| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9583 Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852). Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 for 8-part Trombone Ensemble Ensemble de Trombones [Conducteur et Parties séparées] - Avancé Cherry Classics
8-part Trombone Ensemble - Advanced SKU: CY.CC3158 Composed by Johann Seb...(+)
8-part Trombone Ensemble
- Advanced SKU:
CY.CC3158 Composed by
Johann Sebastian Bach.
Arranged by Ralph Sauer.
Classical. Score and
Parts. Cherry Classics
#CC3158. Published by
Cherry Classics
(CY.CC3158). ISBN
9790530111277. 8.5 x 11
in inches. Bach's
Motet Der Geist hilft
unser Schwachheit auf
(The Spirit gives aid to
our weakness) BWV 226 was
composed in 1729. The
Motet was written for the
funeral of the blessed
rector Ernesti, Professor
of poetry at Leipzig
University. It is written
for eight voices of two
four-part choirs. Mr.
Sauer has done a
magnificent job
transcribing all six of
Bach's choral motets BWV
225-230 for 8-part
Trombone Ensemble. This
is a major undertaking.
All are very worthy
additions to the Trombone
Ensemble repertoire. This
work for double 4-part
choir of three movements
is about 7 1/2 minutes in
length and appropriate
for advanced performers.
The top voices in each
choir have parts supplied
in both alto and tenor
clef. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Accenting the Weaker Side Batterie Alfred Publishing
Drumset - Advanced; Intermediate SKU: AP.50639 Composed by Dom Famularo, ...(+)
Drumset - Advanced;
Intermediate SKU:
AP.50639 Composed by
Dom Famularo, Nina
Pará, and Stephane
Chamberland.
Artist/Personality;
Method/Instruction;
Percussion - Drumset
Method or Collection.
Book and Digital
Download. 64 pages.
Alfred Music #00-50639.
Published by Alfred Music
(AP.50639). ISBN
9781470656522. UPC:
038081575278.
English. A
follow-up to The Weaker
Side and a great practice
companion to Stick
Control and Accents and
Rebounds, Accenting the
Weaker Side by Nina
Pará, Stephane
Chamberland, and Dom
Famularo is a core
workout to get your
weaker drumming limb up
to strength and able to
play any accented pattern
you choose. The book is
designed as a long
calisthenic workout in
which each example is to
be played for one minute.
With 30 exercises per
page, there is a year's
worth of weekly workouts.
Video demonstrations are
included. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Moravian Cantata Seesaw Music Corp
Chorus, Brass Quintet & Organ SATB Choir, 2 Trumpets, Horn, Trombone, Tuba & Org...(+)
Chorus, Brass Quintet &
Organ SATB Choir, 2
Trumpets, Horn, Trombone,
Tuba & Organ SKU:
SS.50010791 Composed
by Stanley Friedman.
Choral Score. Duration
25'. Published by Seesaw
Music Corp (SS.50010791).
Text: Based on the
chorale Faulkner (11, A)
by John Antes. Full
Score & Parts: available
for sale (#50010795). $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Moravian Cantata Chorale SATB [Conducteur et Parties séparées] Seesaw Music Corp
SATB Chorus, Brass Quintet & Organ (revised version) SKU: SU.50010795 ...(+)
SATB Chorus, Brass
Quintet & Organ (revised
version) SKU:
SU.50010795 For
SATB Chorus, Brass
Quintet & Organ (revised
version). Composed by
Stanley Friedman.
Vocal/Choral, Sacred
Choral. Score & Parts.
Seesaw Music Corp
#50010795. Published by
Seesaw Music Corp
(SU.50010795).
SATB Chorus,
Brass Quintet, Organ
Duration: 25' Text: Based
on the chorale Faulkner
(11, A) by John Antes: I.
When My Love To Christ
Grows Weak; II. When My
Love To Man Grows Weak;
III. There, Behold His
Agony; IV. Trinity
(instrumental); V. Then
To Life I Turn Again
Choral Score: available
for sale (#50010791)
Revised: 2006 Published
by: Seesaw Music. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Moravian Cantata Seesaw Music Corp
Soprano & three antiphonal Brass Quartets (original version) SKU: SU.50010790...(+)
Soprano & three
antiphonal Brass Quartets
(original version)
SKU: SU.50010790
For Soprano & three
antiphonal Brass Quartets
(original version).
Composed by Stanley
Friedman. Vocal/Choral,
Solo Voice, Brass, Brass
Ensemble. Study Score.
Seesaw Music Corp
#50010790. Published by
Seesaw Music Corp
(SU.50010790).
Soprano, Three
antiphonal brass quartets
(Trumpets, Horns,
Trombones, Tubas) Number
of performers: variable
Text: Based on the
chorale Faulkner (11, A)
by John Antes: I. When My
Love To Christ Grows
Weak; II. When My Love To
Man Grows Weak; III.
There, Behold His Agony;
IV. Trinity
(instrumental); V. Then
To Life I Turn Again
Composed: 1985 Published
by: Seesaw Music. $122.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Moravian Cantata Seesaw Music Corp
Soprano Voice, 3 Trumpets, 3 Horns, 3 Trombones & 3 Tubas SKU: SS.50010790(+)
Soprano Voice, 3
Trumpets, 3 Horns, 3
Trombones & 3 Tubas
SKU: SS.50010790
Composed by Stanley
Friedman. Choral. Sheet
Music. Published by
Seesaw Music Corp
(SS.50010790). Text:
Based on the chorale
Faulkner (11, A) by John
Antes. Number of
performers: variable. $115.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Moravian Cantata [Conducteur et Parties séparées] Seesaw Music Corp
Chorus, Brass Quintet & Organ SATB Choir, 2 Trumpets, Horn, Trombone, Tuba & Org...(+)
Chorus, Brass Quintet &
Organ SATB Choir, 2
Trumpets, Horn, Trombone,
Tuba & Organ SKU:
SS.50010795 Composed
by Stanley Friedman.
Score & Parts. Duration
25'. Published by Seesaw
Music Corp (SS.50010795).
Text: Based on the
chorale Faulkner (11, A)
by John
Antes. Choral
Score: available for sale
(#50010791). $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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