| Emotional Accordion Part 1 MDS (Music Distribution Services) (+)
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Expectation
-
Pleasure
-
Fair Dance
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Consolation
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Carefree
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Petit Morceau
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Morning Blues
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Une Belle matinee
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Revelation
-
Wondering
-
Variations On A Theme
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Touch
-
Emotion
-
Dance Constance
-
Beat
-
Gypsy Melody
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Serene
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Memory
-
Melodie d'un
Saxophone
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Hopeful
-
Melody
-
La Valse
-
Spirit
-
Forward
-
Compassion
-
Cheerful
-
Resolute
-
Tango d'Esperanza
-
Welcome
-
In Classical Style
| | |
| Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5). ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
- Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
- Limited
keys and rhythms - only
simple 8th note
patterns
- Limited
independence of
parts
- Playable
after limited study
time
- First
position and natural
bowings
- Piano for
rehearsal and
reinforcement
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Invocation Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-010 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000454-010
Composed by Marc van
Delft. Set (Score &
Parts). 16 pages. Gobelin
Music Publications #GOB
000454-010. Published by
Gobelin Music
Publications
(BT.GOB-000454-010).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Gobelin Music
Publications. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Invocation Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000453-020 Composed by Marc van Delft....(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000453-020
Composed by Marc van
Delft. Set (Score &
Parts). 75 pages. Gobelin
Music Publications #GOB
000453-020. Published by
Gobelin Music
Publications
(BT.GOB-000453-020).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Gobelin Music
Publications. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| When The Sheep Won't Come Guitare Theodore Presser Co.
Chamber Music Guitar SKU: PR.114410840 A Sleepless Nocturne for Guitar...(+)
Chamber Music Guitar
SKU: PR.114410840
A Sleepless Nocturne
for Guitar. Composed
by Michael Karmon. Solo
part. With Standard
notation. Composed 1998.
Duration 15 minutes.
Theodore Presser Company
#114-41084. Published by
Theodore Presser Company
(PR.114410840). UPC:
680160015689. See
the biography of Michael
Karmon on the back
cover. WHEN THE SHEEP
WON'T COME:Â A
SLEEPLESS NOCTURNE FOR
GUITAR was composed for
Joseph Hagedorn, winner
of the 1990 GFA solo
competition, and
premiered by him in
November 1999. My
original idea was to
write a serene and moody
nocturne in several
movements. However,
as I began researching
and listening to new
guitar pieces, I came
across Toru Takemitsu's
All in Twilight, and it
immediately made a
profound impression.Â
At the time I found it
beautiful, moving, and
inspiring, but I also
felt I didn't have
anything to add to what
Takemitsu already did,
and that I needed to find
a new concept for my
piece. So, I decided
to view night as a
potentially restless
time, rather than a
serene time, and portray
states of mind one might
go through during a
sleepless night. The
names of the movements
evoke, at least in my
mind, the moods I am to
depict, and the piece
becomes progressively
more convoluted as it
goes on. By the end,
the music is a surreal
and weary shadow of the
opening. $11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Invocation Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000453-120 Composed by Marc van Delft....(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000453-120
Composed by Marc van
Delft. Score Only. 16
pages. Gobelin Music
Publications #GOB
000453-120. Published by
Gobelin Music
Publications
(BT.GOB-000453-120).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Gobelin Music
Publications. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Invocation Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000454-140 Composed by Marc v...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000454-140
Composed by Marc van
Delft. Score Only.
Gobelin Music
Publications #GOB
000454-140. Published by
Gobelin Music
Publications
(BT.GOB-000454-140).
In this work
the Dutch composer Marc
van Delft attempts to
bring together two
parties (former friends),
after they have grown
inexplicably apart. For
this reason he calls in
the help (Invocation)
from the medium of
music. At first,
'Invocation' radiates a
sense of serene calme,
from which the composer
gradually creates an
atmosphere resembling a
conversation. Half-way
there is an increase of
suspense, ending once
again in calm. The
listener remains
uncertain, however,
regarding the finish. In
dit werk probeert de
Nederlandse componist
Marc van Delft twee
partijen samen te brengen
(vroegere vrienden),
nadat ze op
onverklaarbare wijze uit
elkaar zijn gegroeid.
Daaromroept hij de hulp
in (Invocation) van het
medium muziek. In
het begin straalt
'Invocation' een gevoel
van serene rust uit,
waaruit de componist
geleidelijk een sfeer
creëert die lijkt op een
gesprek. Halverwege
is er een toename van de
spanning, die weer in
rust eindigt. De
luisteraar blijft echter
onzeker over de afloop.
Gobelin Music
Publications. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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