| Iconoclast Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band - Grade 1.5 SKU: XC.HCB2305 Composed by Sean O'Loughlin. Con...(+)
Concert Band - Grade 1.5
SKU: XC.HCB2305
Composed by Sean
O'Loughlin. Concert
Concert Band. Harmony
Grade 1.5. Set of parts.
Excelcia Music Publishing
#HCB2305. Published by
Excelcia Music Publishing
(XC.HCB2305).
Iconoclasts are
typically portrayed in a
negative light, however,
many of our progress in
society has come from
those who attack or
questions widely held
beliefs. After all, if
not for Aristotle
– we might still
believe the earth was
flat! $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Iconoclast Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band - Grade 1.5 SKU: XC.HCB2305FS Composed by Sean O'Loughlin. C...(+)
Concert Band - Grade 1.5
SKU: XC.HCB2305FS
Composed by Sean
O'Loughlin. Concert
Concert Band. Harmony
Grade 1.5. Score.
Excelcia Music Publishing
#HCB2305FS. Published by
Excelcia Music Publishing
(XC.HCB2305FS).
Iconoclasts are
typically portrayed in a
negative light, however,
many of our progress in
society has come from
those who attack or
questions widely held
beliefs. After all, if
not for Aristotle
– we might still
believe the earth was
flat! $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Cellist's Life Violoncelle String Letter Publishing
By Colin Hampton. String Letter Publishing. Size 6x9 inches. 128 pages. Publishe...(+)
By Colin Hampton. String
Letter Publishing. Size
6x9 inches. 128 pages.
Published by String
Letter Publishing.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Irreverences Piano seul [Conducteur] Billaudot
Piano SKU: PR.510076960 Pour Piano. Composed by Stephane Delplace....(+)
Piano SKU:
PR.510076960 Pour
Piano. Composed by
Stephane Delplace. Full
score. With Standard
notation. 28 pages.
Duration 25 minutes, 37
seconds. Gerard Billaudot
Editeur #510-07696.
Published by Gerard
Billaudot Editeur
(PR.510076960).
1. Choral: An
improbably superimposing
of Beethoven and Brahms.
At the end of the first
performance of the
latter's 1st Symphony,
someone asked the
composer: Don't you find
that your main theme
remin ds one of the Ode
to Joy? To which he
retorted: Even an idiot
would have noticed it! 2.
Fugue: in the last
exposition, the subject
of Fugue I from volume 1
of Bach's Well-Tempered
Keyboard is super imposed
on the theme from
Mozart's so-called easy
sonata. 3. Passion: In
his Violin Concerto,
Mendelssohn, to whom we
owe the rediscovery of
Bach's Passions, seems to
have borrowed a theme
from a lost Passion. 4.
Recitativo: Tribute to
Franck's tribute to Bach
in his Sonata for violin
and piano. 5. Invention:
A private revenge, after
a bitter failure.
Debussy's Toccata was on
the compulsory list for
the Conservatory piano
class entrance exam. 6.
Arpeggione: In which the
listener realizes the
similarity in the
introduction to
Schubert's Unfinished
Symphony and Arpeggione
Sonata. 7. Sarabande: The
most iconoclastic, for
Bach's 5th Cello Suite is
already suffused with
harmony. There might be
an evocatioin of a
Brahms-like overarching
structure, though... 8.
Variation: The slowest
variation ever written on
Paganini's 24th Caprice.
9. Scene: Schumann's
Reverie as a Prelude. 10.
Finale: In order to
capture the elusive
harmony of the Finale of
Chopin's Sonate Funebre.
11. Fugue on Au clair de
la lune: Our greatest
nursery rhymes, fugue
fitted and choralized.
12. Fugue de Noel
(Christmas fugue): Quite
appropriate. 13. Fugue on
J'ai du bon tabac:
Prohibited counterpoint.
14. Fugue on La
Marseillaise:
Franco-German
reconciliation. 15. Pedal
- Exercitium: Realization
and conclusion of Bach's
organ pedal exercies. $29.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Variations on "America" Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418370 Composed by Charles Ives. Arranged ...(+)
Chamber Music Piano
SKU: PR.110418370
Composed by Charles Ives.
Arranged by Danny Holt.
Performance Score. 20
pages. Duration 8
minutes. Theodore Presser
Company #110-41837.
Published by Theodore
Presser Company
(PR.110418370). ISBN
9781491135075. UPC:
680160686247. Compo
sed as an organ solo by
the 17-year-old Ives for
his own performance
purposes, the beloved
Variations on America is
a treat for any occasion,
whether a holiday
concert, a serious
recital, or other special
event. Danny
Holt’s
transcription for Piano,
Four Hands adds a
dazzling new option to
play at home or on stage,
taking best advantage of
Ives’ tremendous
contrasts in color,
dynamics, and
texture. Composed when
Charles Ives was a
teenager, Variations on
“America†is
both a convenient
introduction to
Ives’ body of
work, and an early
example of his
iconoclastic musical
voice and creative
genius. Just a few years
after composing this
piece, Ives would leave
home to study music at
Yale. But until then he
had been taught by his
father, George (who had
been a bandmaster in the
Civil War). George
subjected the young Ives
to experiments such as
singing a song in one key
while being accompanied
in another, or arranging
for two marching bands to
converge on a town
center, with the
resulting cacophony that
ensued.The Variations
exemplifies an early
period of experimentation
in Ives’ work,
spurred on by the unusual
pedagogy of his father.
The piece is particularly
notable for its use of
bitonality in the two
interludes, subtly
foreshadowing more
well-known examples by
Stravinsky, Bartók,
and others by
approximately two
decades.The bitonal
interludes were so ahead
of their time, in fact,
they were omitted from
the first copy that was
submitted to a publisher
in 1892. (Alas, the piece
was rejected even despite
these
“shockingâ€
elements having been left
out, and it wasn’t
published until more than
five decades later.)
There is some ambiguity
about when exactly Ives
added the interludes into
his manuscript copy,
though ample evidence
suggests he had performed
the piece with the
interludes around the
time he notated the piece
in 1891-92. In any case,
in light of this piece
and his other polytonal
explorations from the
last decade of the 19th
century, it seems fair to
give Ives credit for
being a pioneer in this
area!This arrangement for
Piano, Four Hands,
closely follows
Ives’ original
version for organ,
setting aside William
Schuman’s popular
adaptation for symphony
orchestra and William
Rhoads’ band
transcription of the
Schuman orchestration.
Pianists will find that
the piece translates well
to the instrument.
Ideally, the choreography
and logistics of
elbow-to-elbow four-hands
playing approximates the
wild joy one gets from
watching an organist play
the piece (e.g., the
elaborate pedal part in
the final variation).In
preparing this
publication, attention
was paid to details in
the dual Critical
Editions (Presser
443-41003) of both
Ives’ manuscript
edition and the 1949
publication edited by
organist E. Power Biggs
(who is credited with
discovering what had been
a long-lost, forgotten
work.) But as with much
of Ives’ output,
attempting to create a
true
‘urtext’
score is a futile
endeavor, and especially
with a piece such as this
one – in which
Ives incorporated
improvisation in live
performance –
seems unnecessary anyhow.
True die-hards are of
course encouraged to
consult the critical
editions and even find
inspiration in the
orchestrated version.
Generally, performers are
advised to be wild, have
fun, and not to be too
rigid in their
interpretive
choices.Dynamics in this
arrangement mostly follow
the organ score closely.
Pianists will use good
judgment about pedaling
throughout, which should
be straightforward and
intuitive. Courtesy
accidentals have been
provided frequently
– without
parentheses –
balancing the need for
extra clarity in the
context of Ives’
murky musical language,
and a desire to avoid
unnecessary clutter.A few
notes that might inform
interpretive
decisions:mm. 15-16:
There are inconsistencies
here between Ives’
original manuscript and
the 1949 Biggs edition,
regarding the top voice
in m. 15, beat 3 (C# vs.
Cn) and m. 16 (D Major
vs. D Minor).mm. 76-84 &
143-146: In both
Interludes, Ives
emphatically notates
extreme dynamic contrast,
in order to highlight the
bitonality. Although it
may seem counterintuitive
(or even a misprint, as
has apparently been
misconstrued by some),
performers are urged to
follow the
composer’s
marking!m. 109: Two-note
slurs have been added
here for clarity and
consistency with other
similar passages, though
they do not appear in
either the original
manuscript or Biggs.m.
112: The last two eighth
notes of Primo appear as
16ths in the original
manuscript.mm. 183-186:
The original manuscript
has a slightly different
bass line.mm. 184 & 186:
Primo gestures have been
re-written to be slightly
more idiomatic for Piano,
Four Hands.m. 186: The
breath mark at the end of
this bar does not appear
in either the manuscript
or Biggs, but is an
editorial suggestion
– aside from being
appropriately dramatic,
it will indeed be
necessary in a
reverberant hall!I would
like to thank Steven
Vanhauwaert, the other
half of my piano duo,
4handsLA, for his input
on early drafts of this
arrangement.—
Danny Holt, April
2022. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nothing Fixed or Final. CD Stainer and Bell
SKU: ST.CD0092 Composed by Sydney Carter. A new compilation album of Sydn...(+)
SKU: ST.CD0092
Composed by Sydney
Carter. A new compilation
album of Sydney Carter's
songs and poems sung and
produced by Franciscus
Henri. Only available
from this site. CD.
Stainer & Bell Ltd.
#CD0092. Published by
Stainer & Bell Ltd.
(ST.CD0092).
When Sydney
Carter died in March
2004, his obituary in The
Guardian anointed him
'folk poet, holy sceptic,
and iconoclastic
theologian'. The man who
once called himself
'God's loyal opposition'
might have thought that a
bit excessive, but there
is some truth there and
it is likely he wouldn't
have minded too much.
Franciscus Henri knew the
songs on this CD forty
years ago. In 1972 he was
chosen accompanist on
Sydney's tour of
Australia. These songs
are part of the
performer's continuing
journey.
TRACKS 1 The Candle
light 2 Bell of
Creation 3 My Mum was
a Woman 4 Silver in
the Stubble 5
Mixed-up Old Man 6
Coming or Going Away
7 Green Like the
Leaves 8 Feeling Sad
and Lonely 9 Creator
of the living 10 Crow
on the Cradle 11 Bird
of Heaven 12 Shake
and Shiver 13 Lord of
the Dance 14 Come
Holy Harlequin 15 The
Devil 16 Every Star
shall sing a Carol 17
Travel On 18 Julian
of Norwich 19 Run the
film backwards 20
Child 21 The
Burden 22 The Rat
Race 23 The Holy
Box 24 The Sin of
Being 25
Anonymous 26
Interview. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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