| Viola Repertoire 7 Alto seul - Intermédiaire The Frederick Harris Music Company
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. ...(+)
Viola - Late Intermediate
SKU: FH.VA7
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA7. Published
by The Frederick Harris
Music Company (FH.VA7).
ISBN
978-1-55440-569-5.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Level
7: Holberg Suite, op.
40: I,V - Grieg,
Edvard Symphony No. 5,
op. 67: II - Beethoven,
Ludwig van Symphony
No. 4 (Italian), op. 90:
II - Mendelssohn,
Felix Brandenburg
Concerto No. 3, BWV 1048:
I - Bach, Johann
Sebastian Symphony No.
35 (Haffner), K 385: I -
Mozart, Wolfgang
Amadeus Level
8: Ruslan and
Ludmilla: Overture -
Glinka,
Mikhail Symphony No.
35 (Haffner), K 385: IV -
Mozart, Wolfgang
Amadeus Symphony No. 6
(Pathetique), op. 75: I -
Tchaikovsky, Pyotr
Il'yich Symphony No.
9, op. 125: IV -
Beethoven, Ludwig
van Symphony No. 3
(Eroica), op. 55: IV -
Beethoven, Ludwig
van Symphony No. 1,
op. 68: I - Brahms,
Johannes Symphony No.
9 (New World), op. 95: IV
- Dvorak,
Antonin Level
9: Symphony No. 5, op.
67: III - Beethoven,
Ludwig van Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang Amadeus The
Hebrides, op. 26:
Overture - Mendelssohn,
Felix Variations on a
Theme by Haydn, op. 56a -
Brahms, Johannes Le
carnaval romain -
Berlioz,
Hector Symphony No. 8,
op. 88: I - Dvorak,
Antonin Symphony NO. 4
(Romantic): II -
Bruckner, Anton Level
10: Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 4,
op. 98: II,IV - Brahms,
Johannes Peer Gynt
Suite No. 1, op. 46: I -
Grieg, Edvard Concerto
for Orchestra: IV,V -
Bartok, Bela Symphony
No. 40, K 550: I,IV -
Mozart, Wolfgang
Amadeus Serenade for
Strings, op. 48: I,II -
Tchaikovsly, Pyotr
Il'yich Symphony No.
5, op. 47: I -
Shostakovich,
Dmitri Associate: G
roup 1: Ochestral Tutti
Parts (Viola): Daphnis
et Chloe: III - Ravel,
Maurice Don Juan, op.
20 - Strauss,
Richard Symphony No.
9, op. 125: II,IV -
Beethoven, Ludwig
van Incidental Music
to A Midsummer Night's
Dream, op. 61: Scherzo -
Mendelssohn, Felix The
Bartered Bride: Overture
- Smetana,
Bed_ich Group 2: Viola
Solos: Don Quixote,
op. 35 - Strauss,
Richard Harold en
Italie: I - Berlioz,
Hector. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Accent on Duets 1 Piano, 4 mains [Partition] - Intermédiaire Willis Music
(Mid to Later Intermediate Level 1 Piano, 4 Hands). By William L. Gillock. Arran...(+)
(Mid to Later
Intermediate Level 1
Piano, 4 Hands). By
William L. Gillock.
Arranged by William L.
Gillock. Willis. Mid to
Late Intermediate.
Softcover. 72 pages
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Solos for the Sanctuary - Hymns Piano seul [Partition] Willis Music
(7 Piano Solos for the Church Pianist/Mid to Later Intermediate Level). By Vario...(+)
(7 Piano Solos for the
Church Pianist/Mid to
Later Intermediate
Level). By Various.
Arranged by Glenda
Austin. Willis. Mid to
Late Intermediate.
Softcover. 32 pages.
Published by Willis Music
(1)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Daily Guitar Warm-Ups Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
Physical and Musical Exercises to Help Maximize Practice Time. Essential Element...(+)
Physical and Musical
Exercises to Help
Maximize Practice Time.
Essential Elements
Guitar. Warm-up,
Instruction. Softcover
Audio Online. With guitar
tablature. 40 pages.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Discovering Piano Literature, Book 3 Piano seul [Partition] - Intermédiaire Alfred Publishing
32 Carefully Graded Original Mid to Late Intermediate Piano Solos from the Four ...(+)
32 Carefully Graded
Original Mid to Late
Intermediate Piano Solos
from the Four Stylistic
Periods. Edited by M'lou
Dietzer. Graded Standard
Repertoire; Masterworks;
Piano Collection.
Masterwork. Book. 48
pages. Alfred Music
#00-14576. Published by
Alfred Music
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Clarinet Repertoire 7 Clarinette - Intermédiaire The Frederick Harris Music Company
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition...(+)
Clarinet - Late
Intermediate SKU:
FH.WC7 Clarinet
Series, 2013 Edition.
Composed by The Royal
Conservatory. Clarinet
Series, 2013 Edition.
Book/CD. 88/36 pages. The
Frederick Harris Music
Company #WC7. Published
by The Frederick Harris
Music Company (FH.WC7).
ISBN
978-1-55440-583-1.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Level
7: De Hebriden, op.
26: Overture - Felix
Mendelssohn Symphony
No. 39, K 543: II, III,
IV - Wolfgang Amadeus
Mozart Symphony No. 5,
op. 64: I, II - Pyotr
Il'yich
Tchaikovsky Symphony
No. 2, op. 36: II -
Ludwig van
Beethoven Piano
Concerto No. 2, op. 18:
II - Sergei
Rachmaninoff Symphony
No. 6 (Pastoral), op. 68:
I - Ludwig van
Beethoven Level
8: Prince Igor:
Polovtsian Dance No. 8,
Polovtsian Dance No. 17 -
Aleksandr Borodin Il
barbiere di Siviglia:
Overture - Gioachino
Rossini Symphony No. 4
(Italian), op. 90: IV -
Felix
Mendelssohn Symphony
No. 4, op. 98: II -
Johannes
Brahms Ouverture zu
Offenbach's Orpheus in
der Unterwelt - Carl
Binder Symphony No. 8
(Unfinished), D 759: II -
Franz
Schubert Symphonie
fantastique: III - Hector
Berlioz Level
9: Symphony No. 6
(Pastoral), op. 68 : I,
II, III - Ludwig van
Beethoven Symphony No.
3, op. 90: I, II -
Johannes
Brahms Symphony No. 4,
op. 60: II - Ludwig van
Beethoven Semiramide:
Overture - Gioachino
Rossini Symphony No. 3
(Scottish), op. 56: II -
Felix
Mendelssohn Prelude a
l'apres midi d'un faune -
Claude
Debussy Symphony no.
9, op. 125: II - Ludwig
van Beethoven Level
10: Symphony No. 2,
op. 27: III - Sergei
Rachmaninoff Violin
Concerto, op. 61: II -
Ludwig van
Beethoven Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo - Felix
Mendelssohn Symphony
No. 1, op. 39: I, III -
Jean
Sibelius Variations on
a Theme by Haydn, op.
56a: Variation II,
Variation IV, Variation V
- Johannes
Brahms Symphony No. 8,
op. 93: III - Ludwig van
Beethoven Sheherazade,
op. 35: II, III, IV -
Nicolai
Rimsky-Korsakov Associ
ate: B_, A, C
Clarinet: Capriccio
espagnole, op. 34: I,
III, IV - Nicolai
Rimsky-Korsakov Dances
of Galanta - Zoltan
Kodaly Pini di Roma:
III - Ottorino
Respighi Suite de
l'oiseau de feu:
Variation de l'oiseau de
feu - Igor
Stravinsky Symphony
No. 6 (Pathetique), op.
74: I - Pyotr Il'yich
Tchaikovsky Symphony
No. 9, op. 70: II, III -
Dmitri
Shostakovich Don Juan,
op. 20 - Richard
Strauss Symphonie
fantastique: V - Hector
Berlioz Peter and the
Wolf, op. 67: Nervoso -
Sergei
Prokofiev Prince Igor:
Polovtsian Dance No. 17 -
Aleksandr
Borodin Associate: E_
Clarinet: Symphony no.
5, op 100: IV - Sergei
Prokofiev Till
Eulenspiegels lustige
Streiche, op. 28 -
Richard
Strauss Symphony no.
5, op. 47: II - Dmitri
Shostakovich Symphonie
fantastique: V - Hector
Berlioz Bolero -
Maurice
Ravel Associate: Bass
Clarinet: Les
Huguenots: Trio from act
5 - Giacomo
Meyerbeer Violin
Concerto no. 1, op. 77:
II - Dmitri
Shostakovich Grand
Canyon Suite: III - Ferde
Grofe Don Quixote, op.
35: Sancho Panza,
Variation X - Richard
Strauss. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Dream to Remember Piano seul Alfred Publishing
Composed by Myra Schubert. For Piano. Piano Solo; Sheet; Solo. Signature Series....(+)
Composed by Myra
Schubert. For Piano.
Piano Solo; Sheet; Solo.
Signature Series. Late
Intermediate. 4 pages.
Published by Alfred Music
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Harpe Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp
SKU: CF.H84
Composed by Marcel
Tournier. Edited by Carl
Swanson. Collection -
Score. Carl Fischer Music
#H84. Published by Carl
Fischer Music (CF.H84).
ISBN 9781491165539.
UPC:
680160924530. Marce
l Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. Over
his long career, he added
a significant catalogue
of very beautiful works
to the harp repertoire.
Many of his solo works,
almost one hundred, have
been consistently in
print since they were
first published. But in
recent years harpist Carl
Swanson has discovered a
treasure trove of pieces
by Tournier heretofore
unknown and unpublished.
These include the
Déchiffrages in this
edition, as well as songs
set for voice, harp, and
string quartet, and
ensemble arrangements of
some of his most beloved
works.All of the works
that Carl Swanson found
were in manuscript only.
With the help of the
great harpist Catherine
Michel, he has put these
pieces into playable
form, and they are being
published for the very
first time. He and
Catherine often had to
re-notate passages to
show clearly how they
could be played, adding
fingerings and musical
nuances, tempos, pedals,
and pedal
diagrams.Tournier wrote
these pieces when he was
in his 20s, and before he
became the
impressionistic composer
those familiar with his
work know so well. They
are written in the late
nineteenth-century
romantic style that was
being taught at that time
at the Paris
Conservatory. They are
beautiful short,
intermediate level pieces
by a first rate composer,
and add much needed
repertoire to that level
of playing. Marcel
Tournier
(1879–1951) was
one of the most important
harpist/composers in the
history of the harp. He
graduated from the Paris
Conservatory with a first
prize in harp in 1899. He
also studied composition
there and won a second
prize in the prestigious
Prix de Rome competition,
as well as a first prize
in the Rossini
competition, another
major composition
competition of the day.
From 1912 to 1948 he
taught the harp class at
the Paris Conservatory.
But composition, and
almost entirely,
composition for the harp,
was the main focus of his
life. His published
works, including many
works for solo harp, a
few for harp and other
instruments, and several
songs, number around one
hundred pieces.In 2019,
while researching
Tournier for my edition
MARCEL TOURNIER: 10
Pieces for Solo Harp, I
discovered that there was
a significant list of
pieces by this composer
that had never been
published and were not
included on any inventory
of his music. Principal
on this list were his
déchiffrages
(pronounced
day-she-frahge, like the
second syllable in the
word garage).The word
déchiffrage means
sight-reading exercise,
and that was their
original purpose.
Tournier numbered and
dated these pieces, with
dates ranging from 1900
to 1910, indicating that
they were in all
likelihood written for
Alphonse
Hasselmans’ class
at the Paris
Conservatory. Tournier
was probably told how
long to make each one,
and how difficult. They
range in length from two
to four pages, with only
one in the whole series
extending to five, and
from thirty to fifty-five
measures, with only one
extending to eight-five.
The level of difficulty
for the whole series is
intermediate, with some
at the easier end, and
others at the middle or
upper end.We don’t
know if they were
intended to test students
trying to enter the harp
class, or if they were
used to test students in
the class as they played
their exams. The fact
that they were never
published means that
students had to not only
sight read them, but
sight read them in
manuscript form!I worked
from digital images of
the original manuscripts,
which are in the private
music library of a
harpist in France. She
had twenty-seven of these
pieces, and this edition
is the second in a series
of three that will
publish, for the first
time, all of the ones
that I have found thus
far. The manuscripts
themselves consist of
little more than notes on
the page: no pedals
written in, no
fingerings, few if any
musical nuances and tempo
markings, and no clear
indication as to which
hand plays which notes.
These would have been
difficult to sight read
indeed! My collaborator
Catherine Michel and I
added musical nuances,
fingerings, pedals and
pedal diagrams, and tempo
indications to put them
into their current
condition.At the time
these were written,
Tournier would have been
in his twenties, having
just graduated from the
harp class himself
(1899), and might still
have been in the
composition class. These
are the earliest known
pieces that he wrote, and
they were written at the
very beginning of a
cultural revolution and
upheaval in Paris that
was to completely and
profoundly alter musical
composition. Tournier
himself would eventually
be caught up in this new
way of composing. But not
yet.All of the
déchiffrages are
written in the late
romantic style that was
being taught at that time
at the Paris
Conservatory. Each one is
built on a clear musical
idea, and the variety
over the whole series
makes them wonderful to
listen to as well as to
learn. They are also
great technical lessons
for intermediate level
players.The obvious
question is: Why
didn’t Tournier
publish these pieces, and
why didn’t he list
them on his own inventory
of his music? Actually,
four of them were
published, with small
changes, as his
collection Four Preludes,
Op. 16. These came from
the ones that will be in
volume three of this
series from Carl Fischer.
His first large piece,
Theme and Variations, was
published in 1908, and
his two best known and
frequently played pieces,
Féerie and Au Matin,
followed in 1912 and 1913
respectively. We can only
speculate because there
is so much still unknown
about Tournier and about
these unpublished pieces.
He may have looked at
them, fresh out of school
as he was, as simply a
way to make some quick
money. The first several
pieces that he did
publish are much longer
than any of the
déchiffrages. So it
could be that, because of
their shorter length, as
well as the earlier
musical style that he was
moving away from, he
chose not to publish any
more of them. We may
never know the full
story. But all these
years later, more than a
century after they were
composed, we can listen
to them for their own
merits, and not measured
against whatever else was
going on at the time. The
numbers on these pieces
are the ones that
Tournier assigned to
them, and the gaps
between some of the
numbers suggest that
there are perhaps thirty
or more of these pieces
still to be found, if
they still exist. They
will, in all likelihood,
be found, as these were,
in private collections of
harp music, not in
institutional libraries.
We can only hope that
more of them will be
located in years to
come.—Carl
SwansonGlossary of French
Musical TermsTournier was
very precise about how he
wanted his pieces played,
and carefully
communicated this with
many musical indications.
He used standard Italian
words, but also used
French words and phrases,
and occasionally mixed
both together. It is
extremely important to
observe and understand
everything that he put on
the page.Here is a list
of the French words and
phrases found in the
pieces in this edition,
with their
translation.bien
chanté well sung,
melodiousdécidé
firm, resolutediminu peu
à peu becoming softer
little by littleen
diminuant becoming
softeren riten. slowing
downen se perdant dying
awayGaiement gayly,
lightlygracieusement
gracefully,
elegantlyLéger light,
quickLent slowmarquez le
chant emphasize the
melodyModéré at a
moderate tempopeu Ã
peu animé more lively,
little by littleplus lent
slowerRetenu held
backsans lenteur without
slownesssans retinir
without slowing downsec
drily, abruptlysoutenu
sustained, heldtrès
arpegé very
arpeggiatedTrès
Modéré Very
moderate tempoTrès peu
retenu slightly held
backTrès soutenu very
sustainedun peu retenu
slightly held back. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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