| The Ultimate Jazz Fake Book - C edition
Instruments en Do [Fake Book] Hal Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
(7)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Eb Edition Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Bb edition Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 ...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 448 pages.
Published by Hal Leonard.
(3)$49.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lift Ev'ry Voice and Sing [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Flute, Piano, alto Flute SKU: PR.114417270 Concert Varia...(+)
Chamber Music Flute,
Piano, alto Flute SKU:
PR.114417270
Concert Variations for
Flute and Piano.
Composed by J. Johnson.
Arranged by Evelyn
Simpson-Curenton. Sws.
Contemporary. Score and
parts. With Standard
notation. Composed 1996.
16 pages. Duration 5:30.
Theodore Presser Company
#114-41727. Published by
Theodore Presser Company
(PR.114417270). ISBN
9781491101919. UPC:
680160631605. 9 x 12
inches. The poem,
written in 1900 by James
Weldon Johnson, was set
to music by his brother,
John Rosamond Johnson,
five years later, and was
soon adopted as the Black
American National Anthem.
The powerful song of
affirmation has been
frequently sung at
notable occasions,
recently at the opening
ceremonies of the
National Museum of
African American History
and Culture.
Simpson-Curenton has
arranged the piece with
her own variations as a
concert level entry for
flute and
piano.___________________
___________________Text
from the scanned back
cover:Lift Ev’ry Voice
and SingConcert
Variations for Flute (and
opt. Alto Flute) and
PianoThe song “Lift
Ev’ry Voice and Sing”
began as a poem written
by the lawyer and
activist James Weldon
Johnson in 1900; Johnson
later served as leader of
the NAACP, as foreign
diplomat during the
Roosevelt presidency, and
as professor at New York
University. In 1905,
Johnson’s brother John
Rosamond Johnson set the
poem to music, and the
song grew to be known as
“the Black National
Anthem,” continuing in
this role today over 100
years later. J. Rosamond
Johnson studied
composition at New
England Conservatory and
sang in the original cast
of Gershwin’s Porgy and
Bess. Together the
Johnson brothers were
influential and
inspirational voices of
the Harlem Renaissance of
the 1920s, and they also
created several operettas
and musicals.Evelyn
Simpson-Curenton is an
accomplished composer and
keyboard performer in
both classical and gospel
music, having been raised
as a piano prodigy and
the keyboard player for
her celebrated family’s
ensemble the Singing
Simpsons. Concert
Variations on “Lift
Ev’ry Voice and Sing”
was composed for
herdaughter, the flutist
Julietta Curenton. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Songs of Cole and Johnson Brothers Piano, Voix Edward B. Marks Music Company
Piano/Vocal Piano; Voice SKU: HL.148619 Composed by Bob Cole, James Weldo...(+)
Piano/Vocal Piano; Voice
SKU: HL.148619
Composed by Bob Cole,
James Weldon Johnson, and
John Rosamond Johnson.
E.B. Marks. Vaudeville.
Softcover. 180 pages.
Edward B. Marks Music
#EBM148619. Published by
Edward B. Marks Music
(HL.148619). ISBN
9781495029684. UPC:
888680078515.
9.0x12.0x0.492 inches.
With a Foreword by Thomas
Riis. Late in his
life, composer J.
Rosamond Johnson (Lift
Ev'ry Voice and Sing)
submitted to his longtime
publisher, E.B. Marks, a
list of songs that would
comprise a volume of his
best early popular songs
written with his pre-1910
partner Bob Cole and his
brother, James Weldon
Johnson (Autobiography of
an Ex-Colored Man). That
list was never put into
print...until now.
Featuring an
introductionby Dr. Thomas
Riis (Just Before Jazz)
and several rare photos,
this new compilation is
the latest legacy
offering from the Marks
archive, which contains a
rich heritage of
turn-of-the-century
African-American, and
thus distinctly American,
pre-jazz-era popular
song. Includes: Ain't Dat
Scan'lous * Big Indian
Chief * The Big Red Shawl
* The Bleeding Moon *
Congo Love Song * The
Countess of Alagazam *
Fishing * I Don't Want to
Be No Actor Man No Mo' *
I'll Always Love Old
Dixie * I'll Keep a Warm
Spot in My Heart for You
* I've Got Troubles of My
Own * The Katy-Did, the
Cricket and the Frog *
Lazy Moon * Lit'l Gal *
Louisiana Lize * Lovely
Daughter of Allah * Ma
Mississippi Belle * The
Maiden with the Dreamy
Eyes * Mudder Knows * My
Heart's Desiah is Miss
Mariah * My Castle on the
Nile * Nobody's Lookin'
but de Owl an' de Moon *
Oh, Didn't He Ramble *
The Old Flag Never
Touched the Ground * On
the Road to Monterey *
The Pathway of Love *
Roll Them Cotton Bales *
Save It for Me! * The
Spirit of the Banjo! *
Sugar Babe * Two Eyes *
Under the Bamboo Tree *
When de Jack O'Lantern
Starts to Walk About *
When It's All Goin' Out,
and Nothin' Comin' In *
Who Do You Love? $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wake Me a Song Chorale TTBB TTBB, Piano Carl Fischer
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886). Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Granger's Fiddle Tunes for Guitarß Guitare notes et tablatures [Partition + Accès audio] - Débutant Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M). ISBN
9781513468792. 8.75x11.75
inches. Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book. This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles. There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book. In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read. The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes. The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other. Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
<
div> $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |