PARTITIONS GRATUITES : SAXOPHONE TéNOR
- Departure

Composed by Johann Sebastian Bach (1685-1750). For Piano. Masterworks; Piano Solo; Solo. Kalmus Edition. Baroque; Masterwork. 8 pages. Published by Kalmus Classic Edition

Orchestra flute and string orchestra

SKU: PO.PE110

Composed by Christos Hatzis. This edition: softcover. Perfect. Full score. Promethean Editions #PE110. Published by Promethean Editions (PO.PE110).

ISBN 9781877564109. 305 x 220 mm inches.

First performed at the 2011 Japan Flute Convention, Departures is quickly gaining acclaim among flutists as an exciting new flute concerto. Since its premiere, notable flutists Susan Hoeppner (Canada) and Patrick Gallois (Finland) have presented performances in Mexico and Greece respectively. The work's appeal is driven by Hatzis unique and eclectic style, which brings in elements of traditional Japanese folk music, blues and burlesque music. Departures is a standout work that makes for a unique contribution to the repertory of contemporary flute concerti.

4-Part Flexible Band and Opt. Piano - Grade 1.5

SKU: BT.DHP-1185885-215

Composed by Jacob De Haan. De Haske Flexible Series. Original Light Music. Score Only. Composed 2018. 27 pages. De Haske Publications #DHP 1185885-215. Published by De Haske Publications (BT.DHP-1185885-215).

English-German-French- Dutch.

Let your musicians experience a day at the farm with the animals with this great new piece by Jacob de Haan. The Beasty Band is a collection of nine short, catchy pieces, each featuring animal sounds made by the players! The pieces are: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats and 9. Departure. On this CD you will hear a selection.

The Beasty Band klinkt bij Jacob de Haan als een dag vol plezier voor muzikanten en publiek! Deze verzameling van negen korte, tot de verbeelding sprekende stukken met dierengeluiden bestaat uit: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats en 9. Departure.

The Beasty Band klingt bei Jacob de Haan in einer vierstimmig variablen Besetzung nach viel Spaß fu r Musiker und Zuhörer! Dies ist eine Sammlung von neun kurzen, eingängigen Stücken mit Tierlauten, die von den Spielern erzeugt werden können: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats und 9. Departure. Auf dieser CD können Sie eine Auswahl daraus hören.

The Beasty Band est une composition 4 voix de Jacob de Haan qui mènera votre auditoire dans un voyage la ferme. Ceci est une collection de 9 courtes pièces entraînantes, avec des sons d'animaux qui peuvent être réalisés par les musiciens : 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats et 9. Departure.

Lasciate che i vostri musicisti vivano una giornata scatenata in fattoria con questo fantastico nuovo brano firmato Jacob de Haan.

Concert Band - Grade 5

SKU: ML.013759100

The Complete Trilogy. Composed by Sergei Prokofiev. Arranged by Johan De Meij. Full set. Molenaar Edition #013759100. Published by Molenaar Edition (ML.013759100).

In this suite for symphonic band the arranger did not use the existing orchestral suites, but composed another suite of his own with those parts of the ballet music that suited well for a transcription.

Romeo & Juliet - Part I
I. Introduction – The Duke’s Command
II. The Street Awakens
III. Morning Dance
IV. Romeo at Friar Laurence’s
V. Departure of the Guests (Gavotte)
VI. Montagues & Capulets – Dance of the Nights


Romeo & Juliet - Part II
I. Arrival of the Guests
II. The Quarrel
III. The Fight
IV. Interlude
V. Tybalt recognizes Romeo
VI. Mercutio


Romeo & Juliet - Part III
I. Public Merrymaking
II. Further public festivities
III. Meeting of Tybalt and Mercutio
IV. The Duel
V. The Death of Mercutio
VI. Romeo decides to avenge Mercutio
VII. Finale: Cortège with Tybalt’s Body


European parts free download

In deze suite voor harmonieorkest is Johan de Meij niet uitgegaan van de bestaande orkestsuites maar heeft hij een eigen suite samengesteld uit delen van het ballet die zich goed lenen voor een bewerking.

Ro meo & Juliet - Part I
I. Introduction – The Duke’s Command
II. The Street Awakens
III. Morning Dance
IV. Romeo at Friar Laurence’s
V. Departure of the Guests (Gavotte)
VI. Montagues & Capulets – Dance of the Nights


Romeo & Juliet - Part II
I. Arrival of the Guests
II. The Quarrel
III. The Fight
IV. Interlude
V. Tybalt recognizes Romeo
VI. Mercutio


Romeo & Juliet - Part III
I. Public Merrymaking
II. Further public festivities
III. Meeting of Tybalt and Mercutio
IV. The Duel
V. The Death of Mercutio
VI. Romeo decides to avenge Mercutio
VII. Finale: Cortège with Tybalt’s Body


European parts free download

Pour cette suite pour orchestre d'harmonie, l'arrangeur Johan de Meij ne s'est pas basé sur les suites d'orchestres existantes, mais il a composé une nouvelle suite en choisissant ces morceaux du ballet qui se prêtent bien à la transcription.

< b>Romeo & Juliet - Part I
I. Introduction – The Duke’s Command
II. The Street Awakens
III. Morning Dance
IV. Romeo at Friar Laurence’s
V. Departure of the Guests (Gavotte)
VI. Montagues & Capulets – Dance of the Nights


Romeo & Juliet - Part II
I. Arrival of the Guests
II. The Quarrel
III. The Fight
IV. Interlude
V. Tybalt recognizes Romeo
VI. Mercutio


Romeo & Juliet - Part III
I. Public Merrymaking
II. Further public festivities
III. Meeting of Tybalt and Mercutio
IV. The Duel
V. The Death of Mercutio
VI. Romeo decides to avenge Mercutio
VII. Finale: Cortège with Tybalt’s Body


European parts free download

In dieser Suite für Blasorchester ist Johan de Meij nicht von den bestehenden Orchestersuiten ausgegangen, sondern hat er mit welchen Teilen des Balletts, die für ein Arrangement gut geeignet sind, eine eigene Suite zusammengestellt.

Romeo & Juliet - Part I
I. Introduction – The Duke’s Command
II. The Street Awakens
III. Morning Dance
IV. Romeo at Friar Laurence’s
V. Departure of the Guests (Gavotte)
VI. Montagues & Capulets – Dance of the Nights


Romeo & Juliet - Part II
I. Arrival of the Guests
II. The Quarrel
III. The Fight
IV. Interlude
V. Tybalt recognizes Romeo
VI. Mercutio


Romeo & Juliet - Part III
I. Public Merrymaking
II. Further public festivities
III. Meeting of Tybalt and Mercutio
IV. The Duel
V. The Death of Mercutio
VI. Romeo decides to avenge Mercutio
VII. Finale: Cortège with Tybalt’s Body


European parts free download

4-Part Flexible Band and Opt. Piano - Grade 1.5

SKU: BT.DHP-1185885-015

Composed by Jacob De Haan. De Haske Flexible Series. Original Light Music. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185885-015. Published by De Haske Publications (BT.DHP-1185885-015).

English-German-French- Dutch.

Let your musicians experience a day at the farm with the animals with this great new piece by Jacob de Haan. The Beasty Band is a collection of nine short, catchy pieces, each featuring animal sounds made by the players! The pieces are: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats and 9. Departure. On this CD you will hear a selection.

The Beasty Band klinkt bij Jacob de Haan als een dag vol plezier voor muzikanten en publiek! Deze verzameling van negen korte, tot de verbeelding sprekende stukken met dierengeluiden bestaat uit: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats en 9. Departure.

The Beasty Band klingt bei Jacob de Haan in einer vierstimmig variablen Besetzung nach viel Spaß fu r Musiker und Zuhörer! Dies ist eine Sammlung von neun kurzen, eingängigen Stücken mit Tierlauten, die von den Spielern erzeugt werden können: 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats und 9. Departure. Auf dieser CD können Sie eine Auswahl daraus hören.

The Beasty Band est une composition 4 voix de Jacob de Haan qui mènera votre auditoire dans un voyage la ferme. Ceci est une collection de 9 courtes pièces entraînantes, avec des sons d'animaux qui peuvent être réalisés par les musiciens : 1. Arrival, 2. Cows, 3. Horses, 4. Cats, 5. Dogs, 6. Pigs, 7. Chickens, 8. Sheep and Goats et 9. Departure.

Lasciate che i vostri musicisti vivano una giornata scatenata in fattoria con questo fantastico nuovo brano firmato Jacob de Haan.

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.