PARTITIONS GRATUITES : PAROLES ET ACCORDS
- Sola

Piano, Vocal and Guitar - Grade 4

SKU: HL.14010004

Composed by Juan Solano and Valero And Solano Ochaita. Music Sales America. Pop & Rock. Book [Softcover]. 80 pages. Music Sales #UME28105. Published by Music Sales (HL.14010004).

ISBN 9781844499878.

A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the first of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again.

By Terre Johnson. For SATB Chorus and Piano. Lent, General. Tune: CONSOLATOR. Sacred. Moderately Easy. Octavo. 8 pages

Piano

SKU: BT.EMBZ14505A

Suppl. 10. By Adrienne Kaczmarczyk_Ágnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A).

English-German-Hungari an.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

Piano with voice and Chords SKU: M7.HDW-2139 Composed by Various. This edition: Paperback/Softcover. Sheet music. Musica de Cuba. 62 pages. Handelsware #HDW 2139. Published by Handelsware (M7.HDW-2139). Song List (12) L. Hierrezuelo: Con un temporal A. Castillo; Cuando estes muy sola M. Perdomo: Cuanto te quiero N. Mili: El yerbero moderno A.T. Scull Arsenio Rodriguez: Fuego en el veintitres M.T. Ver: No puedo amarte ya I.J. Villa Bola de Nieve: No quiero que me odies C. Delgado: Paloma mensajera J. Pineiro: Sobre una tumba una rumba G. Garay Sindo Garay: Tardes grises R. Ortiz: Todo en conjunto M. Corona: Un ano de amor

Voice only

SKU: HL.50499175

Per Voce Sola (1970). Composed by Bucchi V. MGB. Classical. Score Only. Composed 1970. Ricordi #NR131701. Published by Ricordi (HL.50499175).

Italian.

Viola

SKU: HL.50603728

For Viola and Electronics. Composed by Anna Thorvaldsdottir. String. Softcover. 12 pages. Chester Music #CH88054. Published by Chester Music (HL.50603728).

ISBN 9781705133248. UPC: 840126957341. 10.5x14.0x0.043 inches.

Anna Thorvaldsdottir's Sola for solo viola and pre-recorded electronics was composed for Anne Leilehua Lanzilotti. The music, which features extended techniques, was inspired by the search for calm amidst chaos and turmoil. To obtain the pre-recorded electronics, please contact promotion@wisemusic.com.< /p>

Choral SATB Choir and Piano

SKU: CF.CM9510

Composed by Michael John Trotta. SWS. Mjts. Performance Score. With Standard notation. 16 pages. Carl Fischer Music #CM9510. Published by Carl Fischer Music (CF.CM9510).

ISBN 9781491146149. UPC: 680160903641. 6.875 x 10.5 inches. Key: F# minor. Jorge Manrique (1440-1479).

Trotta 's fiery setting of Manrique's passionate, poignant Spanish poem is uniquely coupled with an exciting, undulating accompaniment. In addition to exploring multiple tonal colors, Tu Sola Remedio allows for development of a full-bodied, robust choral tone. Written for the choir to enjoy success early in the learning process and perfect for those looking for a magical concert/festival experience.