| Lieder. Choral collection for mixed voices Carus Verlag
SKU: CA.221000 Composed by Various. Edited by Jan Schumacher. Choral coll...(+)
SKU: CA.221000
Composed by Various.
Edited by Jan Schumacher.
Choral collections,
LIEDERPROJEKT. Lieder for
choir, Sacred vocal
music, Secular choral
music. Choir Book. Carus
Verlag #CV 02.210/00.
Published by Carus Verlag
(CA.221000). ISBN
M-007-24681-5. A
compact multi-themed
choral collection for
unaccompanied mixed
chorus - and in the best
sense, a best of current
song arrangements! With
35 contemporary song
arrangements, the choral
collection offers the
right song for many
occasions: for concerts,
weddings, and other
celebrations, for
Christmas time, or even
for ending a choir
rehearsal with a
nocturne. The focus of
the collection lies in
folk songs, love songs,
nocturnes, and Christmas
carols. All the song
arrangements were
composed in the last
fifteen years, and were
mainly commissioned for
Carus choral collections
published as part of the
LIEDERPROJEKT - the
charitable project
supporting singing with
children. the works of
around 30 highly
experienced arrangers are
brought together in the
volume, including Matt
hias E. Becker, Ludwig
Bohme, Wolfram
Buchenberg, Thomas
Gabriel, Gunther Martin
Gottsche, John Hoybye,
Veit Hubner, Burkhard
Kinzler, Giacomo
Mezzalira, Vytautas
Miskinis, Vic Nees, Peter
Schindler, Robert Sund,
Christoph Schonherr,
Jozef Świder and
Alan Wilson. Their
arrangements
reflect the variety
of styles - from
contemporary arrangements
in classic harmonisations
to pieces from jazz, pop,
folk, and dance music -
with which today's
composers can breathe new
life into traditional
melodies and texts. The
song repertoire is also
distinguished by its wide
variety: classics of the
German folk song and
Christmas carol
repertoire (Kein schoner
Land, Leise rieselt der
Schnee, etc.) are
included in the choral
collection as well as
excursions into the song
repertoire of other
countries (La vie en
rose, Twinkle, twinkle,
little star, etc.) All
the arrangements are of
easy to medium
difficulty, so
making this new music,
with its wide range of
styles, accessible to as
many choirs as possible.
Audio samples of most of
the arrangements are
available at
www.carus-verlag.com/2210
to get to know the works.
Complete recordings are
available as a separate
digital album under the
title LIEDER - folksongs
for choir on all the
popular music platforms.
In short, a
beautiful-sounding
musical treasure trove of
outstanding song settings
for all sorts of
occasions - at an
attractive bargain price!
35 song arrangements for
unaccompanied mixed choir
by leading choral
composers well-known
tunes in contemporary,
fresh styles for
concerts, Christmas,
weddings and other
celebrations, for the end
of rehearsals, or as an
encore recordings
available as a digital
album attractive price
The many specially
commissioned song
arrangements underline
Carus-Verlag's promotion
of new choral music, as
impressive an endeavor as
the nurturing of the
traditional song
repertoire. Jan
Schumacher. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mueller-siemens Lieder Nach Ged V Hoelderlin2 Voix Soprano, Piano Schott
Soprano voice and piano (GSG/KL) SKU: HL.49020938 After poems by Fried...(+)
Soprano voice and piano
(GSG/KL) SKU:
HL.49020938 After
poems by Friedrich
Holderlin. Composed
by Bose. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Composed 1999-2000. 36
pages. Duration 12'.
Schott Music #AVV324.
Published by Schott Music
(HL.49020938). ISBN
9790200101621.
9.0x12.0x0.132 inches.
German. Two poems
of Friedrich Holderlin
bearing almost the same
title form the basis of
the text for 'Zwei
Lieder' (Two Songs): 'Die
Aussicht' and 'Aussicht'.
Unlike as with common
musical settings of
poems, Detlev
Muller-Siemens has split
the vocal part in two
levels. On the one hand,
Holderlin's text is
recited, on the other
hand, fragments of the
poems are sung at a
lower, contemplative
level. 'Like vague
memories, ascending from
the inside from afar. An
idyll that becomes
entangled in its own
images.'. $22.99 - Voir plus => Acheter | | |
| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ohne Holderlin Breitkopf & Härtel
Double bass and 1 other inst. (db.pno and at least two tables) SKU: BR.EB-909...(+)
Double bass and 1 other
inst. (db.pno and at
least two tables) SKU:
BR.EB-9091 Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Saarbrucken
(Musik im 20.
Jahrhundert), May 20,
1993 Music post-1945;
New music (post-2000).
Study Score. Composed
1992. 24 pages. Duration
16'. Breitkopf and
Haertel #EB 9091.
Published by Breitkopf
and Haertel (BR.EB-9091).
ISBN 9790004179635. 9
x 12 inches. Ohne
Hoelderlin was written
for Saarbrucken's
festival Musik im 20.
Jahrhundert. The two
instruments devote
themselves to exploring
the multi-faceted
possibilities of mixing
and blending their sounds
until they reach a
table-shoving coda, which
closes the work with
extreme vehemence. CD:
ensemble reflexion K,
cond. Gerald Eckert CD
COV 91509
World
premiere: Saarbrucken
(Musik im 20.
Jahrhundert), May 20,
1993. $47.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Holderlin Lesen II Breitkopf & Härtel
Viola and 1 other inst. SKU: BR.SMV-61001 Composed by Hans Zender. Solo i...(+)
Viola and 1 other inst.
SKU: BR.SMV-61001
Composed by Hans Zender.
Solo instruments;
stapled. Monuments of
German Music. World
premiere: Stuttgart,
November 15, 1987
Music post-1945; New
music (post-2000).
Performance score.
Composed 1987. 20 pages.
Duration 25'. Breitkopf
and Haertel #SMV 61001.
Published by Breitkopf
and Haertel
(BR.SMV-61001). ISBN
9790004571491. 11.5 x
16.5 inches. World
premiere Stuttgart,
November 15,
1987
CDs: E
ckart Schloifer
(Viola) CD Intersound
ISPV 163 Garth Knox
(Viola) CD Montaigne
MO
782094
Bibliog
raphy:
Eng
e, Havard: Music Reading
Poetry. Hans Zender's
Musical Reception of
Holderlin, Diss.
University of Oslo
2010 Zender,
Hans: Zu meinem Zyklus
,,Holderlin lesen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 26-40
Die
5 Haikai sind auch
einzeln oder in Gruppen
auffuhrbar. UA Stuttgart,
10. März
1990
Ich
schrieb Lo-Shu VI auf der
Suche nach einer weiteren
Verknappung meiner
musikalischen Sprache.
Die Form der klassischen
japanischen
Haiku-Dichtung wird hier
- wie schon in
früheren Werken - in
folgendem Sinn
übernommen: Die 17
Silben des Haiku
entsprechen 17
Großtakten eines
musikalischen Satzes;
jeder dieser Takte ist im
Sinn von Tempo und
Harmonik eine autonome
musikalische Einheit,
vergleichbar der
,,Phrase" unserer
klassischen Musik (er
dauert zwischen 6 und ca.
12 Sekunden). Die
Gliederung 5-7-5 des
Haiku wird durch zwei
lange Pausen deutlich;
die Takte selber sind
nicht im Sinne einer
Entwicklungsform
aneinander gefügt,
sondern tragen ihr
Zentrum in sich
selbst. Ich arbeitete
nur zum Teil
logisch-konstruktiv;
ebenso stark sind
informelle, verwischende
Elemente zu finden. Die
Zeit wird in diesem
Stück im
dramatischen,
vorwärts
drängenden Sinn
dauernd negiert, ja
aufgehoben; es entsteht
ein Schwebe-Zustand um
eine Art Nullpunkt herum.
Die Musik tritt immer
wieder in den Zustand des
Schweigens ein, in dem
die rezeptive
Aufmerksamkeit sich
regenerieren
kann. Die 5 Haikai
bilden keinen Zyklus; sie
können deswegen auch
einzeln oder in
beliebigen Kombinationen
gespielt werden. Die
Metronomangaben dienen
nur der Orientierung. Die
Stücke sollen wie in
tiefer Versunkenheit
improvisiert klingen. Die
Pausen sollen so lange
gehalten werden, dass die
Abschnitte der einzelnen
Haikai nicht im Sinne
,,logischer
Kontinuität"
verbunden erscheinen.
Spielt man einen Zyklus,
ist darauf zu achten,
dass die Pause zwischen
zwei Haikai länger
als eine große
Fermate im Innern des
Haiku ist.
(Hans
Zender)
The 5
Haikai can be performed
individually or in
groups. world
première
Stuttgart, March 10,
1990. $51.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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