PARTITIONS GRATUITES : ENSEMBLE DE CUIVRES
- Side Effects

SKU: HL.1158247

Vertex Effects. Guitar Pedal. Duration 162 seconds. Vertex Effects #BI. Published by Vertex Effects (HL.1158247).

UPC: 749350578400. 6.25x4.0x3.0 inches.

VERTEX BUFFERS NOW AVAILABLE TO THE MASSES! For over a decade, every buffer that's come out of Vertex Effects has been custom made, bespoke, for the pedalboard it was designed for or the customer that ordered it. Needless to say, our buffers were very limited, with only a few hundred made over the last ten years. Over that time, and through hundreds of custom buffer interfaces being made, several common applications for buffer combinations and routing emerged as the most common uses as it comes to placing buffers on a pedalboard for the most optimal results. Routing schemes such as mono, stereo, audition loops (inserts), four-cable method, five-cable method, and wet/dry/wet were all common requests from our customers, but there was never an all-in-one solution that provided all of these options for buffering and routing your pedalboard in a pedalboard-friendly enclosure – until now. Introducing the Vertex Buffer Interfaces and Buffer Modules. The first all-in-one solution that covers 99% of all pedalboard routing options, whether you have multiple amps, amps with effects loop, a wet/dry/wet rig, an impedence sensitive fuzz, or want to side-chain pedals off the board in the middle of your signal path with an insert loop, these boxes have a solution for you that won't compromise on tone. WHY ARE OUR BUFFERS BETTER? Firstly, our buffers are designed to have no sound of their own – totally transparent, no color, no EQ, no distortion – just your tone as though you plugged your guitar directly into your amp with a 10ft cable (even if you're running a dozen or more pedals between the guitar and amp with over 100 ft. of cable). So often buffers in our industry will be described by the manufacturers with words like “warm” or “fat” when really the buffer should NOT be imparting anything to the sound other than 1) loading the guitar pickups properly with the same loading as your guitar would see if plugged into a tube amp and 2) converting the signle to low impedence, driving the line so it is the least susceptible to environmental factors that might alter the tone. Unfortunately, 99% of the buffers available on the market don't do this – they add a color to the signal and lack the proper specifications to dive even 20 feet of cable without introducing artifacts into the sound.

Flute, Viola and Contrabass

SKU: AY.CM3241PM

Composed by Luis Cosme Gonzalez. Ensembles - Chamber Music. Score & Parts. Duration 15'. Periferia Publishing #CM3241PM. Published by Periferia Publishing (AY.CM3241PM).

ISBN 9790543575110.

Comm issioned by Arts Trio, Acuarelas is an ensemble of pictures with an independent form and content that are closely related to the development of the sound processing. These pictures are not related each other, except the first and the last one. In both cases, it is represented two crucial moments of Perseus' myth, which iconography enhances the perfect balance of Cellini's sculpture. In Acuarelas the particular timbre ressources are put aside but not given up. The piece shows a special emphasis in transparencies and light and shades as used in watercolor painting. The contrast among the different numbers is based on concepts of the music discourse and doesn't make concession to side effects.

SKU: HL.1105195

Mackie. Live Sound. Hal Leonard #2051299-00. Published by Hal Leonard (HL.1105195).

UPC: 663961057867. 9.5x12.25x4.25 inches.

The Mackie ProFX16v3 16-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain-hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX(TM) effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools®¦First and Waveform(TM) OEM recording software/plugin packages are included. The Ultimate Affordable Mixer for Everyone • Designed for maximum versatility making it perfect for live sound, home recording, content creation, and live streaming • Equipped with 11 Onyx Mic Pres offering up to 60db of gain and ultra-low noise performance • Perfect for microphones popular with content creators that require high-gain preamps • High-Resolution GigFX(TM) Effects Engine: With 24 different FX options, from reverbs to delays, adding some drama to your sound is easy easy ... easy easy ... easy ... (Delay, get it?) • Lay down your tracks in incredible 24-Bit / 192kHz quality for the cleanest recordings possible • 2x4 USB I/O allows you to create two custom mixes on your computer to send back in to the mixer, great for situations when you need to monitor specific tracks during playback in addition to the full mix • Effortless latency-free monitoring: With a single knob, you can blend between monitoring your computers output and a direct feed from the mixer • Great for recording overdubs alongside a pre-recorded track • The essential mixing tools you need: 3-band EQ on all channels with variable mid frequency control (Channel 15/16 features a standard 3-band EQ) • Channels 9-14 feature mic inputs and stereo line inputs for maximum versatility • Hi-Z switches allows direct connection of guitars, basses, and other instruments • 100Hz low-cut filter and 48V phantom power on all mic channels • Stereo 1/8″ input on channel 15/16 • 3 Aux/Monitor outputs with dedicated per-channel send control • Dual stereo Subgroup output busses with per-channel assignment • Headphone output with separate level and blend control • Dedicated Control Room output with level control • Insert jack on channels 1-8 • Pre-Fader solo on all channels • Footswitch input for FX Mute • Single-knob compression • and much more!

(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist). By Tobias Hurwitz. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. The Serious Guitarist. 128 pages. Published by Alfred Music

Jazz Ensemble plus 5th Trumpet/Flugelhorn and 5th Trombone - Grade 5

SKU: KN.52807

Composed by Neil Slater. Kendor Archive Editions. Swing. Kendor Music Inc #52807. Published by Kendor Music Inc (KN.52807).

UPC: 822795433814.

Writt en for and recorded by the famous University of North Texas One O'Clock Lab Band, this brilliant swing chart is a masterpiece of textures and colors. The straight ahead groove is a perfect setting for both the soloists (piano, guitar, alto, trumpet) and the ensemble work. Rhythm section parts are partially notated with chords cued. Duration 5:28.

Accordion - difficult

SKU: HL.49018091

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Composed 2008/2009. 24 pages. Duration 15'. Schott Music #ED20759. Published by Schott Music (HL.49018091).

ISBN 9790001170338. UPC: 884088520069. 9.0x12.0x0.115 inches.

The title hidden tracks is ambiguous. First of all, the piece is almost throughout imagined as 'multi-track', with layers (in the sense of sound tracks) that partly overlay each other, partly suddenly appear from the background. The composition deals with 'hidden' lines, sounds at the perception threshold, with side effects of the accordion sound which -observed, so to speak, under a compositional 'microscope' - develop a special allure: that is the vertical component. The title has also a horizontal meaning: a 'hidden track' is a piece on a record without a track number that is not mentioned on the cover either. In most cases, a 'hidden track' follows after a longer break after the (presumably) last piece on the record; often this track contains strange sounds, noise or other surprising elements. 'Hidden tracks' are surrounded by a nimbus of the mysterious and subversive. This effect is being used rather often throughout the piece: again and again, it seems to have ended but continues after a pause. The expectation of the listener and the attentiveness also for the tiniest events rises; the performance receives an almost scenic character. hidden tracks was partly composed in August 2008 during a stay at the Kunstlerhaus Lukas in Ahrenshoop at the shores of the Baltic Sea. The work was accompanied by many walks on the beach - again and again, I caught a sight on tracks in the sand that became overlaid by other tracks, wiped out by the wind and the waves... Benjamin Schweitzer.

Jazz Ensemble plus 5th Trumpet/Flugelhorn and 5th Trombone - Grade 5

SKU: KN.52807S

Composed by Neil Slater. Kendor Archive Editions. Kendor Music Inc #52807S. Published by Kendor Music Inc (KN.52807S).

UPC: 822795433814.

Writt en for and recorded by the famous University of North Texas One O'Clock Lab Band, this brilliant swing chart is a masterpiece of textures and colors. The straight ahead groove is a perfect setting for both the soloists (piano, guitar, alto, trumpet) and the ensemble work. Rhythm section parts are partially notated with chords cued. Duration 5:28.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS132F

Composed by Nicolás Humberto Repetto. Sws. Cas. Full score. 8 pages. Carl Fischer Music #CAS132F. Published by Carl Fischer Music (CF.CAS132F).

ISBN 9781491157503. UPC: 680160916085. 9 x 12 inches.

Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. The syncopated, driving rhythms initiated by the low strings are contrasted by lyrical lines played in the violin and viola sections. A contrasting, lyrical B section, in 6/8, almost waltz-like, shows a softer side of this dance journey. Various tango elements are also found in this piece such as special effects like the glissandi in the cello section, and the chicharra played by the violins. The chicharra should be played behind the bridge on the D string with extra finger weight, very close to the tailpiece - this sound imitates the chicharra or cricket!.
Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. The syncopated, driving rhythms initiated by the low strings are contrasted by lyrical lines played in the violin and viola sections. A contrasting, lyrical B section, in 6/8, almost waltz-like, shows a softer side of this dance journey.Various tango elements are also found in this piece such as special effects like the glissandi in the cello section, and the chicharra played by the violins. The chicharra should be played behind the bridge on the D string with extra finger weight, very close to the tailpiece - this sound imitates the chicharra or cricket!

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians