| Taloowa' Chipota (Children's Songs) Chorale 3 parties 3 parties Mixtes American Composers Forum
Commissioned by American Composers Forum 3-Part Mixed Choir, Cello, and Piano. C...(+)
Commissioned by American
Composers Forum 3-Part
Mixed Choir, Cello, and
Piano. Composed by Jerod
Impichchaachaaha' Tate.
ChoralQuest. American
Indian, Concert. Octavo.
32 pages. Published by
American Composers Forum
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prologue Score To Dido And Aeneas By Purcell(pod Overseas) Orchestre Wilhelm Hansen
Orchestra (Score) SKU: HL.14042814 Composed by Henry Purcell, Nahum Tate,...(+)
Orchestra (Score) SKU:
HL.14042814 Composed
by Henry Purcell, Nahum
Tate, and Poul Ruders.
Music Sales America.
Opera or Operetta.
Softcover. Edition
Wilhelm Hansen #WH31460.
Published by Edition
Wilhelm Hansen
(HL.14042814). ISBN
9788759824177.
English. Poul
Ruders'
Prologue
To Dido And Aenas by
Henry Purcell (2011).
Text by Nahum Tate.
Commissioned by The
Danish National Vocal
Ensemble / DR
Scored for Mixed Choir
(SATB), String Quartet,
Percussion, Theorbe and
Harpsichord.
Voc
al score available:
WH31460C Parts
available:
WH31460A $79.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kenneth Leighton: Adventate Deo Music Sales
For SATB and Organ. Commissioned by David Patrick and the Choir of Barnet Parish...(+)
For SATB and Organ.
Commissioned by David
Patrick and the Choir of
Barnet Parish Church.
Words by John Addington
Symonds (1840-1893)
$3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Mass of St. Patrick Chorale 3 parties SAB GIA Publications
Revised Order of Mass 2010. Composed by Liam Lawton. Arranged by Paul Tat...(+)
Revised Order of Mass
2010. Composed by
Liam Lawton. Arranged by
Paul Tate. Sacred. With
guitar chord names. 48
pages. GIA Publications
#9251. Published by GIA
Publications (GI.G-9251).
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Of Skies, Rivers, Lakes and Mountains Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-340-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-340-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2012. 44 pages.
Anglo Music Press #AMP
340-140. Published by
Anglo Music Press
(BT.AMP-340-140). 9x12
inches.
English-German-French-Dut
ch. Of Skies,
Rivers, Lakes and
Mountains was
commissioned by the
Northern California Band
Directors' Association to
honour their 50th
Anniversary in 2012. The
first performance was
given by the
Association’s 2012
Honor Band, conducted by
Dr Royce Trevis, in the
Harlen Adams Theater,
California State
University, Chico,
California, on 4th
February that year.The
brief for the commission
asked for a piece that
celebrated the United
States’ natural
resources and composer
Philip Sparke turned to
Katharine Lee
Bates’s lyrics for
the song America the
Beautiful, of which
the first and last verses
are:O beautiful for
spacious skies,For amber
waves of grain,For
purplemountain
majestiesAbove the
fruited plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaThe three
movements each take their
title from these
verses:1. O Beautiful
for Spacious Skies:
Opening with filigree
woodwind figuring, this
movement aims to recreate
the light and lightness
of a spring sky, birds
and blossoms floating on
gentle breezes.2. From
Sea to Shining Sea: A
vivacious celebration of
water bubbling in
streams, rivers and
lakes.3. For Purple
Mountain Majesties: A
slow final movement
representing an
awe-inspiring range of
mountains
Of
Skies, Rivers, Lakes and
Mountains is
geschreven in opdracht
van de Northern
California Band
Directors' Association,
ter gelegenheid van het
vijftigjarig jubileum van
deze organisatie, dat in
2012 werd gevierd. De
première werd op 4
februari van dat jaar
onder leiding van
dirigent Royce Trevis
uitgevoerd door de
Association’s 2012
Honor Band, in het Harlen
Adams Theater, California
State University, Chico,
Californië.De
componist kreeg het
verzoek een werk te
schrijven dat een lofzang
zou zijn op alles wat de
natuur van Verenigde
Staten te bieden heeft.
Philip Sparke gebruikte
de tekst van Katharine
Lee Bates voor de song
America the
Beautiful, waarvan
heteerste en laatste
couplet als volgt
luiden:O beautiful for
spacious skies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDe titels van
de drie delen van de
compositie zijn ontleend
aan deze coupletten:1.
O Beautiful for
Spacious Skies: Dit
deel, dat opent met
verfijnde figuren in het
hout, is een poging om
het licht en de lichtheid
van een lentehemel te
herscheppen, met
vogeltjes en bloesems die
wiegen in een milde
bries.2. From Sea to
Shining Sea: Een
levendige ode aan water
dat stroomt in beken,
rivieren en meren3.
For Purple Mountain
Majesties: Een
langzaam laatste deel
waarin het beeld wordt
opgeroepen van een
indrukwekkende bergketen
Of Skies,
Rivers, Lakes and
Mountains wurde von
der Northern California
Band Director’s
Association
(Dirigentenverband
Nord-Kaliforniens) zum
50-jährigen
Jubiläum im Jahr 2012
in Auftrag gegeben. Die
Uraufführung mit dem
Ehrenorchester 2012 des
Verbands fand am 4.
Februar desselben Jahre
unter der Leitung von Dr.
Royce Trevis im Halen
Adams Theater an der
California State
University, Chico
Kalifornien) statt.Der
Kompositionsauftrag
verlangte ein Stück zu
Ehren der Reichtümer
der Natur Amerikas. Der
Komponist Philip Sparke
wählte daher die erste
und letzte Strophe aus
Katherine Lee
Bates’ Text zum
Lied America the
Beautiful, die da
lauten:O beautiful for
spaciousskies,For amber
waves of grain,For purple
mountain majestiesAbove
the fruited
plain!America!
America!God shed His
grace on thee,And crown
thy good with
brotherhoodFrom sea to
shining seaDie Titel der
drei Sätze stammen
alle aus diesen
Strophen:1. O
Beautiful for Spacious
Skies (O
wunderschön, der weite
Himmel): Mit filigranen
Figuren im Holz
beginnend, will dieser
Satz das Licht und die
Leichtigkeit des
Frühlingshimmels, die
Vögel und von einer
sanften Brise getragene
Blüten zum Leben
erwecken.2. From Sea
to Shining Sea (Vom
Meer zum strahlenden
Meer): Mit lebhafter
Musik wird hier in
Flüssen, Bächen und
Seen sprudelndes Wasser
zelebriert.3. For
Purple Mountain
Majesties (Die
Erhabenheit der purpurrot
leuchtenden Berge): Der
langsame Schlusssatz
richtet den Blick auf
ehrfurchtgebietende
Gebirge.
Of
Skies, Rivers, Lakes and
Mountains est une
commande de la Northern
California Band
Directors' Association
pour marquer son 50e
anniversaire, en 2012.
Cette œuvre a
été créée par
le Honor Band 2012 de
l’Association sous
la direction du Dr Royce
Trevis au thé tre
Harlen Adams de
l’université de
Californie Chico,
Californie, le 4
février de cette
même année.La
commande stipulait que la
pièce devait
célébrer les
ressources naturelles des
États-Unis. Le
compositeur Philip Sparke
s’est donc
inspiré des paroles de
Katharine Lee Bates pour
la chanson America the
Beautiful, dont voici
les premier et dernier
couplets :O beautiful for
spacious skies,For
amberwaves of grain,For
purple mountain
majestiesAbove the
fruited plain!(Oh belle
pour tes vastes cieux,Tes
vagues de grains
ambrés,La majesté
de tes montagnes
violettesDominant des
plaines fruitées
!)America! America!God
shed His grace on
thee,And crown thy good
with brotherhoodFrom sea
to shining
sea(Amérique !
Amérique !Dieu
t’a donné sa gr
ceCouronnée de la
fraternité des
hommesDe la mer la mer
étincelante)Les trois
mouvements empruntent
chacun leur titre ces
couplets :1. O
Beautiful for Spacious
Skies:
S’ouvrant avec des
figures en filigrane
jouées par les bois,
ce mouvement cherche
recréer la lumière
et la légèreté
d’un ciel
printanier,
d’oiseaux et de
fleurs flottant au gré
d’une douce
brise.2. From Sea to
Shining Sea: Plein de
vivacité, ce mouvement
évoque les
frémissements de
l’eau des
ruisseaux, des
rivières et des
lacs.3. For Purple
Mountain Majesties:Le
dernier mouvement, lent
et majestueux, dépeint
une impressionnante
chaîne de
montagnes. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Behold This Mystery (Cantata) Subito Music
SATB, S&T soloists & Chamber Orchestra SKU: SU.80209801 For SATB, S&T ...(+)
SATB, S&T soloists &
Chamber Orchestra SKU:
SU.80209801 For
SATB, S&T soloists &
Chamber Orchestra.
Composed by Daniel E.
Gawthrop. Vocal/Choral,
Sacred Choral. A
cappella. Choral Score.
Subito Music Corporation
#80209801. Published by
Subito Music Corporation
(SU.80209801).
Suitable for
concert or worship (esp.
All Saints) 1111; 2221;
timp, perc, hp, cel; stgs
Duration: 30'15 Text:
adapted from the New
Testament by Jane Griner
Published by: Dunstan
House Also available for
sale: Two churches, one
Presbyterian, one
Methodist, located in two
adjacent states, wanted
to commission a major
work for chorus and
orchestra to use in a
memorial service held
annually near the feast
of All Saints, but felt
that, considering the
costs involved in hiring
an orchestra for the
performance, they
couldn’t also
afford the commissioning
fee which an extended
work would necessitate.
Composer Daniel E.
Gawthrop put the two
directors in touch with
each other, and a joint
commission was conceived.
Originally, the plan
called for two completely
separate premières,
one at each church, but
as the directors
consulted on musical
matters they decided that
it would add an element
of ecumenism and outreach
to the project if they
joined the two choirs
together for both
performances.
Accordingly, on the first
of the two Sundays the
South Carolina
Presbyterians joined the
North Carolina Methodists
in their Sunday morning
services to sing the
première of Behold
This Mystery. On the
following Sunday the
travel was reversed for
the second première.
The involved choirs,
congregations, clergy and
directors all declared
the project a triumph.
Further performances
followed, and the piece
has now earned a place in
the small but
distinguished category
called Twentieth Century
Extended Works for Chorus
and Orchestra Which Have
Received More Than One
Performance. Behold This
Mystery is suitable
anywhere that you might
program a requiem, e.g.,
either in concert or
within the context of a
worship service. It lasts
about 27 minutes in
performance. Soprano and
Baritone soloists are
called for, although a
Tenor may be substituted
for the (rather high)
Baritone part if needed.
The choral parts are not
terribly difficult but
this is an extended work,
probably equivalent to
five or six typical
anthems. Instrumental
parts are not virtuosic;
collegiate and
professional ensembles
should have no trouble
preparing the piece with
only a few rehearsals.
Minimum order quantity: 8
copies. Perusal copies
are available by
contacting
office@DunstanHouse.com
b> (include the
organization name with
your request). To order
quantities fewer than
8. $9.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sleep, My Child [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS186F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS186F. Published by
Carl Fischer Music
(CF.YAS186F). ISBN
9781491151884. UPC:
680160909384. 9 x 12
inches. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by a
violin solo on the song.
It them develops through
a variety of different
harmonic presentation
before building to a nice
key change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also
guest-conducted his
Madison Middle School
Orchestra several times
over the past four years.
His musicianship,
teaching skills and love
for his students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song and I felt
the title reflected the
sentiment I was looking
to express, which is of
someone taking rest after
a long battle with
illness, so a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions.Â
Not in a far out way, but
in a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57 as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say, Everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465. A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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