| Threefold - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239
Composed by Richard
Summers. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+6+6+6+8+2+1+4+4+
24+4 pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CPS239.
Published by Carl Fischer
Music (CF.CPS239).
ISBN 9781491157855.
UPC: 680160916450. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.ÂÂ
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Threefold - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Timpani,
Trombone 1, Trombone 2
and more. - Grade 3
SKU: CF.CPS239F
Composed by Richard
Summers. Sws. Cps. Full
score. 24 pages. Duration
3 minutes, 40 seconds.
Carl Fischer Music
#CPS239F. Published by
Carl Fischer Music
(CF.CPS239F). ISBN
9781491157848. UPC:
680160916443. 9 x 12
inches. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.ÂÂ
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Step Up! Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 0.5 SKU:
CF.PPS54 An
Instrument Section
Feature. Composed by
Gene Milford. Folio. Pps.
Set of Score and Parts.
8+2+8+2+5+2+2+8+4+6+2+3+1
+1+2+4+16 pages. Duration
2 minutes, 32 seconds.
Carl Fischer Music
#PPS54. Published by Carl
Fischer Music (CF.PPS54).
ISBN 9781491158326.
UPC: 680160916924. 9 x 12
inches. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparentas day
programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31a43 and insert
percussion (or hand
claps) on the first two
beats of m. 74. I suggest
that if the glissando is
to be played in m. 68
that it only be
introduced once the
students are secure
performing the passage
without the
ornament. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparent's day
programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31-43 and insert
percussion (or hand
claps) on the first two
beats of m. 74. I suggest
that if the glissando is
to be played in m. 68
that it only be
introduced once the
students are secure
performing the passage
without the
ornament. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparentâ€â„
¢s day programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31–43 and
insert percussion (or
hand claps) on the first
two beats of m. 74. I
suggest that if the
glissando is to be played
in m. 68 that it only be
introduced once the
students are secure
performing the passage
without the ornament. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Step Up! Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Suspended Cymbal,
Timpani, Triangle,
Trombone, Trumpet, Tuba,
Wood Block and more. -
Grade 0.5 SKU:
CF.PPS54F An
Instrument Section
Feature. Composed by
Gene Milford. Sws. Pps.
Full score. 16 pages.
Duration 2 minutes, 32
seconds. Carl Fischer
Music #PPS54F. Published
by Carl Fischer Music
(CF.PPS54F). ISBN
9781491158333. UPC:
680160916931. 9 x 12
inches. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparentas day
programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31a43 and insert
percussion (or hand
claps) on the first two
beats of m. 74. I suggest
that if the glissando is
to be played in m. 68
that it only be
introduced once the
students are secure
performing the passage
without the
ornament. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparent's day
programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31-43 and insert
percussion (or hand
claps) on the first two
beats of m. 74. I suggest
that if the glissando is
to be played in m. 68
that it only be
introduced once the
students are secure
performing the passage
without the
ornament. Step Up! is
a band section feature
for beginning
instrumental students.
The work provides an
excellent vehicle to
showcase each instrument
in the band, providing an
ideal selection for
recruiting assemblies,
parent/grandparentâ€â„
¢s day programs and first
concerts. Each section
can stand for the solo
feature, at the
discretion of the
director. If an
instrument is not in an
ensemble, then that
portion of the piece can
be omitted. Example: If
there are no saxophones
in the group, then omit
mm. 31–43 and
insert percussion (or
hand claps) on the first
two beats of m. 74. I
suggest that if the
glissando is to be played
in m. 68 that it only be
introduced once the
students are secure
performing the passage
without the ornament. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Drumset Style Resource Batterie [Partition + CD] Alfred Publishing
(A Comprehensive Guide to Exploring New Techniques and Styles from Hip-Hop to Ja...(+)
(A Comprehensive Guide to
Exploring New Techniques
and Styles from Hip-Hop
to Jazz). By Pete
Sweeney. For Drumset.
Artist/Personality; Book;
CD; Method/Instruction;
Percussion - Drum Set
Method or Collection.
Style Resource Series.
Jazz; Rock. 96 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Timeline Adventure Piano seul - Intermédiaire Alfred Publishing
By Robert D. Vandall. For Piano. Piano Solo. Level: Intermediate. Sheet. 4 pages...(+)
By Robert D. Vandall. For
Piano. Piano Solo. Level:
Intermediate. Sheet. 4
pages. Published by
Alfred Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |