Voice and basso continuo
(1 or 2 soprano voices)
SKU: FZ.3276
Composed by
Nicolas-Antoine Lebegue.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Sacred. Score. Published
by Anne Fuzeau
Productions - France
(FZ.3276).
ISBN
9790230632768. 23.50 x
32.50 cm
inches.
This
facsimile of an original
by Nicolas-Antoine
Lebegue is part of our
French classical music
collection. Edition :
Paris, C. Ballard, 1687.
These motets, quite short
and presenting few
difficulties, are an
excellent introduction to
the French vocal
repertory of the second
half of the 17th century.
Preface by: Philippe
Lescat: Lebegue's works.
Jean Saint-Arroman:
bibliography of the
motets - comparison of
the sources. Motet for 2
soprano voices and
continuo: O crux ave
(page 11). All the other
motets are for 1 soprano
voice and continuo.
Motets in which the right
hand part of the organ is
written between the sung
phrases: Veni Sancte
Spiritus (page 1) - O Rex
gloriae (page 14) -
Parasti in conspectu
(page 18) - Vidi
speciosam (page 24) - O
salutaris hostia (page
35) - Anima Christi (page
39) - Ave verum (page 44)
- Salve Regina (page 49)
- Regina Coeli (page 56)
- Exultet Omnium (page
60) - Domine salvum fac
Regem (page 65) - Domine
salvum fac Regem (page
68). Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches.
Facsimile of a copy
in the Schonborn Castle's
Library of Wiesentheid
(Germany). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Exultet
