PARTITIONS GRATUITES : QUINTETTE DE CUIVRES : 2 TROMPETTES, 1 COR, 1 TROMBONE, 1 TUBA
- Winning

By Edward Ayola. Orchestral Collection/Ensemble. Books/Texts (Orchestra). Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

Grade 2

SKU: CL.015-2857-00

Composed by K. Harris. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). March. Score and set of parts. Composed 1997. Duration 2 minutes, 24 seconds. C.L. Barnhouse #015-2857-00. Published by C.L. Barnhouse (CL.015-2857-00).

Ken Harris definitely has a long tradition of writing exceptional marches for younger bands and his latest, Winning Tradition is one of his nicest. Tuneful and playable with modest technical requirements, you simply can’t go wrong with this quality march. Perfect for contest or concert performances. A Real Winner! Recorded on the CD King’s Mountain Adventure by The Washington Winds.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

SKU: GI.G-114424

Creative Recipes for Players and Teachers. Music Education. Book. 168 pages. GIA Publications #114424. Published by GIA Publications (GI.G-114424).

ISBN 9781574631586. UPC: 884088872311.

A must have exciting collection of favorite tips from 57 of today's most outstanding educators, performers, and industry pros in the jazz education world. This is an ideal source that contains proven successful suggestions that will not only aid the teacher/director from junior high school to university levels, but the conductor and performer - novice to professional! Performance tips on instrument technique, rehearsals, programming, technology, improvisation and much more! Enjoy this quick-to-read enjoyable book that will inform and inspire creativity and improvement at all levels. Sample recipes include: Jamey Abersold, legendary jazz educator and publisher, NEW Jazz Master and LeJENd of Jazz Education Honoree Advanced Jazz Improve, How to Cook! John Clayton, Grammy award winning Bassist and composer, JEN Vice-President Left Hand Bass-ics Dennis DiBlasio, jazz saxophonist with Maynard Ferguson and others, arranger, composer, educator Get Started Improvising by Using a Single Scale-Heat, Simmer, Boil! Diane Downs, founder and artistic director of the renowned Louisville Leopard Percussionists All About the Blues! Dr. Lou Fischer, co-founder/past president of the Jazz Education Network, performer, composer, author Big Band Shake 'n Bake-Successful Performance Tips Dan Haerle, faculty/Regents professor in Jazz studies at the UNT 25 years, LeJENds of Jazz Education recipient Expand Your Palette-a taste of Voicings Dave Liebman, NEA Jazz Master, LeJENd of Jazz Education, award winning performer, lecturer, author Beyond the Music-Jazz Education in the Century of Change Darmon Meader, distinguished vocalist, arranger, and saxophonist, founder/performer New York Voices Stir, Don't Shake-Recipe for Vocal Improv Bob Mintzer, 23-year member of Yellowjackets, Grammy award-winning big band leader and composer of big band music performed globally Spice Up your Life with Music-words from one who knows! Dr. Gary Motley, recognized by National Endowment for the Arts, Great American Jazz Piano Competition, and American Composers Forum Jazz and the iPad - Add this to your Menu! Dr. Larry Ridley, educator, performer, authors and is founder/executive director for the African-American Jazz Caucus, Inc., (AAJC) Jazz Gumbo, sage advice Paris Rutherford, Regents Professor Emeritus of Jazz, Univ. of North Texas 30 years, author, arranger, LeJENds of Jazz Education recipient Recipe for Arranging Amazing Vocal Jazz Goodies.

SATB choir

SKU: WD.080689655173

Composed by Daniel Semsen. Choral, cantatas. Christmas. Book. Word Music #080689655173. Published by Word Music (WD.080689655173).

UPC: 080689655173.

Dove Award winning songwriters Joel Lindsey and Jeff Bumgardner, with Dove Award winning arranger/ orchestrator Daniel Semsen, have, once again, brought to life an astoundingly appealing new musical for Christmas, Love Was Born a King. With a slew of critically acclaimed dramatic musicals for Christmas under their belt, this highly awarded creative team has done it again, this time with a twist! Their newest offering, Love Was Born a King, is actually 2 musicals in one! Fully developed as a dramatic musical in the vein of their previous successes (How to Have the Best Christmas Ever, An Unexpected Christmas, Welcome to Bethlehem, Under a Starry Sky), Love Was Born a King certainly doesn’t disappoint those in search of their next, new, dramatic musical. For others, who love the music heard in those previously released musicals but aren’t looking for a dramatic musical, Joel and Jeff have delivered an amazing choir with narrator musical option that fully utilizes all the songs found in the drama version… literally, 2 musicals in 1! The option with drama deals poignantly and sensitively with the plight of the homeless, drawing on the responsibility of God’s people to minister and care for those in need. And in the course of helping others, finding that we just might find ourselves being ministered to in the process! If instead you’re looking for a choir with narrator option, you’ll discover the same brilliantly written songs wrapped in a beautifully expressed narrative highlighting the traditional Christmas story focusing on the power and beauty of God’s Love come down to earth, manifested in the birth of the Christ Child.

SKU: GI.G-8657

A man, an Island, and Music That Moves the World. Composed by Michael Stillwater. Music Education. 32 pages. GIA Publications #8657. Published by GIA Publications (GI.G-8657).

ISBN 9781622770649.

Edit ed and Photographed by Michael Stillwater   Waldron Island Reflections offers images and words from Shining Night, the award-winning documentary film about the life and music of Morten Lauridsen. Morten Lauridsen, among the leading American composers of the late 20th and early 21st centuries, draws his inspiration from the serenity of nature. In his summer residence on remote Waldron Island in the San Juan Archipelago many of his greatest works are composed. For anyone who appreciates nature as inspiration for creativity, Waldron Island Reflections provides a glimpse into a unique Pacific Northwest haven where timeless words are given a musical voice through Lauridsen’s sublime artistry. About the music of Morten Lauridsen: In 2007 Morten Lauridsen received the National Medal of Arts, the highest artistic award in the United States, from the President in a White House ceremony “for his composition of radiant choral works combining musical beauty, power, and spiritual depth.” He is Distinguished Professor of Composition at the USC Thornton School of Music, Los Angeles. www.mortenlauridsen.net/ “For those of us who need great music to live and feel more fully, these works speak clearly to the soul and illuminate our greater hope.”– St. Louis Post-Dispatch “This is celestial and spine-tingling stuff. Contemporary choral music really doesn’t come any better than this.” – Daily Express   Michael Stillwater is a filmmaker and music educator whose award-winning documentary, Shining Night: A Portrait of Composer Morten Lauridsen, was deemed “a heartening rarity” by Terry Teachout, Wall Street Journal. www.shiningnightfilm.net.

Composed by Illustrated by Eilidh Muldoon, Music by Aaron Burrows, Penelope Roskell, and Words by Carl Heap. Method/Instruction; Piano Method; Technique Musicianship. Penelope Roskell's Complete Pianist Series. Form: Classical. Book. 48 pages. Edition Peters #98- EP73706. Published by Edition Peters