| Intrigue (A Tangoed Web) Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Arranged by Robert Longfield. Music for String Orchestra. Published by Hal Leona...(+)
Arranged by Robert
Longfield. Music for
String Orchestra.
Published by Hal Leonard.
$40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Intrigue Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by Sean O'Loughlin. Score and part(s). 12 136 pages. Duration 3 minut...(+)
Composed by Sean
O'Loughlin. Score and
part(s). 12 136 pages.
Duration 3 minutes, 25
seconds. Carl Fischer
#CAS0097. Published by
Carl Fischer (CF.CAS97).
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Intrigue [Conducteur] - Facile Carl Fischer
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 3 SKU:
CF.CAS97F Composed by
Sean O'Loughlin. Carl
Fischer Concert String
Orchestra Series. Full
score. With Standard
notation. 12 pages.
Duration 3 minutes, 25
seconds. Carl Fischer
Music #CAS97F. Published
by Carl Fischer Music
(CF.CAS97F). ISBN
9781491142196. UPC:
680160630257. Just
as the title suggests,
this piece is intriguing
from start to finish. It
contains all of the
signature Sean
O'Loughling touches for
which his compositions
have become so popular:
pulsating rhythms, fresh
harmonies, and
interesting motivicly
driven melodic fragments.
This piece is fun to play
and audiences will love
it. About
Carl Fischer Concert
String Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on La Bamba Chorale SATB SATB divisi, A Cappella [Octavo] Peters
Arranged by Matthew Harris. For SATB a cappella w/divisi. Mixed Chorus a cappell...(+)
Arranged by Matthew
Harris. For SATB a
cappella w/divisi. Mixed
Chorus a cappella with
divisi and solos --
Sitting in an outdoor
cafe in Mexico a few
years ago, I was
intrigued when a
strolling mariachi band
played something str
strange yet familiar.
Here was 'La Bamba' the
'right way'!, I thought.
But a little. Modern.
Octavo. 22 pages.
Duration circa 6 minutes
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Searching for Destiny's Diamond [Conducteur] - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS121F
Composed by Kirt Mosier.
Carl Fischer First Plus
String Orchestra Series.
Full score. 8 pages. Carl
Fischer Music #FAS121F.
Published by Carl Fischer
Music (CF.FAS121F).
ISBN 9781491159330.
UPC:
680160917914. Searc
hing for Destiny's
Diamond is a mysterious
work that centers around
the idea of young people
searching out their
destiny during dark
times. It involves
intrigue and tension, as
they journey towards
their purpose and the
diamond that is their
bright future. Every
instrument in the
orchestra begins with the
melody and plays it
throughout the piece,
making this work an
excellent teaching piece
since all parts can be
learned at the same time.
The second half of the
work is a musical stretto
with the melodic figure
offset by one measure in
Violin II, Viola and
Bass. This makes for some
intriguing harmonies that
will increase the
student's hearing ability
and bring tension to the
piece. While this piece
can be performed without
piano, it is desired that
the piano be played in
performance, as it adds
intrigue to the sound.
The piano part has been
written so that it can be
performed by developing
pianists. To facilitate
performances when no
player is available, a
recorded piano part is
available at
www.carlfischer.com/FAS12
1. Searching for
Destiny’s Diamond
is a mysterious work that
centers around the idea
of young people searching
out their destiny during
dark times. It involves
intrigue and tension, as
they journey towards
their purpose and the
diamond that is their
bright future.Every
instrument in the
orchestra begins with the
melody and plays it
throughout the piece,
making this work an
excellent teaching piece
since all parts can be
learned at the same time.
The second half of the
work is a musical stretto
with the melodic figure
offset by one measure in
Violin II, Viola and
Bass. This makes for some
intriguing harmonies that
will increase the
student’s hearing
ability and bring tension
to the piece.While this
piece can be performed
without piano, it is
desired that the piano be
played in performance, as
it adds intrigue to the
sound. The piano part has
been written so that it
can be performed by
developing pianists. To
facilitate performances
when no player is
available, a recorded
piano part is available
at
www.carlfischer.com/FAS12
1. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Searching for Destiny's Diamond - Débutant Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 1.5
SKU: CF.FAS121
Composed by Kirt Mosier.
Carl Fischer First Plus
String Orchestra Series.
Set of Score and Parts.
8+1+1+2+5+5+5+1 pages.
Duration 1 minute, 53
seconds. Carl Fischer
Music #FAS121. Published
by Carl Fischer Music
(CF.FAS121). ISBN
9781491159163. UPC:
680160917747. Searc
hing for Destiny’s
Diamond is a
tension-filled, and
mysterious work depicting
young people seeking out
their destiny during dark
times — and
ultimately towards the
diamond that is their
bright future. All
parts can be learned at
the same time since every
section gets the melody
in this work. The melodic
figure in the second half
is offset by one measure
in Violin II, Viola and
Bass, making for some
intriguing harmonies that
will increase the
students' hearing
ability. While optional,
the piano part will add
intrigue to your
performance and was
written to be accessible
to developing pianists.
If no pianist is
available, a recorded
piano part is available
online. Searching for
Destiny’s Diamond
is a mysterious work that
centers around the idea
of young people searching
out their destiny during
dark times. It involves
intrigue and tension, as
they journey towards
their purpose and the
diamond that is their
bright future.Every
instrument in the
orchestra begins with the
melody and plays it
throughout the piece,
making this work an
excellent teaching piece
since all parts can be
learned at the same time.
The second half of the
work is a musical stretto
with the melodic figure
offset by one measure in
Violin II, Viola and
Bass. This makes for some
intriguing harmonies that
will increase the
student’s hearing
ability and bring tension
to the piece.While this
piece can be performed
without piano, it is
desired that the piano be
played in performance, as
it adds intrigue to the
sound. The piano part has
been written so that it
can be performed by
developing pianists. To
facilitate performances
when no player is
available, a recorded
piano part is available
at
www.carlfischer.com/FAS12
1. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Road Not Taken Carl Fischer
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus SKU:
CF.CM9714 Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost. About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La Storia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3 SKU:
BT.DHP-0900239-015
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1990. De Haske
Publications #DHP
0900239-015. Published by
De Haske Publications
(BT.DHP-0900239-015).
Gewoonlijk
wordt filmmuziek bij de
in een draaiboek
vastgelegde afhandeling
geschreven. Dat het ook
andersom kan, bewijst
Jacob de Haan met La
Storia. Zonder te
weten welke geschiedenis
erachter schuilgaat,
levert de componistrond
zeven minuten meeslepende
muziek. Voor één
keer mag u zonder
gebonden te zijn aan het
commentaar van een
componist een eigen
verhaal bij de muziek
denken. Jacob de Haan
heeft La Storia
opgedragen aan een van de
beroemdsteschrijvers van
filmmuziek, de Italiaan
Ennio
Morricone.
Normale
rweise wird Filmmusik
anhand eines Drehbuchs
geschrieben. Dass es auch
andersherum funktioniert,
beweist Jacob de Haan mit
seinem Werk La
Storia. Ohne eine
bestimmt Geschichte zu
erzählen, liefert er
spannende Musik, zu der
sich kreative Musiker und
Zuhörer selbst etwas
ausdenken können.
Jacob de Haan widmete
La Storia einem
der berühmtesten
Filmmusikkomponisten
überhaupt - dem
Italiener Ennio
Morricone...
En
général la musique
de film est composée
partir et en fonction des
événements qui se
produisent dans
l’intrigue du
scénario.
L’inverse est
plutôt rare mais Jacob
de Haan parvient nous
démontrer le contraire
avec La Storia.
Sans jamais nous livrer
des éléments de
l'intrigue, il nous
propose environ sept
minutes de musique
intense. Par
conséquent,
l’œuvre fait
appel
l’imagination
individuelle ; chacun
d’entre nous
étant libre de
créer son propre
scénario partir de ce
qu’il entend. Avec
La Storia Jacob de
Haan rend hommage au
maître italien de la
musique de film : Ennio
Morricone. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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