marks an important phase
of radical change after
works inspired by Brahms
and Verdi. The composer's
compositional style
became increasingly
revolutionary between the
sketch of the shport
score (1908) and the
completion of the
orchestral score
(1911).Busoni took the
greatest care in
preparing the definitive
form of the work. He
asserted that there was
invention in every bar,
and assigned an important
role to the use of music
from other sources: the
Hebrew march from
Rossini's Mose, for
example, or a German
dance by Mozart, military
music, American-Indian
pentatonic music,
Gregorian plainchant,
melodies from the
synagogue and even quotes
from his own works. With
these stylistic means,
Busoni followed
Hoffmann's serapiontic
principle and came closer
to his idea of a timeless
world music without
borders. $98.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto [No. 23] in A major K. 488 Breitkopf & Härtel
Viola (solo: pno - 1.0.2.2 - 2.0.0.0 - str) SKU: BR.OB-15107-19 Urtext...(+)
Viola (solo: pno -
1.0.2.2 - 2.0.0.0 - str)
SKU:
BR.OB-15107-19
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: viola part.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 8 pages.
Duration 26'. Breitkopf
and Haertel #OB 15107-19.
Published by Breitkopf
and Haertel
(BR.OB-15107-19). ISBN
9790004339374. 10 x 12.5
inches. One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto [No. 23] in A major K. 488 Breitkopf & Härtel
Violin 1 (solo: pno - 1.0.2.2 - 2.0.0.0 - str) SKU: BR.OB-15107-15 Urt...(+)
Violin 1 (solo: pno -
1.0.2.2 - 2.0.0.0 - str)
SKU:
BR.OB-15107-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
This edition: violin 1
part. Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Our
edition EB 8579 contains
a Ferrucci Busoni
cadenza. Solo concerto;
Classical. Part. 12
pages. Duration 26'.
Breitkopf and Haertel #OB
15107-15. Published by
Breitkopf and Haertel
(BR.OB-15107-15). ISBN
9790004339350. 10 x 12.5
inches. One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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