| Transformations (Vocal Score) Opéra [Vocal Score] Schirmer
By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E...(+)
By Conrad Susa. Text:
Anne Sexton. For Opera.
Opera, Vocal Music.
Published by E.C.
Schirmer Publishing.
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Harvey, J Transformations Of Love Bade Me Welcome Clt/pf Clarinette Music Sales
| | |
| Voyages Extraordinaires Wilhelm Hansen
Score SKU: HL.50603530 For Orchestra Score. Composed by Britta Bys...(+)
Score SKU:
HL.50603530 For
Orchestra Score.
Composed by Britta
Byströ and m. Score.
Softcover. Edition
Wilhelm Hansen #WH33249.
Published by Edition
Wilhelm Hansen
(HL.50603530). UPC:
840126931136. A
work for orchestra
commissioned by
Gothenburg Symphony
Orchestra. The composer
writes I have borrowed
the title 'Voyages
extraordinaires' from the
writer Jules Verne and
his famous novel series
depicting fantastic or in
reality impossible
journeys. The title
seemed fitting as my work
is intended as
fantastical musical
voyages on which the
listener encounters new
worlds of sound through
recurring orchestral
transformations. I see
the work somewhat as a
tribute to how art has
the abilities to
transcend the limits of
life. Some years ago I
composed a horn trio,
'Diagonal Musik' (2017),
inspired by the Swedish
artist Olle Baertling.
Baertling's paintings
consist of large, bright
triangular shapes, and
although the lines
gradually approach one
another, the intersecting
point is often placed
outside the frame.
Consequently, the
spectator will try to
complete the angle in
their own head. In my
horn trio, I wanted to
transfer this to music:
the lines that gradually
approach each other but
rarely meet, except
perhaps in the listener's
head. In 'Voyage
Extraordinaires' I have
tried to develop these
techniques even further,
this time for orchestral
forces, and combine them
with the magical
transformations, an
important structural
element of the piece. The
fantastic journeys also
refer to travels in our
own imagination: what we
believe and picture in
our mind. The sudden
musical transformations
that occur are also
reminiscent of dream
logic and the dreamscape
itself. Here it is
possible to wander in and
out through worlds in a
way that feels consistent
within the framework of
the dream.. $67.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fanfare: Generation Next - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS233 Composed by
Zachary Cairns. Folio.
Cps. Set of Score and
Parts.
8+8+4+8+8+8+2+2+4+4+2+2+8
+8+8+4+4+3+3+3+2+4+4+4+2+
1+6+3+20 pages. Duration
2 minutes, 36 seconds.
Carl Fischer Music
#CPS233. Published by
Carl Fischer Music
(CF.CPS233). ISBN
9781491156322. UPC:
680160914869. 9 x 12
inches. Fanfare:
Generation Next Fanfare:
Generation Next is a
piece I wrote in honor of
Mr. Dean Zirkle,
long-time director of
bands at Camp Hill Senior
High School (near
Harrisburg, PA). I had
been working as Dean's
marching band
arranger/composer for
eleven years when he
announced his upcoming
retirement, and I felt
compelled to write a
piece to pay tribute to
his remarkable
contributions to music
education and to the
lives of his students and
colleagues. The piece is
built on two primary
ideas. The first idea is
a musical rendering of
the name Dean. D, E, and
A are all musical notes,
but N is not. I have
chosen to use a neighbor
tone (a note a half-step
above or below a given
note) to finish off the
name. (MUSIC EXAMPLE)
This melodic idea occurs
throughout the
composition in a variety
of transformations.
Sometimes it is presented
with the exact notes
shown above; sometimes
the interval structure is
maintained, but the pitch
series is transposed
(G-A-D-C#, for example);
sometimes the four notes
are played in order,
sometimes out of order;
sometimes the first three
notes (D-E-A) sound
together as a chord; etc.
(MUSIC EXAMPLE) The
second idea is a rhythmic
motive, established in
the opening brass
fanfare. (MUSIC EXAMPLE)
This rhythm is later
transformed to the accent
pattern shown below,
which is used as an
ostinato throughout much
of the allegro section of
the piece.
 . Fanfare:
Generation
Next Fanfare:
Generation Next is a
piece I wrote in honor of
Mr. Dean Zirkle,
long-time director of
bands at Camp Hill Senior
High School (near
Harrisburg, PA). I had
been working as
Dean’s marching
band arranger/composer
for eleven years when he
announced his upcoming
retirement, and I felt
compelled to write a
piece to pay tribute to
his remarkable
contributions to music
education and to the
lives of his students and
colleagues.The piece is
built on two primary
ideas. The first idea is
a musical rendering of
the name
“Dean.†D, E,
and A are all musical
notes, but N is not. I
have chosen to use a
“neighbor
tone†(a note a
half-step above or below
a given note) to finish
off the name.(MUSIC
EXAMPLE)This melodic idea
occurs throughout the
composition in a variety
of transformations.
Sometimes it is presented
with the exact notes
shown above; sometimes
the interval structure is
maintained, but the pitch
series is transposed
(G-A-D-C#, for example);
sometimes the four notes
are played in order,
sometimes out of order;
sometimes the first three
notes (D-E-A) sound
together as a chord;
etc.(MUSIC EXAMPLE)The
second idea is a rhythmic
motive, established in
the opening brass
fanfare.(MUSIC
EXAMPLE)This rhythm is
later transformed to the
accent pattern shown
below, which is used as
an ostinato throughout
much of the allegro
section of the
piece.   . $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fanfare: Generation Next - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS233F Composed
by Zachary Cairns. Sws.
Cps. Full score. 20
pages. Duration 2
minutes, 36 seconds. Carl
Fischer Music #CPS233F.
Published by Carl Fischer
Music (CF.CPS233F).
ISBN 9781491156339.
UPC: 680160914876. 9 x 12
inches. Fanfare:
Generation Next Fanfare:
Generation Next is a
piece I wrote in honor of
Mr. Dean Zirkle,
long-time director of
bands at Camp Hill Senior
High School (near
Harrisburg, PA). I had
been working as Dean's
marching band
arranger/composer for
eleven years when he
announced his upcoming
retirement, and I felt
compelled to write a
piece to pay tribute to
his remarkable
contributions to music
education and to the
lives of his students and
colleagues. The piece is
built on two primary
ideas. The first idea is
a musical rendering of
the name Dean. D, E, and
A are all musical notes,
but N is not. I have
chosen to use a neighbor
tone (a note a half-step
above or below a given
note) to finish off the
name. (MUSIC EXAMPLE)
This melodic idea occurs
throughout the
composition in a variety
of transformations.
Sometimes it is presented
with the exact notes
shown above; sometimes
the interval structure is
maintained, but the pitch
series is transposed
(G-A-D-C#, for example);
sometimes the four notes
are played in order,
sometimes out of order;
sometimes the first three
notes (D-E-A) sound
together as a chord; etc.
(MUSIC EXAMPLE) The
second idea is a rhythmic
motive, established in
the opening brass
fanfare. (MUSIC EXAMPLE)
This rhythm is later
transformed to the accent
pattern shown below,
which is used as an
ostinato throughout much
of the allegro section of
the piece.
 . Fanfare:
Generation
Next Fanfare:
Generation Next is a
piece I wrote in honor of
Mr. Dean Zirkle,
long-time director of
bands at Camp Hill Senior
High School (near
Harrisburg, PA). I had
been working as
Dean’s marching
band arranger/composer
for eleven years when he
announced his upcoming
retirement, and I felt
compelled to write a
piece to pay tribute to
his remarkable
contributions to music
education and to the
lives of his students and
colleagues.The piece is
built on two primary
ideas. The first idea is
a musical rendering of
the name
“Dean.†D, E,
and A are all musical
notes, but N is not. I
have chosen to use a
“neighbor
tone†(a note a
half-step above or below
a given note) to finish
off the name.(MUSIC
EXAMPLE)This melodic idea
occurs throughout the
composition in a variety
of transformations.
Sometimes it is presented
with the exact notes
shown above; sometimes
the interval structure is
maintained, but the pitch
series is transposed
(G-A-D-C#, for example);
sometimes the four notes
are played in order,
sometimes out of order;
sometimes the first three
notes (D-E-A) sound
together as a chord;
etc.(MUSIC EXAMPLE)The
second idea is a rhythmic
motive, established in
the opening brass
fanfare.(MUSIC
EXAMPLE)This rhythm is
later transformed to the
accent pattern shown
below, which is used as
an ostinato throughout
much of the allegro
section of the
piece.   . $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Poul Ruders: Symphony No. 2 Wilhelm Hansen
Score Orchestra SKU: HL.14028045 Symphony and Transformation Score...(+)
Score Orchestra SKU:
HL.14028045
Symphony and
Transformation Score.
Composed by Poul Ruders.
Music Sales America.
Classical. Score.
Composed 2002. 186 pages.
Edition Wilhelm Hansen
#WH30496. Published by
Edition Wilhelm Hansen
(HL.14028045). ISBN
9788759872574. UPC:
884088434403.
11.75x16.5x0.475
inches. A second
Symphony by Ruders,
commissioned by the Serge
Koussevitzky Music
Foundation in the Library
of Congress for the New
York City based chamber
orchestra, Riverside
Symphony. The piece is
subtitled Symphony And
Transformation to express
the formal symphonic
nature of a piece that is
otherwise in a state of
constant musical and
textural
transformation. $94.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Transformed - Choral Book Word Music
Intermediate SKU: WD.080689572173 Composed by David Wise. Choral, cantata...(+)
Intermediate SKU:
WD.080689572173
Composed by David Wise.
Choral, cantatas. Book.
Word Music #080689572173.
Published by Word Music
(WD.080689572173).
UPC:
080689572173.
i>TRANSFORMED,
new from Word Music &
Church Resources,
features Modern
Worship Songs
informed and inspired by
great hymns of the
church. These
aren’t hymns that
have simply been revamped
or reimagined within
unique arrangements.
Rather, they are new
songs incorporating
portions of a well known
hymn or that have their
roots and foundation in a
hymn. “Blended
Worship†(the term
we use to describe a
church that
combines the use of
both worship songs and
hymns as a worship style,
a strategic formatting
decision intended to
bring together the old
and the new) has now been
adopted by the
songwriting community as
more and more songwriters
are creating inspired and
anointed new songs of
worship which, at their
core, were birthed by a
hymn.
Hymns such
as It Is Well with My
Soul, I Need Thee Every
Hour, Amazing Grace,
Nothing but the
Blood…all of
these and more lend
themselves to the
creation of deeply
moving,
powerfully-impacting
modern worship hymns for
today’s
contemporary evangelical
church; new modern
worship hymns bringing
together the best of the
past with the brightest
of the future.
Transformed, they become
songs like It Is
Well (Bethel),
Broken Vessels
(Amazing Grace)
(Hillsong),
Come Thou Fount,
Come Thou King
(Gateway)...10 new songs
with a rich heritage,
deep roots, and a fresh
anointing…all
brilliantly adapted for
choir, orchestra and
congregation by arrangers
David Wise and Tim
Paul. Immerse your
congregation in moments
of profound, heartfelt
worship as they join with
your choir in singing
these new, next
generation hymns. $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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