PARTITIONS GRATUITES : EUPHONIUM ET PIANO
- Vivaldi: Sonata No. 6 for Violin

Arrangements of syllabus repertoire for lessons, practice and performance. Composed by Richard Mainwaring. Classical. Score and Parts. Trinity College London #TCL020345. Published by Trinity College London

11 Pieces by 11 Composers G. Schirmer Instrumental Library. Composed by Various. String Solo. Classical. Softcover Audio Online. 80 pages. Published by G. Schirmer

6 Sonatas from Barsanti, Bitti, Marcello, Vivaldi, Mancini and Veracini or Treble Recorder or other Melodie Instruments and Basso continuo. For Alto recorder (f,g)/ Violin/ Flute/ Oboe, Basso continuo. Hortus Musicus. Playing Score; Single Part. Published by Hortus Musicus (German import).

Violin; Harpsichord

SKU: UT.HS-281

Composed by Michel Corrette. Edited by Eloise Ameruoso. Saddle stitching. Classical. Score and Parts. Ut Orpheus #HS 281. Published by Ut Orpheus (UT.HS-281).

ISBN 9790215326385. 9 x 12 inches.

Sonata I (Les Fêtes de Flore); Sonata II (Les Champs Elisées); Sonata III (Le Jardin des Hesperides); Sonata IV (Les Amusemens d’Apollon chez Le Roi Admète); Sonata V (Les Jeux Olympiques); Sonata VI (Les Voyages d’Ulysse)
< br>Published in 1742 by the author with Boivin, Le Clerc and de Bretonne, Corrette’s Op. 25 was committed to the Knight of Orleans. It contains six sonatas with violin accompaniment. Nevertheless, on the frontispiece, Corrette reminds the possibility to perform these sonatas also for solo harpsichord; violin accompaniment is therefore considered as collateral and not crucial even though two instruments complete each other and continuously dialogue in a charming way. The composer declares the effect he requires to obtain at the beginning of sonata punctuating that the violin must play mezzo piano way and giving, once again, a great relevance to the keyboard. Despite the notices, imitations and plots between the instruments are so pleasant and constant that it is very improbable to imagine that violin role has considered as unsubstantial.
In the fourth sonata, the only one written in minor tonality, Corrette supposes flute accompaniment as alternative to the violin. In this case, Italian style is evident, for example, in the third movement where the composer imitates Vivaldi with frequent unison passages.
On technical plan, the harpsichordist is occupied in recurring hands crossing, playing suddenly overall keyboard.

(Wedding and Classical Favorites). Composed by Various. Arranged by Daniel Kelley. For Flute/Oboe/Violin and Cello/Bassoon. Duets. Music for Two series. A tremendous new collection for any occasion including the best of Beethoven, Handel, Mendelssohn, Mozart, Borodin, Vivaldi, Corelli and more! This versatile series is designed to be played by two different instruments!. Wedding, Classical. Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing