| Walk with Me, My Friend - ShowTrax CD Hal Leonard
Choral; Piano (ShowTrax CD) SKU: HL.8564287 Composed by George L.O. Strid...(+)
Choral; Piano (ShowTrax
CD) SKU:
HL.8564287 Composed
by George L.O. Strid and
Mary Donnelly. Voices
Together. Ballad,
Graduation,
Inspirational, Young
Choir, Youth Choir. CD.
Published by Hal Leonard
(HL.8564287). UPC:
884088281359. 5.0x5.0x0.2
inches. Mary
Donnelly/George L.O.
Strid. This upbeat
original offers the
universal message of
friendship and hope for
the future in an
accessible setting that
is perfect for graduation
and other end-of-the-year
programs. Easily learned,
it will be a great
confidence builder for
younger groups. Available
separately: 2-Part,
ShowTrax CD. Duration
2:40. $24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 2020's Pop Divas on Stage Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1216355-010 Ava Max - Bi...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.DHP-1216355-010
Ava Max - Billie
Eilish - Dua Lipa.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop and Rock.
Set (Score and Parts).
Composed 2021. De Haske
Publications #DHP
1216355-010. Published by
De Haske Publications
(BT.DHP-1216355-010).
English-German-French-
Dutch. Ava Max,
Billie Eilish and Dua
Lipa: altogether, they
possess a great deal of
girl power. That was all
Peter Kleine Schaars
needed to arrange this
exciting, great-sounding
and playable pop medley.
With hits like â??Kings
and Queensâ??,â??My
Futureâ?? and â??Break
My Heartâ??, these
female artists from
todayâ??s pop scene
certainly gave the year
2020 an entertaining
boost!
Ava Max,
Billie Eilish en Dua
Lipa: samen zijn ze goed
voor een flinke dosis
girlpower. Meer was er
voor Peter Kleine Schaars
niet nodig om een
spetterende, maar vooral
goed klinkende en
speelbare popmedley te
arrangeren. Met hitsals
â??Kings and Queensâ??,
â??My Futureâ?? en
â??Break My Heartâ??
wisten deze vrouwelijke
artiesten uit de
hedendaagse popmuziek het
jaar 2020 toch nog
behoorlijk wat schwung te
geven!
Ava Max,
Billie Eilish und Dua
Lipa sie alle stehen
für extrem viel
Girlpower. Mehr brauchte
Peter Kleine Schaars
nicht, um dieses
spannende, groÃ?artig
klingende und gut
spielbare Pop-Medley zu
arrangieren. Mit Hits wie
Kings andQueensâ??, My
Futureâ?? und Break My
Heartâ?? haben die
Künstlerinnen aus der
heutigen Popszene dem
Jahr 2020 einen
unterhaltsamen Schub
verliehen!
Ava
Max, Billie Eilish et Dua
Lipa : ensemble, elles
font preuve dâ??une
puissance féminine
extraordinaire. Il
nâ??en fallait pas plus
pour inciter Peter Kleine
Schaars arranger ce
dynamique medley pop aux
sonorités fabuleuses.
Avecdes tubes comme «
Kings and Queens »,
« My Future» et
« Break My Heart»,
ces chanteuses de la
scène pop actuelle ont
certainement égayé
lâ??année 2020 ! $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 2020's Pop Divas on Stage Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1216355-140 Ava Max - Bi...(+)
Concert Band/Harmonie -
Grade 3.5 SKU:
BT.DHP-1216355-140
Ava Max - Billie
Eilish - Dua Lipa.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop and Rock.
Score Only. Composed
2021. 34 pages. De Haske
Publications #DHP
1216355-140. Published by
De Haske Publications
(BT.DHP-1216355-140).
English-German-French-
Dutch. Ava Max,
Billie Eilish and Dua
Lipa: altogether, they
possess a great deal of
girl power. That was all
Peter Kleine Schaars
needed to arrange this
exciting, great-sounding
and playable pop medley.
With hits like
‘Kings and
Queens’,‘My
Future’ and
‘Break My
Heart’, these
female artists from
today’s pop scene
certainly gave the year
2020 an entertaining
boost!
Ava Max,
Billie Eilish en Dua
Lipa: samen zijn ze goed
voor een flinke dosis
girlpower. Meer was er
voor Peter Kleine Schaars
niet nodig om een
spetterende, maar vooral
goed klinkende en
speelbare popmedley te
arrangeren. Met hitsals
‘Kings and
Queens’, ‘My
Future’ en
‘Break My
Heart’ wisten deze
vrouwelijke artiesten uit
de hedendaagse popmuziek
het jaar 2020 toch nog
behoorlijk wat schwung te
geven!
Ava Max,
Billie Eilish und Dua
Lipa sie alle stehen
für extrem viel
Girlpower. Mehr brauchte
Peter Kleine Schaars
nicht, um dieses
spannende, großartig
klingende und gut
spielbare Pop-Medley zu
arrangieren. Mit Hits wie
Kings andQueens“,
My Future“ und
Break My Heart“
haben die
Künstlerinnen aus der
heutigen Popszene dem
Jahr 2020 einen
unterhaltsamen Schub
verliehen!
Ava
Max, Billie Eilish et Dua
Lipa : ensemble, elles
font preuve d’une
puissance féminine
extraordinaire. Il
n’en fallait pas
plus pour inciter Peter
Kleine Schaars arranger
ce dynamique medley pop
aux sonorités
fabuleuses. Avecdes tubes
comme « Kings and
Queens », « My
Future» et « Break
My Heart», ces
chanteuses de la scène
pop actuelle ont
certainement égayé
l’année 2020
! $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ancient Ways, Future Days GIA Publications
SKU: GI.G-CD-475 Composed by Liam Lawton. Sacred. CD. GIA Publications #4...(+)
SKU: GI.G-CD-475
Composed by Liam Lawton.
Sacred. CD. GIA
Publications #475.
Published by GIA
Publications
(GI.G-CD-475).
This beautiful
collection by Irish
composer Liam Lawton
reflects the haunting
beauty of his own Celtic
tradition and carries
with it the hope of
future days for all
people. Ancient Ways,
Future Days includes
songs of hope, songs of
tears, and songs of
inspiration for the
seasons of the liturgical
year, all with a definite
Irish flavor! Liam's
bright, joyous version of
the Magnificat features a
strong, uplifting refrain
that practically sings
itself, while the
haunting Celtic strains
of Psalm 21: My God, My
God create a pensive mood
to begin Holy Week.
Pieta: The Silence and
the Sorrow is a heartfelt
song with a stirring
vocal solo for Good
Friday services. Let
Every Human Heart is an
uplifting piece, perfect
as a closing song during
Lent. Ideal for the
responsorial psalm or
communion processional at
funerals or memorial
services is the emotional
The Lord Will Heal the
Broken Heart. As the
title of this collection
suggests, these stirring
melodies will remind us
of the wealth left to us
by past generations,
while uplifting lyrics
are certain to inspire us
to constantly seek the
Lord of future days! $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach to the Future - Intermédiaire Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra;
Percussion - Grade 4
SKU: HL.14003062
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062). ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish. Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co. $82.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| This present moment used to be the unimaginable future... Breitkopf & Härtel
SKU: BR.EB-9387 Composed by Christian Mason. Edition Breitkopf. New music...(+)
SKU: BR.EB-9387
Composed by Christian
Mason. Edition Breitkopf.
New music (post-2000);
Music post-1945. Set of
parts. Composed 2019.
Duration 20'. Breitkopf
and Haertel #EB 9387.
Published by Breitkopf
and Haertel (BR.EB-9387).
ISBN 9790004188576. 0
x 0
inches. Commissione
d by the Kolner
Philharmonie (KolnMusik)
for the non bthvn projekt
2020 and the Cite de la
musique / Philharmonie de
Paris Dedicated to
Arditti Quartet Each
movement of this quartet
explores a single state,
its lights and its
shadows. Each movement,
you could say, is a
moment . And these
moments could last for
more or less time without
compromising their
essential nature. The
processes could be
extended or compressed,
repeated or reversed, but
the core ideas - if they
are ideas, but maybe they
are simply experiences? -
are what they are.
Despite this, the precise
sequence of movements
matters a great deal.
Heard together they do
articulate some kind of
linear narrative, maybe
even a metaphorical
journey (albeit a
circular one where the
arrival might, who knows,
prove to be a new
departure). One situation
gives way to another and
instrumental
relationships within the
quartet vary, but
ultimately the
imaginative impulse
behind the piece
preferences states of
unity. Whether or not
this unity is expressed
texturally - sometimes
literal unisons pervade,
but not always - there is
generally a sense that
even seemingly diverse
aspects relate to a
fundamental condition of
concord: a conscious
limitation in the pitch
structure to spectral
emanations of the root
notes E-flat and C. At
the opening this is
unambiguously audible in
the perpetual alternation
of these two notes in the
low cello register. Later
the two spectra are woven
into a micro-tonal
'double-spectral-mode'
(derived from the first
24 partials of the C and
E-flat fundamentals),
which defines the subtle
melodic inflection of the
second movement, and the
never-quite-chromatic
ascending scales of the
third. For now this feels
like a rich source of
melodic possibility, so
far only just glimpsed...
And why the insistence on
E-flat? Probably by way
of historical anecdote.
Apparently Karl Holz (a
member of the
Schuppanzigh Quartet)
said to Beethoven: We
performed your Quartet in
E-flat Op. 127 in his
[Weber's] honour; he
found the Adagio too
long; but I told him:
Beethoven also has a
longer feeling and a
longer imagination than
anyone standing or not
standing today. - Since
then, even Linke (another
member of the quartet)
can no longer stand him:
we cannot forgive him for
this. Listening again to
Op. 127, in light of
these comments, I was
struck by the opening
moment: the unfolding of
an E-flat 7th chord over
the course of a few bars.
Every time I hear it I
find myself wishing that
Beethoven would have
lingered longer there,
without resolution or
progression, just
enjoying that sonority.
And maybe - why not? -
tune the 7th naturally.
And what would it be to
stretch that moment into
an entire piece? What
would Weber think of
that?! In the end I was
not so extreme in my
self-limitation, and
other concerns took over,
but it was from these
thoughts that the
composition process
began... Lastly, about
the title: it comes from
a book called 'The Clock
of the Long Now' by
Stewart Brand, published
at the turn of the
millennium. It's about
the creation of a
thousand-year clock to
embody the aspiration to
thinking in terms of
longer time-spans than
are presently habitual.
If the music of Beethoven
embodied a 'longer'
feeling and imagination
than some of his
contemporaries were able
to appreciate, what is
our relation to time now?
Longer or shorter? Maybe
it depends who you ask...
It's probably more
extreme in both
directions: attention
spans might be
diminishing in the
digital world, but
conversely there is an
awareness of distant
pasts and potential
futures which would have
been inconceivable at the
time of Beethoven. In any
case, the interesting
thing is to ponder how
societal conditions,
assumptions and
expectations might -
whether consciously or
unconsciously - influence
the time of art, for
listeners and creators
alike. And what if time
is running out?
(Christian
Mason)
World
premiere: Paris, Cite de
la musique, January 14,
2020. $53.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| This present moment used to be the unimaginable future... Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian
Mason.
World premiere: Paris,
Cite
de la musique, January
14,
2020. Breitkopf and
Haertel
#EB 9377. Published by
Breitkopf and Haertel
$46.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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