PARTITIONS GRATUITES : SAXOPHONE QUINTETTE
- Minuetto

Piano, 4-hands

SKU: NR.80003

Für zwo Personen auf einem Clavier. Edited by Alfred Kreutz. Score. Noten Roehr #80003. Published by Noten Roehr (NR.80003).

ISBN 9790001039253.

Verm ischte Handstücke /, Christian Friedrich Beck, ca 1790, La Savojarde /, Joseph Schuster, 1748-1812, Andante grazioso ;, Andante /, Johann Egidius Geyer, 1760-1808, Sonatina a quatre mains / Anonymus, Petite piece tiree de l'operette, Die Zauberflöte de Mr. Mozart /, Christian Gottlob Neefe, 1748-1798, Sonatine / Christian Gottlob Saupe, 1864-1819, Tempo di minuetto ;, Minuetto moderato : a tre mani /, Johann David Scheidler, 1748-1802, Minuetto : a tre mani /, Carl Ludwig Traugott Gläser, 1747-1797.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS135

In the style of Pugnani. Composed by Fritz Kreisler. Arranged by Deborah Baker Monday. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. 12+16+16+10+10+10 pages. Duration 4 minutes, 28 seconds. Carl Fischer Music #CAS135. Published by Carl Fischer Music (CF.CAS135).

ISBN 9781491159248. UPC: 680160917822.

Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as pastiches, which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto is in the style of Gaetano Pugnani. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. Tempo di Minuetto is a work for violin and piano which is a standard in the solo repertoire. In this arrangement, the solo violin part has been integrated into the string orchestra. The parts have been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.
Fritz Kreisler (1875–1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as “pastiches,” which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today.Tempo di Minuetto is in the style of Gaetano Pugnani. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. Tempo di Minuetto is a work for violin and piano which is a standard in the solo repertoire.In this arrangement, the solo violin part has been integrated into the string orchestra. The parts have been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective.The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55

Composed by Paul Lansky. Set of Score and Parts. 8+8+8+8+8+32 pages. Duration 17:55. Carl Fischer Music #MXE55. Published by Carl Fischer Music (CF.MXE55).

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55F

Composed by Paul Lansky. Full score. 32 pages. Duration 17:55. Carl Fischer Music #MXE55F. Published by Carl Fischer Music (CF.MXE55F).

ISBN 9781491153895. UPC: 680160911394.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5

SKU: CF.CAS135F

In the style of Pugnani. Composed by Fritz Kreisler. Arranged by Deborah Baker Monday. Carl Fischer Concert String Orchestra Series. Full score. 12 pages. Carl Fischer Music #CAS135F. Published by Carl Fischer Music (CF.CAS135F).

ISBN 9781491159415. UPC: 680160917990.

Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as pastiches, which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto, written in the style of Gaetano Pugnani, is a work for violin and piano that has become a standard in the solo repertoire. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist. In this arrangement, the solo violin part has been integrated into the string orchestra. The work has been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.
Fritz Kreisler (1875–1962) was considered one of the greatest violinists of all time. He was also known for composing a number of pieces for violin to be played as solos for encores. Many of them are known as “pastiches,” which are works composed in the styles of other composers. He also wrote operettas, a string quartet and many cadenzas which are the most often played by violinists today. Tempo di Minuetto, written in the style of Gaetano Pugnani, is a work for violin and piano that has become a standard in the solo repertoire. Kreisler also composed his well known Praeludium and Allegro in the style of this eighteenth-century Italian composer/violinist.In this arrangement, the solo violin part has been integrated into the string orchestra. The work has been cleverly adapted so that all string parts have thematic interest. It is written in a basic minuet-and-trio form which will offer many teaching points on style and historical perspective. The arranger suggests that the director and students become acquainted with the original work for solo violin and piano to familiarize them with the style intended by Kreisler. This will help them recreate these styles in their orchestral performance.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Guitar

SKU: HL.50506730

Guitar Solo. Composed by Nicolo Paganini. Edited by Roberto Porroni. Guitar Collection. Classical, Romantic. Score Only. Composed 1985. Ricordi #NR133671. Published by Ricordi (HL.50506730).

UPC: 073999117172. 9.0x12.0x0.172 inches.

Contents: Allegretto in A * Allegretto in A Minor * Allegretto in C * Andantino in C * Andantino in F Minor * Andantino in G * Marcia in A * Marcia in E * Minuetto * Perigordino - Due Varizioni * Rondoncino in E * Sinfonia * Sonata in C * Sonata in E * Sonatina * Waltz in E * Waltz in C.

SSATB/SSATB Double Chorus, with organ SATB Choir and Organ (SSATB & ORGAN) - Grade 3

SKU: HL.14043187

Composed by John Tavener. Music Sales America. Classical. Octavo. 30 pages. Chester Music #CH81257. Published by Chester Music (HL.14043187).

6.75x10.0x0.099 inches.

Monument for Beethoven, by John Tavener was commissioned by the Southbank Centre, and was premiered on 18 March 2014 at the Royal Festival Hall, London. The composer writes: Based on the words of Beethoven's Last Prayer and on Beethoven's music, Monument for Beethoven is a humble tribute to a Master. The final section quotes from the closing bars of the Missa Solemnis..