PARTITIONS GRATUITES : LIGNES MéLODIQUES ET ACCORDS (LEAD SHEET)
- Atlantic City

(Piano/Vocal). By Lynn Ahrens and Stephen Flaherty. For Keyboard; Piano; Voice. This edition: Piano/Vocal. Piano/Vocal/Chords; Vocal Score. Broadway. Vocal Score. 416 pages

Bb Instruments

SKU: HL.295068

Bb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard (HL.295068).

ISBN 9781540055200. UPC: 888680945091. 8.5x11.0x0.592 inches.

Your new official bebop bible! Over 200 classics arranged for Bb instruments in Real Book style. Titles include: Anthropology * Au Privave * Be-Bop * Boneology * Boplicity (Be Bop Lives) * Byrd Like * Cherokee (Indian Love Song) * Confirmation * Donna Lee * Doxy * Epistrophy * 52nd Street Theme * Four * Goin' to Minton's * Good Bait * Groovin' High * Hi-Fly * Hot House * In Walked Bud * Jay Bird * Lady Bird * Lennie's Pennies * Moose the Mooche * Move * Oblivion * Oleo * Parisian Thoroughfare * Rosetta * Salt Peanuts * Solar * Teaneck * Tin Tin Deo * Tour De Force * Tricrotism * Wail * Woodyn' You * Yardbird Suite * and more! Comb bound.

(Guitar/Vocal/Chords). By Bruce Springsteen. For guitar and voice. This edition: Guitar/Vocal/Chords. Guitar: Guitar/Vocal/Chords. Rock and Classic Rock. Difficulty: medium. Guitar/vocal songbook. Standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, strum patterns and color photos. 235 pages. Published by Alfred Music Publishing

(Easy Guitar TAB). For Guitar. This edition: Guitar TAB Edition. Artist/Personality; Book; Guitar Personality; Guitar TAB. Guitar Songbook. 104 pages. Published by Alfred Music Publishing

Bass Drum, Chimes, Glockenspiel, Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Spring Coil, Tam-tam, Vibraphone, Wind Chimes

SKU: PR.11440986S

Composed by William Kraft. Full score. With Standard notation. 27 pages. Duration 10 minutes. Theodore Presser Company #114-40986S. Published by Theodore Presser Company (PR.11440986S).

UPC: 680160014651.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.

Performed by Bruce Springsteen. Songbook for voice, piano and guitar chords. 112 pages. Published by Alfred Publishing.

Chamber Music Percussion, Percussion 1, Percussion 2, Percussion 3, Percussion 4

SKU: PR.114409860

Concertino for Roto Toms and Percussion Quartet. Composed by William Kraft. Encounters. Contemporary. Set of Score and Parts. With Standard notation. Composed 1976. 27+12+10+10+10+10 pages. Duration 10 minutes. Theodore Presser Company #114-40986. Published by Theodore Presser Company (PR.114409860).

UPC: 680160014644.

Here I have adapted a standard musical form to a contemporary medium. The concertino is a small concerto: a one-movement work that draws upon the basic principles of the concerto form - two bodies of sound which at times compete, contrast, or act together. The piece explores the musical possibilities of Roto-toms. The sound of these drums is a cross between a tom-tom and a timpani, and their pitch is changed by rotating the drum. During the course of the work, the various effects used include pitch and fingernail glissandi; playing on the rims; and playing on the heads with fingers, brushes, timpani sticks, wood mallets or rattan. Harmonics on the octave and the fourth above the fundamental pitch are produced by the drums when weights (in this case, small pitched cymbales called crotales) are placed in the center of the drum heads. In return the drum itself acts a resonator for the crotales, which also have a fundamental pitch when played on the face and a partial a fifth above when played on the center dome. The opening section of the concertino introduces a motive, played by the soloist, while the ensemble sustains a bowed chord on the vibraphone. Following this cadenza-like introduction, the piece gradually moves into a bright 6/8 tempo that is characterized by constant sixteenth notes in all parts. After a brief period of interaction, the ensemble continues its sixteenth notes patterns and the soloist plays and improvised solo. Next, an interlude is presented by the ensemble which leads to a dramatic recapitulation by the soloist of the motivic material. A thematically-derived coda concludes the work. Encounters VI, commissioned by Remo Belli, is dedicated to Jennifer Kraft, the composer's daughter. The premiere performance took place in 1976 at the MENC National Convention in Atlantic City, New Jersey, and was performed by the Temple University Percussion Ensemble conducted by Glenn Steele. --William Kraft.