PARTITIONS GRATUITES : SAXOPHONE QUINTETTE
- Jazz for String Ensemble

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

By Manfred Schmitz. For Strings. Ensemble (mixed). AMA Verlag. All Styles. Level: Intermediate. Book. Size 9x12. 20 pages. Published by AMA Verlag. ISBN 393258743X.

String orchestra or string quintet ((Vl. 1, Vl. 2, Va , Vc, Kb)) - intermediate

SKU: HL.49019628

Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2011. 8 pages. Duration 12'. Schott Music #ED21445-11. Published by Schott Music (HL.49019628).

ISBN 9790001189262. UPC: 841886019065. 9.0x12.0x0.04 inches.

Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.

String orchestra or string quintet ((Vl. 1, Vl. 2, Va , Vc, Kb)) - intermediate

SKU: HL.49019631

Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2011. 8 pages. Duration 12'. Schott Music #ED21445-14. Published by Schott Music (HL.49019631).

ISBN 9790001189293. UPC: 841886019096. 9.0x12.0x0.038 inches.

Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.

String orchestra or string quintet ((Vl. 1, Vl. 2, Va , Vc, Kb)) - intermediate

SKU: HL.49019632

Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2011. 6 pages. Duration 12'. Schott Music #ED21445-15. Published by Schott Music (HL.49019632).

ISBN 9790001189309. UPC: 841886019102. 9.0x12.0x0.046 inches.

Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.

String orchestra or string quintet ((Vl. 1, Vl. 2, Va , Vc, Kb)) - intermediate

SKU: HL.49019630

Here we are / No Blues - No Truth. Composed by Sigi Busch. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2011. 8 pages. Duration 12'. Schott Music #ED21445-13. Published by Schott Music (HL.49019630).

ISBN 9790001189286. UPC: 841886019089. 9.0x12.0x0.038 inches.

Classical string orchestras and chamber music ensembles are constantly looking for jazzy and popular works which break through the rigid boundaries between serious and light music. On the basis of his own practical work with string orchestras, the well-known jazz composer Sigi Busch has written two fantastic pieces for open-minded string players. They deal with the blues while also leaving room for the player's own improvisations. They are of moderate difficulty and suitable for good school orchestras, chamber orchestras or string quintets.