| Engravings [Conducteur] University Of York Music Press
Chamber Ensemble SKU: BT.MUSM570366019 Composed by Evis Sammoutis. Classi...(+)
Chamber Ensemble SKU:
BT.MUSM570366019
Composed by Evis
Sammoutis. Classical.
Score Only. 37 pages.
University of York Music
Press #MUSM570366019.
Published by University
of York Music Press
(BT.MUSM570366019).
English. Engravi
ngs for Large Ensemble:
i) Chalcography ii)
Pantograph / Etching iii)
Xylography / Lithography
Engravings was composed
for the Ensemble Modern
as part of the 2013
International Ensemble
Modern Academy and it is
dedicated in admiration
to this iconic group of
soloists. Whilst many art
forms largely depend on
space, music has a
thrilling relationship
with time. Time serves as
a canvas for composers,
and compositions can in
many ways also be
described as sculpted
time. Ancient Greeks had
two words for time,
Chronos (time in the
traditional sense) and
Kairos (the opportune
moment). The former is
quantitative and the
latter, qualitative. This
distinction is very
important as welive our
lives in chronos but
experience most of the
important events of our
lives in kairos. For me,
the art of music
composition highlights
this relationship;
whereas music cannot
exist without chronos, it
is the kairos that makes
it worthwhile—the
pursuit of supreme
moments. As an art form,
engraving is very lengthy
and painstakingly
process-driven, not
unlike composing, and
techniques, instruments
and types of engraving
directly inspired this
three-movement
composition. At times,
the inspiration lies in
the engraved artefact
itself. At others, I am
interested in the
technical process or the
instruments utilized.
Methods of production
depend on the materials
used: Chalcography,
xylography and
lithography are
engravings on copper,
wood and stone,
respectively, and these
are represented both
literally and
conceptually by the
ensemble, either in
colour or scope.
Pantograph is an
engraving machine based
on parallelograms where
the movement of one point
in tracing an image is
produced identically in
other points, and etching
refers to the method of
making prints from a
metal plate. Whilst
beauty is found in the
finished engraving, there
are also moments of
beauty in the process of
creation itself.
Therefore, Engravings
uses this art form to
explore both the
uniqueness of these
concepts but also how
they merge during the
creative process. $30.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Keith Wyatt, Pedro Wyant, Robben Ford, Scott Henderson, Steve Trovato, Willie Scoggens: Ultimate Guitar Blues Play-Along (Book and CD) Guitare notes et tablatures [Partition + CD] Alfred Publishing
Performed by Keith Wyatt, Pedro Wyant, Robben Ford, Scott Henderson, Steve Trova...(+)
Performed by Keith Wyatt,
Pedro Wyant, Robben Ford,
Scott Henderson, Steve
Trovato, Willie Scoggens.
Instructional book and
examples CD for guitar.
With guitar tablature,
standard notation, chord
names, guitar chord
diagrams, instructional
text and guitar tab
glossary. 76 pages.
Published by Alfred
Publishing.
(2)$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Last Friday Night (T.G.I.F) / The Edge of Glory Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.38368 Arranged by Victor Lopez. Concert Ba...(+)
Concert Band - Grade 3
SKU: AP.38368
Arranged by Victor Lopez.
Concert Band; Performance
Music Ensemble; Single
Titles. Pop Concert Band.
Pop; Radio. Score and
Part(s). 248 pages.
Alfred Music #00-38368.
Published by Alfred Music
(AP.38368). UPC:
038081441047.
English. Recently,
the ladies of pop are
ruling the charts and
veteran writer Victor
López has selected two
very playable titles from
Lady Gaga and Katy
Perry's repertoire that
will rock your audience.
A dynamic duo of artists
and tunes. Recognized by
students and audiences
alike, this pop duo is
certain to please! $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chasing Mercury - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chasing Mercury [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234F
Composed by Travis
Weller. Sws. Cps. Full
score. 32 pages. Duration
3 minutes, 10 seconds.
Carl Fischer Music
#CPS234F. Published by
Carl Fischer Music
(CF.CPS234F). ISBN
9781491156353. UPC:
680160914890. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Aural Matters [Partition + CD] Schott
Book/CD package (2 CDs) SKU: HL.49003188 A Student's Guide to Aural Pe...(+)
Book/CD package (2 CDs)
SKU: HL.49003188
A Student's Guide to
Aural Perception at
Advanced Level.
Composed by David Bowman
and Paul Terry. This
edition: Paperback/Soft
Cover. Book with CD.
Edition Schott.
Classical, Collection,
Instruction. Book with 2
CDs. 178 pages. Schott
Music #ED 12430.
Published by Schott Music
(HL.49003188). ISBN
9780946535224. UPC:
841886002289.
8.25x11.75x0.486 inches.
English. Aural
Matters provides useful
resource material for
aural training at
Advanced level in a
single volume with two
accompanying compact
discs. the first part is
packed with examples of
dictation and
discrimination exercises,
carefully graded in
difficulty. The
recordings on disc allow
these practice-materials
to be used by the student
at home, as well as by
teachers in the
classroom. The text
provides a systematic
approach to aural
training * melody and
two-part dictation,
harmonic recognition,
identifying errors in
performance * with
frequent hints and tips
that will enable the
student to develop
increasing skill and
confidence in the tests.
Part Two provides an
recorded anthology of the
compositional techniques
with wich students are
expected to be familiar
at Advanced level. A huge
variety of extracts has
been specially selected
from British folk-songs,
world music, jazz, pop
and the main periods of
art music from the late
Renaissance to modern
times. A detailed
commentary shows how to
recognize periods,
styles, structures,
instruments and
techniques in this music,
with all of these
features copiously
illustrated in the
examples on disc. The
complete work provides an
invaluable resource not
only for the Advanced
level aural syllabus, but
also for any study of
style and analysis in the
wide variety of music
that is encountered
today. Prelude * Part I:
Melody Dictation *
Two-Part Dictation *
Keys, Chords and Cadences
* Intonation * Spot the
Mistakes * Part II:
Prelude to Part II: Aural
and Stylistic Analysis *
Folk Music of the British
Isles * World Music *
Jazz * Popular Music *
Music of the Late
Renaissance * Music of
the Baroque Era *
Classical Music *
Romantic Music * Music in
the 20th Century *
Answers to the Tests *
Index. $47.00 - Voir plus => Acheter | | |
| Bowman/terry Aural Matters Boo Schott
(BUCH) SKU: HL.49030375 A Student's Guide to Aural Perception at Advan...(+)
(BUCH) SKU:
HL.49030375 A
Student's Guide to Aural
Perception at Advanced
Level. Composed by
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Student book. 176
pages. Schott Music #ED
12430-01. Published by
Schott Music
(HL.49030375). ISBN
9781847610454.
English. Aural
Matters provides useful
resource material for
aural training at
Advanced level in a
single volume with two
accompanying compact
discs. the first part is
packed with examples of
dictation and
discrimination exercises,
carefully graded in
difficulty. The
recordings on disc allow
these practice-materials
to be used by the student
at home, as well as by
teachers in the
classroom. The text
provides a systematic
approach to aural
training - melody and
two-part dictation,
harmonic recognition,
identifying errors in
performance - with
frequent hints and tips
that will enable the
student to develop
increasing skill and
confidence in the tests.
Part Two provides an
recorded anthology of the
compositional techniques
with wich students are
expected to be familiar
at Advanced level. A huge
variety of extracts has
been specially selected
from British folk-songs,
world music, jazz, pop
and the main periods of
art music from the late
Renaissance to modern
times. A detailed
commentary shows how to
recognize periods,
styles, structures,
instruments and
techniques in this music,
with all of these
features copiously
illustrated in the
examples on disc. The
complete work provides an
invaluable resource not
only for the Advanced
level aural syllabus, but
also for any study of
style and analysis in the
wide variety of music
that is encountered
today. $27.95 - Voir plus => Acheter | | |
| The ABC's of Bass Book 2 - Piano Accompaniment [Reduction] Carl Fischer
(Easy Piano Accompaniment, Features 1/2, I, II, Ii1/2, III, Iii1/2, IV, V, V1/2 ...(+)
(Easy Piano
Accompaniment, Features
1/2, I, II, Ii1/2, III,
Iii1/2, IV, V, V1/2 and
VI Positions). By Johann
Sebastian Bach Woody
Guthrie. Arranged by
Janice Tucker Rhoda. For
Piano, Contrabass. This
edition: Book 2. EASY.
Solo part with piano
reduction. Standard
notation. 64 pages
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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