PARTITIONS GRATUITES : ENSEMBLE à CLARINETTES
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(for solo marching snare drum and audio). By Brian Blume. Snare Drum Solo. For marching snare drum, TSS drum, in-ear headphones, PA system (audio configuration suggestions are included) (1 player). Percussion Solos. Advanced. Score and CD-ROM (containing printable parts). 12 pages. Duration 4'45 . Published by Tapspace Publications

Flute, Cor Anglais, Electric Piano, Banjo, Drums, Viola and Bass

SKU: BT.MUSM570203611

Composed by Jo Kondo. Score Only. 40 pages. University of York Music Press #MUSM570203611. Published by University of York Music Press (BT.MUSM570203611).

English.

For Flute, Cor Anglais, Electric Piano, Banjo, Steel Drum, Viola, Double Bass. Published 1978. First performance: Tokyo, 1978, Ryoichi Kawai (cond), Hiroshi Koizumi (fl), Norio Sato (banjo), et al.

Two Pianos

SKU: BT.MUSM570203987

Composed by Jo Kondo. Score Only. 24 pages. University of York Music Press #MUSM570203987. Published by University of York Music Press (BT.MUSM570203987).

English.

For 2 or 3 Pianos. Published 1980. First performance: Tokyo, 1980, Aki Takahashi (solo version).

Flute, Cor Anglais, Electric Piano, Banjo, Drums, Viola and Bass

SKU: BT.MUSM570203628

Composed by Jo Kondo. Set of Parts. University of York Music Press #MUSM570203628. Published by University of York Music Press (BT.MUSM570203628).

English.

For Flute, Cor Anglais, Electric Piano, Banjo, Steel Drum, Viola, Double Bass. Published 1978. First performance: Tokyo, 1978, Ryoichi Kawai (cond), Hiroshi Koizumi (fl), Norio Sato (banjo), et al.

Two Pianos

SKU: BT.MUSM570203994

Composed by Jo Kondo. Set of Parts. University of York Music Press #MUSM570203994. Published by University of York Music Press (BT.MUSM570203994).

English.

For 2 or 3 Pianos. Published 1980. First performance: Tokyo, 1980, Aki Takahashi (solo version).

Violin and Piano

SKU: BT.MUSM570204267

Composed by Jo Kondo. Classical. Set (Score & Parts). 32 pages. University of York Music Press #MUSM570204267. Published by University of York Music Press (BT.MUSM570204267).

English.

For Violin and Piano. Published 1981. First performance: Tokyo (Music Today Festival), 1982, Kenji Kobayashi (vln), Aki Takahashi (piano).

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet, Tuba, alto Saxophone, baritone Saxophone and more. - Grade 3

SKU: CF.CPS257

Composed by Chris Campbell. Cps. Set of Score and Parts. 16+4+16+2+4+5+2+2+8+6+12+ 6+4+8+2+1+1+2+20 pages. Duration 3 minutes, 28 seconds. Carl Fischer Music #CPS257. Published by Carl Fischer Music (CF.CPS257).

ISBN 9781491161265. UPC: 680160919857.

The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own. The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.
The original intent for this piece was to evoke a fantasy atmosphere of huge mythical constructs, such as stone edifices, rising from a lunar surface softly illuminated by reflected light from another galactic source. It is meant to give an impression of a single vision, allowing the listener or player to imagine a personal interpretation of their own.  The story behind this particular title comes from the late 19th century. Before the widespread use of electric streetlights, many large American and European cities erected large structures - some as tall as 165 feet - intended to brighten the cities at night at times when there was insufficient natural moonlight. Referred to at that time as Moonlight Towers, the only ones still in existence and in use today are found in Austin, Texas. These man-made wonders may not be as stunning as naturally-formed stone edifices, but they are nevertheless eye-catching. One of these structures in a large park is adorned with strands of lights every December to resemble a gigantic Christmas tree which can be seen for miles. In this composition, measure 81 through measure 97 depicts four of the remaining thirteen towers in four different settings in Austin. This piece is also intended to capture the wonder of these singular relics of history, with a fantasy atmosphere of their own.

Concert band (Flute 1, Flute 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet*, Bassoon*, Alto Saxophone 1*, Alto Saxophone 2*, Tenor Saxophone*, Baritone Saxophone*, Horn in F 1, Horn in F 2, Bb Trumpet 1, Bb Trumpet 2, Trombone 1, Trombone 2*, Euphoni) - grade 3

SKU: CN.R10183

Composed by Bruce Fraser. Arranged by Geoffrey Brand. Band Music. Score and parts. Duration 4:30. Published by G & M Brand Music Publishers (CN.R10183).

The music of War, Women and Witchcraft is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a lovely melody near the end when everyone lives happily ever after.

The titles comes from a book by the Scottish poet, author and composer James Hogg, known as The Ettrick Shepherd. It is the subtitle to his wonderful book The Three Perils of Man. I was commissioned to write a wind band work of this title for the Borders Festival in 1991. The book weaves fact and fantasy togethers around the Scottish Borders in the thirteenth century. I have used a note row based on some of Hogg's melodies and also created my own mixture representing Master Michael Scott, the Black Magician, and his wild adventures, the battle for the castle at Roxburgh and the prize of the Princess' hand to the winner of the battle. The music is a web with strands of magic, a romantic impression of the Scottish landscape and the sounds of battle using fanfare-like figures and drum effects, and a direct quote of a Hogg Strathspey melody near the end when everyone lives happily ever after. -BF.