| Vir-Cello Reality Orchestre à Cordes - Intermédiaire Alfred Publishing
By David O'fallon. Music by David O'Fallon. For String Orchestra. String Orchest...(+)
By David O'fallon. Music
by David O'Fallon. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
$6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Harry Potter -- Wizards Unite---Selections from the Real-World Augmented Reality Mobile Game Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5; Intermediate SKU: AP.48055S Featuring: Hedwigs ...(+)
Orchestra - Grade 2.5;
Intermediate SKU:
AP.48055S
Featuring: Hedwigs
Theme / Profile: Selfie
Avatar / Fawkes the
Phoenix / Care of Magical
Creatures Encounter /
Victory Fanfare. By
John Williams and
Nicholas Hooper. Arranged
by Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Movie; TV; Video Game.
Score. 16 pages. Duration
3:30. Alfred Music
#00-48055S. Published by
Alfred Music (AP.48055S).
ISBN 9781470656980.
UPC: 038081557502.
English. John Williams
except Care of Magical
Creatures Encounter
composed by Nicholas
Hooper. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Whether or not
they have the Harry
Potter: Wizards Unite
augmented reality game on
their mobile device, your
students are sure to
recognize the melodies
from Harry Potter:
Wizards Unite by John
Williams, arranged by
Douglas E. Wagner. Five
diverse excerpts from the
game are included in this
medley: Hedwig's Theme,
Profile: Selfie Avatar,
Fawkes the Phoenix, Care
of Magical Creatures
Encounter, and Victory
Fanfare. So, with wands
at the ready, let the
magic begin! (3:30) This
title is available in
MakeMusic Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| David O'fallon: Vir-Cello Reality Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Shawnee Press
By David O'fallon. Music by David O'Fallon. For String Orchestra. String Orchest...(+)
By David O'fallon. Music
by David O'Fallon. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Harry Potter -- Wizards Unite---Selections from the Real-World Augmented Reality Mobile Game Orchestre - Facile Alfred Publishing
Orchestra - Grade 2.5; Intermediate SKU: AP.48055 Featuring: Hedwigs T...(+)
Orchestra - Grade 2.5;
Intermediate SKU:
AP.48055
Featuring: Hedwigs
Theme / Profile: Selfie
Avatar / Fawkes the
Phoenix / Care of Magical
Creatures Encounter /
Victory Fanfare. By
John Williams and
Nicholas Hooper. Arranged
by Douglas E. Wagner.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Movie; TV; Video Game.
Score and Part(s). 148
pages. Duration 3:30.
Alfred Music #00-48055.
Published by Alfred Music
(AP.48055). ISBN
9781470656973. UPC:
038081557496. English.
John Williams except Care
of Magical Creatures
Encounter composed by
Nicholas
Hooper. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Whether or not
they have the Harry
Potter: Wizards Unite
augmented reality game on
their mobile device, your
students are sure to
recognize the melodies
from Harry Potter:
Wizards Unite by John
Williams, arranged by
Douglas E. Wagner. Five
diverse excerpts from the
game are included in this
medley: Hedwig's Theme,
Profile: Selfie Avatar,
Fawkes the Phoenix, Care
of Magical Creatures
Encounter, and Victory
Fanfare. So, with wands
at the ready, let the
magic begin! (3:30) This
title is available in
MakeMusic Cloud. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Illusions Piano seul [Conducteur] - Intermédiaire Galaxy Music Corporation
Piano solo - Intermediate SKU: EC.1.3427 Composed by John Carter. Secular...(+)
Piano solo - Intermediate
SKU: EC.1.3427
Composed by John Carter.
Secular, 21st century.
Score. Galaxy Music
Corporation #1.3427.
Published by Galaxy Music
Corporation (EC.1.3427).
ISBN 600313134272.
UPC:
600313134272. One
dictionary definition of
illusion takes a
psychological perspective
in saying that an
illusion represents
something in a way that
may differ from reality.
I wrote these little
pieces with that concept
in mind, that each one
might express a single
thought or emotion, but
that the performer or the
listener might hear them
in their own individual
ways. While some might
say that an illusion is a
misrepresentation of
reality I think of the
familiar adage, Beauty is
in the eye of the
beholder. If that is
true, then each
person’s
perception of each piece
possesses its own
reality. -John
Carter. $7.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Alms Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418790 No. 3 from Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418790 No. 3
from Second April.
Composed by Eric Ewazen.
Octavo. Performance
Score. Theodore Presser
Company #312-41879.
Published by Theodore
Presser Company
(PR.312418790). ISBN
9781491138144. UPC:
680160640218. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The third
movement, ALMS is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
primarily minor, yet with
moments of playfulness,
the recollection of happy
times takes over. This
seesaw between emotions
is heard throughout the
movement, and with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and
finality. . Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $4.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mariposa Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312418780 No. 2 From Second April<...(+)
Choral SATB Choir and
Piano SKU:
PR.312418780 No. 2
From Second April.
Composed by Eric Ewazen.
Fold. Performance Score.
Theodore Presser Company
#312-41878. Published by
Theodore Presser Company
(PR.312418780). ISBN
9781491138137. UPC:
680160640201. Second
April, by Edna St.
Vincent
Millay. Second
April for S.A.T.B. Chorus
and Piano is a
four-movement set, based
on the poetry of Edna St.
Vincent Millay. Ewazen
has long been enamored
with her poetry's
wonderfully vivid and
descriptive imagery of
nature and emotions, and
its powerful and profound
meaning. The second
movement, MARIPOSA
celebrates nature,
wandering through a field
of white and blue
butterflies appearing
wondrously, with rich
chords and arpeggios. Yet
also stepping back, the
fleeting nature of life
is the reality, with
gentle, somber chords
interspersed with the
magical flight of the
Mariposa. Program
Notes by Eric
EwazenSECOND APRIL for
S.A.T.B. Chorus and Piano
is a four-movement set,
based on the poetry of
Edna St. Vincent Millay.
I have long been enamored
with the poetry of Millay
for its wonderfully vivid
and descriptive imagery,
and its often powerful
and profound meaning.
Millay’s descriptions
of nature, and of
feelings and emotions,
have always spoken to me.
SECOND APRIL consists of
four of her poems, each
with a distinctive mood,
message, and emotional
feel. They are vivid,
powerful, and beautiful,
inspiring me to capture
these descriptions of the
various scenes she
portrays. Song of a
Second April uses music
to underlie strong
feelings, passions, and
the tragedies of life.
The poem itself is
dramatic, detailing a
time of personal strife
and tragedy, perhaps the
end of a relationship or
even the end of a life.
The music is intense,
fast, in a minor key, and
with rapid, spinning
notes creating a feeling
of powerful, relentless
emotions. Melodies,
motives, and gestures are
tossed between the
voices, increasing the
feelings of intensity and
even desperation. Little
by little, the music
almost dies away, getting
quieter and quieter,
creating a feeling of
resignation, but with a
Picardy Third in the
final chord – maybe a
bit of hope! Mariposa
is a celebration of
nature, wandering through
a field with white and
blue butterflies
appearing almost
wondrously. But there’s
also a profound feeling
of poignancy, noting that
as one relishes such a
beautiful, magical sight,
they should embrace the
experience – the
fleeting, transient
nature of such a perfect
vision and of life
itself. The music
portrays the flying of
the butterflies: gentle,
beautiful, with rich
chords and arpeggios, but
stepping back, as the
fleeting nature of life
is the reality, with
gentle, but sombre chords
interspersed with the
magical flight of the
Mariposa.Alms is a fast
rondo, intense, bold, and
always dance-like. It is
about both tragedy and
resilience. This music is
also in minor, yet with
moments of playfulness,
as a recollection of
happy times or moments
takes over. This seesaw
between emotions is heard
throughout the movement,
as the music continues to
“dance.” And with
Millay’s summing up of
“reality being what it
is,” the piece ends
with strength, boldness,
and finality. Into the
Golden Vessel of Great
Song is an appassionato
call to overcome! The
poem exhorts us to
“sing out” with hope,
determination, and
strength. The music is
full of bright and
lilting energy; but as
the turmoil and times of
strife people can
sometimes feel or
experience, the music
becomes intense,
dramatic, in a minor key,
and with changing
rhythms. BUT, there is a
return to championing the
idea of simply
overcoming, going forward
with hope and
determination, and the
music is in major,
resonant and strong.
. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in c K. 427 (417a) Breitkopf & Härtel
Violin 1 (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Violin 1 (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str) SKU:
BR.OB-5562-15
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-15. Published by
Breitkopf and Haertel
(BR.OB-5562-15). ISBN
9790004342282. 10 x 12.5
inches. The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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