PARTITIONS GRATUITES : QUINTETTE DE CUIVRES : 2 TROMPETTES, 1 COR, 1 TROMBONE, 1 TUBA
- Rodrigo

Solo Guitar Ediciones Joaquin Rodrigo. Composed by Joaquin Rodrigo (1901-1999). Sheet music. Edition Schott. Classical. Performance book. Composed 1933. 16 pages. Duration 8'. Ediciones Joaquin Rodrigo #EJR190202. Published by Ediciones Joaquin Rodrigo

Solo Guitar Ediciones Joaquin Rodrigo. Composed by Joaquin Rodrigo (1901-1999). Sheet music. Edition Schott. Classical. Composed 1969. 190138. 18 pages. Duration 9'. Ediciones Joaquin Rodrigo #EJR190138. Published by Ediciones Joaquin Rodrigo (HL.49044912).

Piano Solo Ediciones Joaquin Rodrigo. Composed by Joaquin Rodrigo (1901-1999). Sheet music. Edition Schott. Classical. Ediciones Joaquin Rodrigo #EJR190194. Published by Ediciones Joaquin Rodrigo

Guitar

SKU: UT.CH-220

Composed by Alessandro Spazzoli. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. 12 pages. Ut Orpheus #CH 220. Published by Ut Orpheus (UT.CH-220).

ISBN 9790215323292. 9 x 12 inches.

Homenaje a Rodrigo: Evocación - Homenaje - Gloria (2015); Arietta (2014)

By Joaquin Rodrigo. (Guitar). Schott. Size 9x12 inches. 94 pages. Published by Schott.

Guitar

SKU: UT.CH-289

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 289. Published by Ut Orpheus (UT.CH-289).

ISBN 9790215325852. 9 x 12 inches.

Giovanni Podera: Fantasia (In memoriam Joaquín Rodrigo)
Marco Reghezza: Nana Estrellada
Marco Simoni: Junto a Rodrigo
Marco Smaili: Fronda de la tarde (Homenaje a Joaquín Rodrigo)
Paolo Ugoletti: Fuga a 4 voci

Following the successful publication of Homenaje a Rodrigo (2015), containing four pieces by Alessandro Spazzoli – one of which was performed in the presence of the composer’s daughter, Cecilia Rodrigo, during her visit to the International Convention in Alessandria –, here is the second volume. It contains more tributes to Rodrigo written on my input by five well-known Italian and Spanish composers, two of whom are also guitarists and have therefore written the fingering for their own pieces.
Giovanni Podera plunges us into a typically Rodrigo-like atmosphere with his evocative Fantasia, while the following three compositions are full of direct quotations from pieces also for guitar by the great composer from Valencia. Thus, Marco Simoni, in his expressive Junto a Rodrigo – which also provides the title to the volume – plays with themes taken from Junto al Generalife and from Dos piezas caballerescas for a cello ensemble as well as hinting at reminiscences of Tiento antiguo. As for Marco Smaili, in his impressionistic Fronda de la tarde, he evokes quite evidently Zarabanda lejana and Invocación y Danza, but there are more hidden references to Caminos de Santiago and even to the very famous Concierto de Aranjuez. Marco Reghezza builds his heart-breaking Nana estrellada on a sequence of chords used by Rodrigo in the fantasia ¡Que buen caminito!.
On the other hand, there are no direct quotations and echoes of Rodrigo’s way of writing in the Fuga a quattro voci by Paolo Ugoletti. However it was Rodrigo himself who constructed four-part imitative passages for guitar in Pasacalle and in the Ricercare of the Fantasia para un Gentilhombre. The close polyphony of the piece by Ugoletti may be considered as a tribute to this kind of craft shown by Rodrigo who, like Ugoletti, was able to write such dense and idiomatic counterpoint without being a guitar-player.
I am pleased that this volume comes out in the imminence of the 20th anniversary of the disappearance of the illustrious Spanish composer who gave so much to the musicians – and not only to them.
(Piero Bonaguri)

Mucha s gracias por este emotivo y excelente musical homenaje a mi padre. La edición es excelente y la difundiremos con todos nuestros medios por las redes sociales a nuestro alcance. Ha sido un gran trabajo por su parte, fruto de sus grandes conocimientos guitarrísticos y su devoción por Joaquín Rodrigo.  Le reitero mi gratitud y mi felicitación con el ruego transmita a los cinco compositores mi felicitación y deseos de éxito.
(Cecilia Rodrigo).

4 soprano voice solos, tenor voice solo, alto voice solo, orchestra (4 Soprano Voice Solo, Tenor Voice Solo, Alto Voice Solo, Orchestra)

SKU: BA.BA04083

Opera in three acts. Composed by George Frideric Handel. Edited by Rainer Heyink. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II Band 2. Complete edition, Score. HWV 5. Baerenreiter Verlag #BA04083_00. Published by Baerenreiter Verlag (BA.BA04083).

ISBN 9790006497768. 33 x 25.5 cm inches.

“Rodr igo” was premiered in autumn 1707 in Florence and is therefore one of Handel’s early stage works. The composer, only 22 years old, wrote a densely-woven musical scenario for his first opera composed in Italy .

It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception, betrayal , adultery, war as well as the transformation wrought by Rodrigo’s abdication. The work was not, as was long thought, a commission from the Prince of Medici. Despite this, “ Rodrigo” seems to have been so popular that Handel extended his stay in Italy and was able to compose several operas during the following period. In “ Rodrigo” , the mastery which made Handel’s succeeding opera “ Agrippina” such a success, is already clearly evident .
“ Agrippina” consequently made Handel’s name famous throughout Europe and soon led to his first journey to London .

The new vocal score is based on Volume II/2 of the “Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel’s lifetime.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
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