| Steven Reineke: Goddess of Fire Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Compo...(+)
By Steven Reineke.
Concert Band. Level:
Grade 4.5. Score and set
of parts. Composed 2006.
Duration 0:09:59.
Published by C.L.
Barnhouse.
(2)$98.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Sounds Of Christmas Chorale SATB SATB, Clavier Carl Fischer
Choral SATB Choir, keyboard SKU: CF.CM9230 Composed by Vicki Tucker Court...(+)
Choral SATB Choir,
keyboard SKU:
CF.CM9230 Composed by
Vicki Tucker Courtney.
Christmas and Holiday.
Performance. With
Standard notation. 8
pages. Duration 2:10.
Carl Fischer Music
#CM9230. Published by
Carl Fischer Music
(CF.CM9230). ISBN
9780825883484. UPC:
798408083489. 6.875 x
10.5 inches. Key: C
major. Text: Bert
Stratton. Bert
Stratton. Holiday
cheer abounds in this
charming selection from
Vicki Tucker Courtney and
Bert Stratton. In a
gentle 6/8 meter, we are
reminded that the sounds
of Christmas linger in
our hearts throughout the
year. A beautiful school
selection for a holiday
concert. Duration:
2:10. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Particles 2.X Hal Leonard
SKU: HL.1458386 Team - 18 Month License for Single Projects. Sound...(+)
SKU: HL.1458386
Team - 18 Month
License for Single
Projects. Sound
Particles. Vault
Download. Hal Leonard
#1342-1003. Published by
Hal Leonard (HL.1458386).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
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mouse clicks. Binaural
Monitoring Sound
Particles will let you
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| Sound Particles 2.x Indie (perpetual) Hal Leonard
SKU: HL.1458384 Indie (Perpetual License). Sound Particles. Vault ...(+)
SKU: HL.1458384
Indie (Perpetual
License). Sound
Particles. Vault
Download. Hal Leonard
#1342-1001. Published by
Hal Leonard (HL.1458384).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
of track and microphone
settings, recall track
setups with just two
mouse clicks. Binaural
Monitoring Sound
Particles will let you
monitor binaural audio by
decoding any type of
audio format. $399.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sound Particles 2.X Pro Hal Leonard
SKU: HL.1458385 Perpetual License. Sound Particles. Vault Download...(+)
SKU: HL.1458385
Perpetual License.
Sound Particles. Vault
Download. Hal Leonard
#1342-1002. Published by
Hal Leonard (HL.1458385).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
of track and microphone
settings, recall track
setups with just two
mouse clicks. Binaural
Monitoring Sound
Particles will let you
monitor binaural audio by
decoding any type of
audio format. $999.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| When Music Sounds Chorale SATB SATB A Cappella Pavane Publishing
Mit Werken von Brabec und Hannig. Composed by Nancy Hill Cobb. Arranged by Vac...(+)
Mit Werken von Brabec und
Hannig. Composed by Nancy
Hill Cobb. Arranged by
Vaclav
Pokorny. Sheet music.
Pavane
Choral. A Cappella,
Concert,
Poetry. Set of parts.
1431.
12 pages. Pavane
Publishing
#P1431. Published by
Pavane
Publishing
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Without Form and Void Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano
SKU: PR.362034230
A Prologue to THE
CREATION by Franz Joseph
Haydn. Composed by
Dan Welcher. Sws.
Premiered at the
Northwest Hills United
Methodist Church, Austin,
TX. Choral. Performance
Score. With Standard
notation. Composed July 5
2014. 16 pages. Duration
5:15. Theodore Presser
Company #362-03423.
Published by Theodore
Presser Company
(PR.362034230). ISBN
9781598069556. UPC:
680160624225. Letter
inches.
English. When the
Texas Choral Consort
asked Welcher to write a
short prologue to Haydn's
The Creation, his first
reaction was that Haydn
already presents Chaos in
his introductory
movement. As he thought
about it, Welcher began
envisioning a truer void
to precede Haydn's
depiction of Chaos within
the scope of 18th-century
classical style - quoting
some of Haydn's themes
and showing human voices
and inhuman sounds in a
kind of pre-creation
melange of color, mood,
and atmosphere. Welcher
accepted this challenge
with the proviso that his
prologue would lead
directly into Haydn's
masterpiece without
stopping, and certainly
without applause in
between. Scored for mixed
chorus and Haydn's
instrumentation, Without
Form and Void is a
dramatically fresh yet
pragmatic enhancement to
deepen any performance of
Haydn's The Creation.
Orchestral score and
parts are available on
rental. When Brent
Baldwin asked me to
consider writing a short
prologue to THE CREATION,
my first response was
“Why?â€Â
THE CREATION already
contains a prologue;
it’s called
“Representation of
Chaosâ€, and
it’s
Haydn’s way of
showing the formless
universe. How could a
new piece do anything but
get in the way? But
the more I thought about
it, the more it made
sense. The Age of
Enlightenment’s
idea of
“Chaos†was
just extended
chromaticism, no more
than Bach used (in fact,
Bach went
further).Perhaps there
might be a way to use the
full resources of the
modern orchestra (or at
least, a Haydn-sized
orchestra) and the modern
chorus to really present
a cosmic soup of unborn
musical atoms, just
waiting for
Haydn’s sure touch
to animate them.Â
Perhaps it could even
quote some of
Haydn’s themes
before he knew them
himself, and also show
human voices and inhuman
sounds in a kind of
pre-creation mélange
of color, mood, and
atmosphere. So I
accepted the challenge,
with the proviso that my
new piece not be treated
as some kind of
“overtureâ€,
but would instead be
allowed to lead directly
into Haydn’s
masterpiece without
stopping, and certainly
without applause. I
crafted this five minute
piece to begin with a
kind of “music of
the spheresâ€
universe-hum, created by
tuned wine glasses and
violin harmonics. The
chorus enters very soon
after, with the opening
words of Genesis
whispered simultaneously
in as many languages as
can be found in a
chorus. The first two
minutes of my work are
all about unborn human
voices and unfocused
planetary sounds,
gradually becoming more
and more
“coherentâ€
until we finally hear
actual pitches, melodies,
and words. Three of
Haydn’s melodies
will be heard, to be
specific, but not in the
way he will present them
an hour from now.Â
It’s almost as if
we are listening inside
the womb of the universe,
looking for a faint
heartbeat of worlds,
animals, and people to
come. At the end of
the piece, the chorus
finally finds its voice
with a single word:
“God!â€,Â
and the orchestra finally
finds its own pulse as
well. The unstoppable
desire for birth must now
be answered, and it
is----by Haydn’s
marvelous oratorio. I
am not a religious man in
any traditional
sense. Neither was
Haydn, nor Mozart, nor
Beethoven. But all of
them, as well as I, share
in what is now called a
humanistic view of how
things came to be, how
life in its many forms
developed on this planet,
and how Man became the
recorder of history.Â
The gospel according to
John begins with a parody
of Genesis: “In
the beginning was the
Word, and the Word was
with God, and the Word
was God.â€Â  I
love that phrase, and
it’s in that
spirit that I offer my
humble
“opener†to
the finest work of one of
the greatest composers
Western music has ever
known. My piece is
not supposed to sound
like Haydn.Â
It’s supposed to
sound like a giant
palette, on which a
composer in 1798 might
find more outrageous
colors than his era would
permit…but which, I
hope, he would have been
delighted to hear. $3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Air Mail Special Big band [Conducteur et Parties séparées] Jazz Lines Publications
By Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big b...(+)
By Benny Goodman. Edited
by Jeffrey Sultanof.
Arranged by Jimmy Mundy.
For big band. Swing.
Medium-difficult. Score
and parts. Published by
Jazz Lines Publications
$65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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