PARTITIONS GRATUITES : ALTO (VIOLE)
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Taylor - Koa 700 Series - 724ceHawaiian koa s seductive charms are legendary. With the new all-koa 700 Series, Taylor masterdesigner Andy Powers has embraced koa s natural beauty and sonic virtues in a fresh way thatreveals a distinctive musical personality compared to Taylor s Koa Series. Where the Koa Seriesshowcases an ultra-refined look and sound, with figured wood, rich appointments, gloss finishand a smooth voice, the new 700 Series channels more of koa s natural character in look, feeland sound. Select-grade koa boasts rich color variegation and straight grain structure.A newback bracing pattern, together with ultra-thin matte finish, coaxes a livelier, punchier, moredirect response from the guitar, making it exceptionally player-reflective. The thin finish alsocreates a warm and inviting tactile sensation with the natural wood texture, making players feeleven more connected to the guitar. A new suite of appointments includes mother-of-pearlFountain fretboard/inlays, rosewood binding (including soundhole), maple/rosewood top edgetrim, a paua/rosewood rosette, a dark-stained maple pickguard and Taylor polished bronzetuners. Model offerings include the Grand Auditorium 724ce and Grand Concert 722ce.Timeless koa appeal reimagined with a vibrant new voice.With the new, all-solid-koa 700 Series, Taylor master designer Andy Powers has embraced Hawaiian koa s natural beauty and sonic virtues in a fresh way that brings a distinctive musical personality to the Taylor line.Compared to our established Koa Series, which showcases an ultra-refined look and sound, featuringfigured koa, rich appointments, gloss finish and a smooth voice, the koa 700 Series channels more of koa s natural character in look, feel and sound.How the Series Was BornBack in 2015, Taylor formed a Hawaii-based partnership with tonewood supplier Pacific Rim Tonewoods to supply and grow Hawaiian koa for the future. (The company is called Siglo Tonewoods.)Part of our commitment is to contribute to current forest restoration efforts in Hawaii on a project basis through contracts with Hawaiian landowners.As specified in these stewardship agreements, Siglo is permitted to cut a select number of designated koa trees, and in exchange, we invest dollar for dollar in a host of forest improvement projects.These arrangements have enabled us to cut into more koa logs ourselves and discover far more varieties of koa wood, featuring a rich palette of colors with beautiful striping. (We hadn t previously been exposed to this type of koa in dealing with suppliers.) We gave this wood its own classification as Select-grade.Taylor master builder Andy Powers was excited by the new opportunities this wood presented. It inspired him to design what became the Koa 700 Series. He wanted to honor the unique characteristics of this wood by offering players another compelling koa playing experience.Unique Design FeaturesSelect-grade koa: Boasts rich color variegation and straight grain structureUltra-thin matte finish :Feel: The thin open-pore finish creates a warm and inviting tactile sensation; you can feel the natural wood texture, creating a more intimate connection to the guitarSound: Together with slightly altered back bracing, the voicing is different from our KoaSeries: a livelier, punchier, more direct response, making it exceptionally player-reflectiveAppointmentsFretboard/Peghead Inlay: New Fountain design in mother-of-pearlBody Edge Treatment: Indian rosewood binding (including soundhole)Rosette: Single ring, paua and rosewoodTuners: Taylor polished bronzeOther Unique Features: Maple/black/rosewood top edge trim, dark-stained maple pickguard I wanted to offer traditional appointments, with a focus on natural materials like wood and shell. I wanted the inlay to be unobtrusive and not too heavy in its ornamentation. Andy Powers These guitars retain the unique sweetness we associate with a koa guitar especially that beautiful midrange but with a more direct, punchier attack. Andy PowersAn expanded family of koa beauty. An expanded palette of koa sound.Players can choose from an array of koa models offered across the Taylor line, from the all-solid-wood Koa and 700 Series to select models within the 200 and 200 Deluxe Series to GS Mini and Baby Taylor models.Specifications : Body Wood:Solid Select-Grade Hawaiian KoaTop Wood:Solid Select-Grade Hawaiian KoaNeck:Neo-Tropical MahoganyFretboard:West African EbonyNut Width:1-3/4 Scale Length:25-1/2 (724ce), 24-7/8 (722ce)Electronics:ES2Case:Taylor Deluxe Hardshell Case

Meinl Byzance Artist's Choice Set Chris Coleman, Set consisting of: 12" Pure Aolloy Trash China, 14" Byzance Vintage Pure Hi-Hat, 19" Byzance Brilliant Medium Thin Crash, 21" Byzance Vintage C2 Ride, Set put together by Chris Coleman serves a good balance of strong articulation and warm and earthy sounds

Pixel control- Blade effect via rotatable lens unit- Creates a unique effect- Together with the wide zoom range from a narrow 6° beam to a wide 50° wash, it is the ideal compact combination of wash and beam effect- Perfectly suited for medium-sized events and clubs- Pre-programmed pixel effects- Temperature-controlled fan- Four selectable dimmer curves- Adjustable PWM- Automatic pan and tilt correction- Light source: 7 x 60 W RGBW 4in1 LED from Osram- LEDs separately controllable- Beam angle: motorised zoom 6° - 50°- Electronic dimmer: 0 - 100- Electronic shutter: 0 - 20 Hz- Continuous FX rotation- 16bit Pan / Tilt: 540° / 220°- Control: DMX (9/35/23/51 channels), master / slave, automatic integrated programmes- LCD display with four buttons- Black metal and plastic housing- DMX input and output: XLR 3-pin and 5-pin- Power input and output: Power Twist- Power supply: 100 - 240 V AC, 50/60 Hz- Power Consumption: 420W- Dimensions (W x H x D): 337 x 400 x 246 mm- Weight: 11.5 kg- Includes 2 Omega brackets with Quick-Lock

Meinl Byzance Artist's Choice Set Matt Garstka, Set consisting of: 14" Byzance Vintage Equilibrium Hi-Hat, 18" Byzance Jazz Extra Thin Crash, 20" Byzance Vintage Equilibrium China, 22" Byzance Vintage Equilibrium Ride, Set put together by Matt Garstka combines well balanced attack, tone and volume

Avenger D800KIT Grip Kit; Set of 4 grip tools that can be used together, individually or in combination with tripods as mounts for scrims, flags, light shapers and lighting fixtures; consisting of: 200B, D520B, C1575B, E600 and H4BAG (Grip Kit bag); Technical data:; Avenger C1575B Super Clamp:; Suitable for tube diameters from 13 mm to 55 mm; max. load capacity: 15 kg; Mount: 16 mm (5/8") adapter; Avenger D200B Grip Head 2 1/2'' Bk:; Top mount: 16 mm (5/8") mount; Top mount: 16 mm (5/8") adapter Load capacity: 15 kg; Mounting: 16 mm (5/8") adapter; Avenger D200B Grip Head 2 1/2'' Bk:; Top mounting: 16 mm (5/8") adapter; Material: Aluminium; Colour: Black; Dimensions (LxHxD): 18 x 6 x 9 cm; Weight: 0.55 kg; Avenger D520B 40" Extension Arm black:; Arm length: 102 cm, Tube diameter: 16 mm, Colour: Black, Material: Steel and aluminium alloy, Weight: 1.1 kg; Avenger E600 Snap In Pin:; 16 mm (5/8") spigot with hexagon; Material: Aluminium

Semi-parametric single-band EQ for colouring and distorting single signals, busses and entire mixes with the slowed-down, round and smooth sound of classic tube circuits- Especially suitable for instruments such as bass, guitar, vocals, etc.- 31 Frequency bands selected according to musical criteria- Colour control with individually tuned algorithms per EQ band provides more signal colouration- Harmonic distortion simulates the behaviour of "hot" tube circuits with emphasis on 2nd and 3rd harmonics together with a few 4th order harmonics- Matching compressor with fixed control times for easy operation

Samples and holds the guitar signal to create a surface to play over- Optional layering allows multiple layers of held notes and chords to be stacked to create harmonies- Add and hold an unlimited number of layers that gradually blend together- Analogue Dry Thru preserves the integrity of the original signal- Controls: Decay, Level, Fade In- LED: Effect On- Footswitch: Effect Bypass- Input and output: 6.3 mm jack- FX Send & Return: 2 x 6,3 mm jack- Mains adapter connection: Hollow plug socket 5.5 x 2.1 mm, negative polarity inside- Power supply via 9 V DC mains adapter (not included in delivery, suitable mains adapter: Art.409939)- Dimensions (W x D x H): 41 x 90 x 50 mm- Weight: 200 g

Test your musical knowledge together with your powers of visual deduction by unravelling the hilarious 'Toons'. Drawing from the 500 different question cards, you must solve all the clues as you travel across the colourful board playing against the clock. These mind benders with a musical twist will keep you entertained for hours! / Jeu /

Based on a legendary Italian hardware synthesizer of the early 1980s- Dual multitimbral sound generation for individual split and layer combinations of two patches- 16-Voice polyphonic- Panel control for selecting layers, with useful functions for exchanging settings between sound layers or between presets- Two independently tunable DCOs with triangle, sawtooth, square and variable pulse waveforms- Different voice assignment modes for polyphonic and single voices as well as detunable unison- Both oscillators with PWM cross modulation and ring modulation as well as oscillator 2 with sync option- Noise generator with white and pink noise- Multimode filter oriented on the CEM3320 chip with 12 or 24 dB / oct lowpass, 6 or 12 dB / oct bandpass and 12 dB / oct highpass- Two tempo-synchronous LFOs with the waveforms triangle, sawtooth, ramp, bipolar and unipolar square as well as random waveform for LFO 1 and triangle for LFO 2- Two independent modulation sections with a fixed LFO 1 section and a performance-oriented LFO 2 section for use with pitch and modulation wheel- Velocity-controlled ADSR envelopes for filter and volume with multi-trigger in the monophonic modes- Chord memory function- Tempo sync buttons for LFOs, sequencer and arpeggiator tempo as well as echo to synchronise with the project tempo of the DAW- Step sequencer offers four individual monophonic sequences with up to 128 steps, selectable assignment to one of the two layers and storage together with the presets- Step sequencer functions for copying, swapping and moving sequencer data between tracks or presets- Glide (pitch envelope) and portamento (standard glide) functions can be activated individually per oscillator- Tempo-synchronised arpeggiator with independent assignment to both layers- Effects section with chorus, delay and reverb including algorithm from "Galactic Reverb- Full MIDI control and DAW automation- Over 500 presets- Scalable user interface with focus zoom-in function as well as standard interface zoom and resize by dragging

Solderless electronics replacement set for T-Style Nashville electric guitar (3 pickups)- Allows you to play neck and bridge pickups or even all three pickups together- Function switch in the push/pull tone control, no additional modifications required- Internally switchable treble bleed- High-quality components provide a significant improvement over standard electronics- Solderless plug-in wire connector for quick installation and easy pickup changing- Controls: 1 x volume, 1 tone (neck and centre), 1 x P/P tone (bridge and 5-way switch function)- Made in New Zealand- P/P Switch Down: Bridge, Bridge & Middle, Middle, Neck & Middle, Neck- P/P Switch Up: Bridge & Neck, Bridge, Middle & Neck, Middle & Neck, Neck & Middle, Neck- Volume control: 1 x CTS 250 kOhm, short shaft, smooth axis (solid shaft)- Tone control: 1 x CTS 250 kOhm, short shaft, ribbed slotted axle, 1 x push/pull- Capacitors: 1 x 150 Series Polyester 0.022µF- Switch: Oak Grigsby 5-way switch- Jack socket: Switchcraft