PARTITIONS GRATUITES : SAXOPHONE TéNOR
- Chris Howard

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. 21st Century. Choral score. Published by MorningStar Music Publishers

Composed by Howard Helvey. H.T. Fitzsimons Co. Octavo. 4 pages. H.T. FitzSimons Company #F2398. Published by H.T. FitzSimons Company (HL.232900).

Composed by Howard Helvey. For TTBB choir, keyboard, optional oboe. Sacred. Octavo. 11 pages. Published by Beckenhorst Press

Composed by Daniel E. Forrest, Jr. For SATB choir, a cappella. Capital University Choral Series. Christmas, sacred. Octavo. 8 pages. Published by Beckenhorst Press

SATB choir, cantor, assembly, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-10424

Bilingual edition. Arranged by Howard Hughes. Christmastide. Ritual Prayer. Tune name: Gloria. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10424. Published by GIA Publications (GI.G-10424).

English, Latin, Spanish. Text Source: Latin Ref.: Les anges dans nos campagnes, 18th c. French carol, English tr. The Roman Missal, Spanish tr. Misal Romano Text by Howard Hughes.

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

By Pietro A Yon. Arranged by Chris Howard. For SATB choir. Sacred Anthem: Christmas. Medium. Octavo. Published by Candela Music Press

SATB choir divisi and organ - Advanced

SKU: MN.56-0073

Composed by Howard Goodall. 21st Century. Instrument parts. Duration 5 minutes, 30 seconds. MorningStar Music Publishers #56-0073. Published by MorningStar Music Publishers (MN.56-0073).

UPC: 688670220760. Latin.

This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloriaâ� �‚¬Â is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollis”) and the first material returns, but in unison this time, at “Jesu Christe.” Duration 5:30.