| How Many Kings Chorale SATB SATB [Octavo] Word Music
How Many Kings arranged by Mark McClure and Allan Douglas. For SATB Choir. Chris...(+)
How Many Kings arranged
by Mark McClure and Allan
Douglas. For SATB Choir.
Christmas. Choral octavo.
Duration 3'47". Published
by Word Music
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Love Is a Many-Splendored Thing / SATB Chorale SATB SATB [Octavo] Alfred Publishing
Love Is a Many-Splendored Thing by Sammy Fain and Paul Francis Webster. Arranged...(+)
Love Is a Many-Splendored
Thing by Sammy Fain and
Paul Francis Webster.
Arranged by Teena Chinn.
Choir Secular. SATB
choir. Choral Octavo.
Choral Octavo. 8 pages.
Published by Alfred Music
Publishing
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Many, Yet One Orchestre Wilhelm Hansen
Orchestra (Full Score) SKU: HL.232490 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.232490
For Orchestra.
Composed by Britta
Byströ and m. Music
Sales America. Classical.
Softcover. Composed 2017.
74 pages. Duration 1080
seconds. Edition Wilhelm
Hansen #WH32879.
Published by Edition
Wilhelm Hansen
(HL.232490). ISBN
9788759838570.
12.0x16.75x0.506
inches. Many, Yet
One for Orchestra by
Britta Bystrom (2016).
Commissioned by the
Detroit Symphony
Orchestra in honor of
Elaine Lebenbom. Plastic
spiral binding. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Many Moons - Intermédiaire Carl Fischer
Band Bass Clarinet in Bb, Bass Drum), Bassoon, Clarinet 1 in Bb, Clarinet 2 in B...(+)
Band Bass Clarinet in Bb,
Bass Drum), Bassoon,
Clarinet 1 in Bb,
Clarinet 2 in Bb,
Clarinet 3 in Bb, Crash
Cymbals), Euphonium,
Euphonium T.C. in Bb,
Flute 1, Flute 2, Horn 1
in F, Horn 2 in F, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe and more. - Grade
3.5 SKU:
CF.CPS242F Composed
by Peter Sciaino. Sws.
Cps. Full score. 16
pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242F.
Published by Carl Fischer
Music (CF.CPS242F).
ISBN 9781491157947.
UPC: 680160916542. 9 x 12
inches. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Many Moons - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion 1, Mallet
Percussion 2, Marimba,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3.5 SKU:
CF.CPS242 Composed by
Peter Sciaino. Folio.
Cps. Set of Score and
Parts.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+2+4+1+1+1+
2+1+16 pages. Duration 4
minutes, 10 seconds. Carl
Fischer Music #CPS242.
Published by Carl Fischer
Music (CF.CPS242).
ISBN 9781491157930.
UPC: 680160916535. 9 x 12
inches. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me amany
moonsa ago. All of us
have experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility. The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible. I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me many moons
ago. All of us have
experienced unique
moments in our lives that
create unforgettable
mental snapshots. These
images can often provide
comfort, a moment of
humor, or can be a source
of inspiration. Years ago
while traveling with (who
are now) old friends, I
witnessed a New Mexico
night sky for the very
first time. We were so
taken with the view that
we pulled our rental car
to the side of the
highway just to stand and
stare skyward. The
clarity and size of the
stars redefined my
understanding of our
place in this vast
universe. To my eye, I
was staring at hundreds
of little moons. In
writing this piece, I
wanted to capture a sense
of beauty, wonder and
humility.The euphonium
solo presents the theme
as a wistful offering to
things beyond our
understanding. Throughout
the selection this theme
is passed throughout the
ensemble, and thicker
textures evolve. The
mallet percussion plays a
vital role in providing
harmonic stability early
in the selection.
Non-pitched percussion is
essential in building
tension and generating
effective impacts at
louder dynamic levels.
Ideally, the two
triangles found in the
Percussion 2 part should
be mounted and of two
distinctly different
pitches. Both should be
played with light beaters
if possible.I sincerely
hope Many Moons provides
years of inspiration for
you and your ensemble
just as that southwestern
sky did for me
“many moonsâ€
ago. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Turbulent Times Flûte, Hautbois, Basson [Conducteur et Parties séparées] Brixton Publications
Composed by Howard J. Buss (1951-). For flute, oboe, and bassoon. The music of T...(+)
Composed by Howard J.
Buss (1951-). For flute,
oboe, and bassoon. The
music of Turbulent Times
suggests the ebb and flow
of the intense
uncertainty felt by many
with the more pleasant
aspects of everyday life.
Following the lyrical and
plaintive introduction,
stormy passages give way
to sections of relative
tranquility,. 21st
Century. Grade 6. Score
and parts. Composed 2009.
Duration 11'. Published
by Brixton Publications
$18.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La guitare dans tous ses etats, Volume 5 Guitare Productions OZ
(The many faces of the guitar, Volume 5). By Various. Arranged by Collectif. For...(+)
(The many faces of the
guitar, Volume 5). By
Various. Arranged by
Collectif. For guitar
solo. 3. 36 pages
$13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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