| Concerto for Oboe Hautbois Heugel
Oboe SKU: HL.48187775 Composed by Darius Milhaud. Leduc. Classical. Softc...(+)
Oboe SKU:
HL.48187775 Composed
by Darius Milhaud. Leduc.
Classical. Softcover. 20
pages. Heugel & Cie
#HE31597. Published by
Heugel & Cie
(HL.48187775). UPC:
888680872953.
9.25x12.0x0.298
inches. French
composer and teacher,
Darius Milhaud
(1892-1974) was a
prolific composer of the
20th century as a member
of 'Les Six'. His
compositions remain
highly regarded, Concerto
for Oboe being no
exception. Milhaud's
compositions are
influenced by jazz and
polytonality, as
exemplified in Concerto
for Oboe, which includes
a Piano reduction
accompaniment. Composed
in 1957, Concerto for
Oboe is an alternative,
exciting concerto made up
of three movements; 1)
Animated, 2) With
Serenity, and 3)
Animated. With a typical
performance lasting
around 18 and a half
minutes, Milhaud makes
use of variation in
articulation, complex
rhythms, chromaticism,
altering tempos,
variation in dynamics and
a wide tessitura, amongst
other aspects. Milhaud's
Concerto for Oboe is
essential to all advanced
oboists seeking modern
and exciting
repertoire.. $57.80 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wolfgang Amadeus Mozart: Concerto for Oboe and Orchestra C major K. 314 Hautbois, Piano (duo) [Reduction] G. Henle
for Oboe and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by ...(+)
for Oboe and Orchestra -
Piano Reduction. By
Wolfgang Amadeus Mozart.
Edited by I. Goritzki.
Oboe. Pages: Score =VI
and 28 * Ob Part =17,
Supplement = 19. Piano
Reduction-paper bound.
Published by G. Henle.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto for Oboe and Piano (in One Movement) Hautbois, Piano (duo) [Partie séparée] Alfred Publishing
(in One Movement). By Mario Lombardo. For Oboe. Woodwind - Oboe Solo. Book. 24 p...(+)
(in One Movement). By
Mario Lombardo. For Oboe.
Woodwind - Oboe Solo.
Book. 24 pages. Published
by Alfred Publishing.
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Franz Joseph Haydn: Concerto In C For Oboe and Orchestra
Hautbois, Piano (duo) [Set de Parties séparées] - Facile Oxford University Press
Arranged by Evelyn Rothwell, composed by Franz Joseph Haydn (1732-1809). Set of ...(+)
Arranged by Evelyn
Rothwell, composed by
Franz Joseph Haydn
(1732-1809). Set of
performance parts for
oboe and piano. 46 pages.
Published by Oxford
University Press.
$34.50 - Voir plus => Acheter | | |
| El Bosque Magico Concerto For Oboe And Piano (advanced) Hautbois, Piano (duo) [Partition + CD] - Avancé Hal Leonard
El Bosque Magico Concerto For Oboe And Piano (advanced). This edition: IB030. IB...(+)
El Bosque Magico Concerto
For Oboe And Piano
(advanced). This edition:
IB030. IBERMUSICA PLAY
ALONG. 32 pages.
Published by Hal Leonard
$22.00 - Voir plus => Acheter | | |
| Scott: Concerto For Oboe & Orchestra (with Piano Reduction) Hautbois, Piano (duo) Music Sales
Oboe and Piano SKU: HL.14007465 Composed by Cyril Scott. Music Sales Amer...(+)
Oboe and Piano SKU:
HL.14007465 Composed
by Cyril Scott. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV262169.
Published by Music Sales
(HL.14007465).
Cyril
Scott was an
English composer, writer,
and poet. He was
essentially a late
romantic composer, whose
style was at the same
time strongly influenced
by impressionism. His
harmony was notably
exotic.
Scott wrote
around four hundred
works,which include two
mature symphonies, three
operas, three Piano
concertos,concertos for
Violin, Cello, Oboe and
Harpsichord, several
overtures, four
oratorios, as well as a
mass of chamber
music. Scott
composed his
Concerto For Oboe
&
Orchestra i
n 1946. The three
movements (Molto
vigoroso -
Andante,Pastoral
e:Tranquillo an
d Rondo giocoso:
Allegronon troppo -
cadenza - Con
spirit) are
published here with a
Piano reduction of the
orchestra
accompaniment. Complete
performance time of the
entire piece is
approximately 20
minutes. $16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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