PARTITIONS GRATUITES : FLUTE, VIOLON
- The Lake

Concert Band (Score & Parts) - Level 2.5

SKU: HL.4008043

Composed by Thierry Deleruyelle. De Haske Concert Band. Concert. Softcover. Duration 440 seconds. De Haske Publications #033906. Published by De Haske Publications (HL.4008043).

UPC: 196288114673.

Lord of the Lake is a work in three separate movements which tells the legend of the “Sea of Flines.” Stéphane Coquet, the conductor of the Flines-lez-Râches concert band, wanted to celebrate the 140th anniversary of his band by commissioning this work. The piece can be performed either on its own, or with a narrator who intervenes between each movement, telling this legend where children and their parents thwart the cruelty of a lord holed up in his castle.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4 Horns, Bass Drum, Contra-bassoon, Cymbal, English Horn, Percussion: Snare Drum, Strings, Timpani, Tuba

SKU: PR.466411770

Composed by Harl Mcdonald. This edition: Study Score. Contemporary. Full score. With Standard notation. 84 pages. Duration 15 minutes. Theodore Presser Company #466-41177. Published by Theodore Presser Company (PR.466411770).

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000447-010

Composed by Carl Wittrock. Set (Score & Parts). 174 pages. Gobelin Music Publications #GOB 000447-010. Published by Gobelin Music Publications (BT.GOB-000447-010).

In Scotland, the monster of Loch Ness is a hot issue, but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie.
In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places, its depth exeeds 100 metres.
Nessies discovery takes us back to the year 1889, when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake.
However, it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards, life would never be the same again in and around Flathead Lake.
The composer wasinspired by the story, and summarized the events into a symphonic poem, but from a surprising angle:that of the monster.

The exiting opening allows us to follow the monster in its natural surroundings.
The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode, it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes).
The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.
The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.
The movingmusical continuation depicts the triumphant monster dancing an ironic waltz.
The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads, and develop into the works final theme.

Ook Amerika kent, in navolging van Loch Ness, haar monster met alle sterke verhalen eromheen. Dit Amerikaanse monster werd in 1889 voor het eerst gezien door de kapitein van een toeristenboot, varende op Flathead Lake in de staat Montana.
Wittrock schildert niet enkel de gebeurtenissen maar kruipt in de huid van het monster.

Het programmatische werk beschrijft op vaak ontroerende en soms angstaanjagende wijze het leven van Montana Nessie.
Aanknopingspunten in dit werk zijnde geboorte (het begin), de eerste levensfase met oerkreten (allegro) en de verwondering en bewondering van de natuur (hobosolo).
Het tweede gedeelte symboliseert de spanning tussen mens en monster tijdens de spannende boottocht op FlatheadLake.
Het derde deel brengt het monster aan het dansen in een aandoenlijke wals vol ironie en zelfspot. Rode draad en afsluitend thema is de angst en boosheid van Montana Nessie op de vrijheidsinbreuk.
Een meesterwerk!

Dit werk isopgenomen in het Klein repertorium, harmonie - 2e divisie

Gobelin Music Publications.

Concert Band/Harmonie - Grade 5

SKU: BT.GOB-000447-140

Composed by Carl Wittrock. Score Only. 30 pages. Gobelin Music Publications #GOB 000447-140. Published by Gobelin Music Publications (BT.GOB-000447-140).

In Scotland, the monster of Loch Ness is a hot issue, but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie.
In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places, its depth exeeds 100 metres.
Nessies discovery takes us back to the year 1889, when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake.
However, it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards, life would never be the same again in and around Flathead Lake.
The composer wasinspired by the story, and summarized the events into a symphonic poem, but from a surprising angle:that of the monster.

The exiting opening allows us to follow the monster in its natural surroundings.
The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode, it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes).
The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.
The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.
The movingmusical continuation depicts the triumphant monster dancing an ironic waltz.
The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads, and develop into the works final theme.

Ook Amerika kent, in navolging van Loch Ness, haar monster met alle sterke verhalen eromheen. Dit Amerikaanse monster werd in 1889 voor het eerst gezien door de kapitein van een toeristenboot, varende op Flathead Lake in de staat Montana.
Wittrock schildert niet enkel de gebeurtenissen maar kruipt in de huid van het monster.

Het programmatische werk beschrijft op vaak ontroerende en soms angstaanjagende wijze het leven van Montana Nessie.
Aanknopingspunten in dit werk zijnde geboorte (het begin), de eerste levensfase met oerkreten (allegro) en de verwondering en bewondering van de natuur (hobosolo).
Het tweede gedeelte symboliseert de spanning tussen mens en monster tijdens de spannende boottocht op FlatheadLake.
Het derde deel brengt het monster aan het dansen in een aandoenlijke wals vol ironie en zelfspot. Rode draad en afsluitend thema is de angst en boosheid van Montana Nessie op de vrijheidsinbreuk.
Een meesterwerk!

Dit werk isopgenomen in het Klein repertorium, harmonie - 2e divisie

Gobelin Music Publications.