| Saying Goodbye Ensemble de cuivres [Conducteur et Parties séparées] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-230-030 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-230-030
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2008.
Anglo Music Press #AMP
230-030. Published by
Anglo Music Press
(BT.AMP-230-030). 9x12
inches.
English-German.
Saying Goodbye is one
of a series of original
works in pop, rock and
swing styles Philip
Sparke has composed to
try and give brass bands
their own popular
vocabulary and identity.
It could be described as
happy-sad in mood, a
feature of much of
Sparke’s slower
music. A perfect light
addition for your
concert.
A
Stroll in the Park is
een werk in de traditie
van
‘lopende’
muziek (zoals
Promenade uit
Moessorgski’s
Schilderijententoonstelli
ng of Walking the
Dog uit
Gershwin’s Shall
we Dance?). Het
beschrijft de
genoegensvan een
ontspannen wandeling in
een stadspark op een
zomerse zondagmiddag. De
Engelse uitdrukking
‘a walk in the
park’ of ‘a
stroll in the
park’ kan de
betekenis hebben van
‘iets betrekkelijk
eenvoudigs’ - en
daarin ligt een
duidelijkeaanwijzing over
de manier waarop dit werk
gespeeld moet worden:
ontspannen, zorgeloos en
relaxed.
Saying
Goodbye ist ein
Stück aus einer
Reihe von Originalwerken
in Pop-, Rock- und
Swingstilen, die Philip
Sparke komponierte, um
Brass Bands mit einer
eigenen populären
Sprache und Identität
auszustatten. Die
Stimmung lässt sich
als fröhlich-traurig
beschreiben, ein Merkmal,
das in Sparkes
langsamerer Musik oft zu
finden ist. Ein
originelles neues Werk,
das in Ihrem
unterhaltsamen Repertoire
nicht fehlen sollte!
A Stroll in
the Park (“Fl
nerie dans le
parcâ€)
s’inscrit dans la
lignée des fl neries
musicales telles que la
Promenade extraite
des Tableaux
d’une
Exposition de
Moussorgski ou encore
Walking the Dog
extrait de Shall we
Dance? de George
Gershwin. La musique
décrit les plaisirs et
les vertus d’une
promenade improvisée
dans un parc un dimanche
après-midi au
cœur de
l’été.Promen
ade ou fl nerie ? Peu
importe le terme choisi,
pourvu que le style
d’interprétatio
n soit décontracté,
insouciant et
léger. $75.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saying Goodbye Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-230-130 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-230-130
Composed by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2008. 20 pages.
Anglo Music Press #AMP
230-130. Published by
Anglo Music Press
(BT.AMP-230-130). 9x12
inches.
English-German.
Saying Goodbye is one
of a series of original
works in pop, rock and
swing styles Philip
Sparke has composed to
try and give brass bands
their own popular
vocabulary and identity.
It could be described as
happy-sad in mood, a
feature of much of
Sparke’s slower
music. A perfect light
addition for your
concert.
A
Stroll in the Park is
een werk in de traditie
van
‘lopende’
muziek (zoals
Promenade uit
Moessorgski’s
Schilderijententoonstelli
ng of Walking the
Dog uit
Gershwin’s Shall
we Dance?). Het
beschrijft de
genoegensvan een
ontspannen wandeling in
een stadspark op een
zomerse zondagmiddag. De
Engelse uitdrukking
‘a walk in the
park’ of ‘a
stroll in the
park’ kan de
betekenis hebben van
‘iets betrekkelijk
eenvoudigs’ - en
daarin ligt een
duidelijkeaanwijzing over
de manier waarop dit werk
gespeeld moet worden:
ontspannen, zorgeloos en
relaxed.
Saying
Goodbye ist ein
Stück aus einer
Reihe von Originalwerken
in Pop-, Rock- und
Swingstilen, die Philip
Sparke komponierte, um
Brass Bands mit einer
eigenen populären
Sprache und Identität
auszustatten. Die
Stimmung lässt sich
als fröhlich-traurig
beschreiben, ein Merkmal,
das in Sparkes
langsamerer Musik oft zu
finden ist. Ein
originelles neues Werk,
das in Ihrem
unterhaltsamen Repertoire
nicht fehlen sollte!
A Stroll in
the Park (“Fl
nerie dans le
parcâ€)
s’inscrit dans la
lignée des fl neries
musicales telles que la
Promenade extraite
des Tableaux
d’une
Exposition de
Moussorgski ou encore
Walking the Dog
extrait de Shall we
Dance? de George
Gershwin. La musique
décrit les plaisirs et
les vertus d’une
promenade improvisée
dans un parc un dimanche
après-midi au
cœur de
l’été.Promen
ade ou fl nerie ? Peu
importe le terme choisi,
pourvu que le style
d’interprétatio
n soit décontracté,
insouciant et
léger. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Saying Goodbye Chorale SATB SATB Hal Leonard
Arranged by Cristi Cary Miller. (SATB). Choral. 8 pages. Published by Hal Leona...(+)
Arranged by Cristi Cary
Miller. (SATB). Choral.
8 pages. Published by Hal
Leonard.
$1.80 $1.71 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Saying Goodbye Chorale 3 parties 3 parties Mixtes Hal Leonard
Arranged by Cristi Cary Miller. (3 Part Mixed). Choral. 8 pages. Published by H...(+)
Arranged by Cristi Cary
Miller. (3 Part Mixed).
Choral. 8 pages.
Published by Hal Leonard.
$1.80 $1.71 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Goodbye Songs Piano, Voix et Guitare Hal Leonard
25 Songs for Saying Farewell. Composed by Various. Piano/Vocal/Guitar Songbo...(+)
25 Songs for Saying
Farewell.
Composed by Various.
Piano/Vocal/Guitar
Songbook.
Pop, Standards.
Softcover.
160 pages. Published by
Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Code of Honor - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Rain
Stick, Snare Drum,
Suspended Cymbal,
Tom-tom, Trombone,
Trumpet and more. - Grade
0.5 SKU: CF.PPS57
Composed by Kevin Hilbun.
Pps. Set of Score and
Parts.
8+2+8+2+2+5+2+2+8+4+3+3+2
+3+1+2+2+1+1+1+12 pages.
Duration 1:06. Carl
Fischer Music #PPS57.
Published by Carl Fischer
Music (CF.PPS57). ISBN
9781491161432. UPC:
680160920020. PROGR
AM NOTES: While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum. PERFORMANCE
NOTES: The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. PROGRAM
NOTES:While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum.PERFORMANCE
NOTES:The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. $50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Code of Honor [Conducteur] - Débutant Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Percussion 4, Rain
Stick, Snare Drum,
Suspended Cymbal,
Tom-tom, Trombone,
Trumpet and more. - Grade
0.5 SKU: CF.PPS57F
Composed by Kevin Hilbun.
Pps. Full score. 12
pages. Duration 1:06.
Carl Fischer Music
#PPS57F. Published by
Carl Fischer Music
(CF.PPS57F). ISBN
9781491161814. UPC:
680160920495. PROGR
AM NOTES: While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum. PERFORMANCE
NOTES: The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. PROGRAM
NOTES:While not
necessarily a march, this
tune should be played
with a militaristic
feeling. Indeed, as I was
writing, the image of
parade ground marching
filled my mind. And so
while it does give the
idea of regimented
movements and efficient
scheduling, it's not
about marching off to war
and saying goodbye to
loved ones. Rather, it
simply conveys the idea
of respect and a sense of
decorum.PERFORMANCE
NOTES:The intro, first
section and re-intro
should be played very
lightly, while the middle
section should elicit a
heavier feeling. Be sure
to bring out the timbral
shifts as instruments
drop in and out in the
middle section. For the
ending, I have no other
words than big; give it
all you've got. In
measures 1-23 of the
Percussion 2 part, the
bell of the cymbal is to
be struck with a snare
stick. In measures 13-20
of the Percussion 1 part
(and measures 13-24 of
the Advanced Percussion 1
part), the snare should
play on the rim. Also, in
measures 21-24, it is
notated that the snare
drum player should hit
their sticks together at
face level for
effect. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variations on Shalom Chaverim Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000845-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000845-130
Composed by Andreas
Ludwig Schulte. Score
Only. 24 pages. Gobelin
Music Publications #GOB
000845-130. Published by
Gobelin Music
Publications
(BT.GOB-000845-130).
Shalom Chaverim
is an ancient Hebrew
(farewell)song, which was
originally sung at the
end of a celebration or
meeting. It was and is
mostly sung as a round.
Freely translated the
words mean “Goodbye,
friends, goodbye and see
you again!”. The
varying moods at a
parting have been
captured very well by
Andreas Schulte in his
arrangement ‘Variations
on Shalom Chaverim’.
The composer himself says
about the song,
‘Although the melody is
in a minor key, the
overall atmosphere in the
song is positive. one
wishes each other all the
best. Saying goodbye,
however, also hurts. When
you slow down the pace of
the melody and add
‘blue notes’ in the
harmonies, this can be
sensed
immediately.’Schulte
refers here to the first
variation. The second
variation is very intense
with possibly even
deeper-felt emotions.
‘Variations on Shalom
Chaverim’ ends on a
cheerful and positive
note, in fast tempo, and
with oriental elements in
the melody:
‘L'hitra'ot, Shalom’
(See you again, and
farewell!).
Shalom Chaverim
is een oud hebreeuws
(afscheids)lied, dat
oorspronkelijk aan het
eind van een viering of
bijeenkomst gezongen
werd. Dit werd en wordt
meestal in ‘canon’
gedaan. Vrij vertaald
luidt de tekst: ‘Dag
makkers, dag,
totziens!’. De
verschillende stemmingen
bij een afscheid zijn
bijzonder fraai door
Andreas Schulte in zijn
‘Variations on Shalom
Chaverim’ verwerkt.
Zelf zegt de componist
over het lied:
‘Alhoewel de toonsoort
van de melodie in
mineuris, is de teneur
van het lied positief. je
wenst elkaar alle goeds
toe. Maar afscheid doet
soms pijn. Wanneer je het
tempo van de melodie
verlaagt en
‘blue-notes’ toevoegt
in de samenklanken, is
dit direct voelbaar.’
Schulte doelthiermee op
de eerste variatie. De
tweede variatie is zeer
intens met mogelijk nog
diepere gevoelens. Met
een hoog tempo en
oosterse elementen in de
melodie, eindigt
Variations on Shalom
Chaverim, opgewekt en
positief:
‘L'hitra'ot,Shalom’
(Tot ziens, het ga je
goed!). $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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