PARTITIONS GRATUITES : SAXOPHONE SOPRANO ET PIANO
- Three Suites

(Transcription of Three Suites for Cello). Composed by Benjamin Britten (1913-1976). For Viola Alone. Masterworks; Part(s); Solo; String - Viola Alone. Faber Edition. Form: Transcription. 20th Century; Masterwork. Published by Faber Music

Cello - Intermediate

SKU: KV.3611866

Composed by Johann Sebastian Bach. Arranged by Tim Hugh (editor). Cello. Classic. Book/CD Set. Published by Kevin Mayhew Publishers (KV.3611866).

Here at last is a performer!s edition of the first three Bach cello Suites. Notated by scholar Tim Hugh, the volume contains BWV 1007, Suite one, BWV 1008, Suite two, and BWV 1009, Suite three. With all of the movements repeated (minuets, bourrees and gavottes twice), the editor prefers to give as much variety as possible between them with regards to bowing, dynamics, tempo and mood. A helpful CD of all three Suites is included in this must have volume!

Piano SKU: HU.HN593 Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Piano and Keyboard, Repertoire, Solos. French Suites BWV 812-817. Softcover Book. 107 pages. G. Henle #HN593. Published by G. Henle (HU.HN593).

Cello - Intermediate

SKU: KV.3611867

Composed by Johann Sebastian Bach. Arranged by Tim Hugh (editor). Cello. Classic. Book/CD Set. Published by Kevin Mayhew Publishers (KV.3611867).

Here is the performer!s edition of the last three Bach cello Suites. Notated by scholar Tim Hugh, the volume contains BWV 1010, Suite four, BWV 1011, Suite five and BWV 1012, Suite six. As in Volume One, the editor prefers to give as much variety as possible between the repeat of movements with regards to bowing, dynamics, tempo and mood. Again, a helpful CD of all three Suites is included in this must have volume.

Guitar; Methods and Music for Children

SKU: UT.CH-106

Composed by Carlo de Nonno. Saddle stitching. Classical. Ut Orpheus #CH 106. Published by Ut Orpheus (UT.CH-106).

ISBN 9790215315921. 9 x 12 inches.

The first impulse to compose these 3 Little Suites for Guitar came from the desire to offer very young students compositions not framed by the usual features of â??music for childrenâ?? but, rather, meant to introduce into their musical horizon sonorities, rhythms, and expressive modalities not generally experienced in the more â??traditionalâ?? courses of study.
As the compositions developed, the project underwent some slight modifications, so that in the end one could say that the three suites became progressively more difficult, though remaining, in their deep essence, quite â??simpleâ??.
I would recommend paying careful attention to the titles of the pieces and to the expressive markings. Although it was not my intention to write â??descriptiveâ?? music, I have tried to handle these pieces like stage scripts, giving each a specific â??characterâ??. For this purpose my long experience as a composer of theatre music has been very helpful.
It would give me great satisfaction if guitarists of every age would enjoy performing these suites. I would like teachers to find in them cues for proposing to their pupils further refinements concerning both technique and expression, never forgetting how inexpressible music truly is.
(Carlo de Nonno).

With a Preface by Susanne Shigihara - for Violoncello solo. By Max Reger. Edited by Wolf-Dieter Seiffert. Violoncello. Pages: VI and 25. Urtext edition-paper bound. Published by G. Henle.

Piano - intermediate

SKU: BT.WA-4133-401

Composed by George Frideric Handel. Arranged by Thomas A. Johnson. The Walsh Collection. Educational Tool. Book Only. 4 pages. The Walsh Collection #WA 4133-401. Published by The Walsh Collection (BT.WA-4133-401).

English.

Handel wrote three suites collectively known as Water Music, which were first performed for King George I of England and his guests as they floated down the Thames River on the royal barge. This selection has been expertly arranged for piano by Thomas A Johnson.

Instrumental ensemble (Violin, Oboe, Flute, Musette, Bassoon, Viola da gamba, Bass violin, Fifes)

SKU: FZ.5857

Composed by Michel Pignolet de Monteclair. Edited by Department De Musique Ancienne Du C.N.S.M De Paris. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5857).

ISBN 9790230658577. 23.50 x 31.50 cm inches.

This facsimile of an original by Michel Pignolet de Monteclair is part of our French classical music collection. Edition : Paris, C. Ballard, 1697. Preface by the Early music department of the CNSMDP, class of Irene Ginger and Jean Saint-Arroman: dance and music - composition and instrumentation - notation - time signatures - terminology - continuo. Three separate instrumental parts: premier dessus, second dessus, continuo bass. The precise instrumentation is usually mentioned. According to Monteclair these pieces are suitable for dancing. They are written either for a melody instrument and bass or a trio. The simple, clear writing makes them ideal dance music.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.