PARTITIONS GRATUITES : 3 FLûTES (TRIO)
- Three Sonatas No.7,8

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Piano

SKU: PE.EP4745

Composed by Sergei Prokofiev. Piano Resources; Piano Solo; Piano Supplemental. 20th Century. Book. Edition Peters #98-EP4745. Published by Edition Peters (PE.EP4745).

ISBN 9790014031510.

The three so-called War Sonatas Nos. 6-8 were composed in the years 1939-1944, while Prokofiev was evacuated from Moscow to Kazakhstan and the Caucasus. The reference to the siege of Leningrad was a prerequisite for the success of the compositions, which continue the tradition of Beethoven rather than conforming to the stylistic maxims of 'socialist realism' in force at the time.

Sonata No. 7, best-known as 'Stalingrad', is the best known and most ornate of the three sonatas. Prokofiev received the Stalin Prize (second category) for this work in 1943. The work is suitable for advanced pianists.

Piano - Advanced

SKU: PE.EP4732

Composed by Sergei Prokofiev. Piano Resources; Piano Solo; Piano Supplemental. 20th Century. Book. Edition Peters #98-EP4732. Published by Edition Peters (PE.EP4732).

ISBN 9790014031435.

The three so-called War Sonatas Nos. 6-8 were composed in the years 1939-1944, while Prokofiev was evacuated from Moscow to Kazakhstan and the Caucasus. The reference to the siege of Leningrad was a prerequisite for the success of the compositions, which continue the tradition of Beethoven rather than conforming to the stylistic maxims of 'socialist realism' in force at the time.

The Sonata No. 8 is more introverted than its well-known predecessor Sonata No. 7 and impresses in the final movement with its diversity and echoes of French Impressionism. The work is suitable for advanced pianists.

Piano (Piano Solo)

SKU: HL.51481620

Piano Solo. Composed by Sergei Prokofiev. Edited by Claudia Heine. Henle Music Folios. Classical. Softcover. 43 pages. G. Henle #HN1620. Published by G. Henle (HL.51481620).

UPC: 196288209157. 9.0x12.0x0.164 inches.

Prokofiev's Piano Sonatas 6â??8 are often referred to as â??war sonatasâ?, since they were composed in Russia during World War II during times of great hardship. As the shortest of the three, no. 7 is entirely focused on the essentials, and is certainly Prokofiev's most famous piano sonata. Anyone who has heard it will not forget the hasty first movement, marked â??Allegro inquietoâ?, the cantabile theme of the second movement and the relentless pull of the machine-like, thudding finale. The Sonata appeared in print in 1943 and that same year received the Stalin Prize (second category), including prize-money of 50,000 rubles, which was welcomed with great joy in the Prokofiev household. You can also derive joy from Prokofiev's Seventh Sonata, here critically edited on the basis of all the sources, and produced using Henle's legendary music engraving. A preface by the world's most prominent Prokofiev researcher, Simon Morrison, rounds off the edition.

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Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by Lara Downes. Collection. Theodore Presser Company #440-40028. Published by Theodore Presser Company

Piano

SKU: WC.M-58005-007-6

Composed by B. Warren. Modern classical. Score. Duration 8 minutes; 7 minutes, 30 seconds; 7 minutes. Published by Wiscasset Music Publishing (WC.M-58005-007-6).

Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1536. Published by G. Henle

Piano

SKU: HL.48025397

Piano. Composed by York Hoeller. BH Piano. Classical. Softcover. Duration 660 seconds. Bote & Bock #M202538067. Published by Bote & Bock (HL.48025397).

UPC: 196288195498.

Commi ssioned by Radio France and premiered by the dedicatee Bertrand Chamayou in Paris at the beginning of 2023, the ten-minute work follows the Beethovenian 'development type'. Like Höller's two preceding piano sonatas, it is a one-movement piece. At the centre is the processing of one harmonic, one rhythmic, one scale element each, as well as a 'sound form' as it determines Höller's entire compositional thinking. It is formed from three phrases of 6, 7 and 8, i.e. 21, tones, and 'at times appears like a kind of cantus firmus', according to the composer. The interplay between these very different poles unfolds in many virtuoso figurations, which aresometimes reminiscent of Debussy and which require a meticulous dose of pedaling.