PARTITIONS GRATUITES : CLARINETTE BASSE
- Confession

By James Rogner. For organ (SATB choir). Choral Music. Choral. Confession/Forgiveness, Ash Wednesday, Easter. Medium. Octavo. Published by MorningStar Music Publishers

Piano/Vocal/Guitar

SKU: HL.172078

By Florida Georgia Line. Piano Vocal. Country. Softcover. 12 pages. Published by Hal Leonard (HL.172078).

ISBN 9781495069017. UPC: 888680626860. 9.0x12.0x0.036 inches. Florida Georgia Line.

This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

SKU: GI.G-5960

A Guide for Your First Year of Teaching. Composed by Catherine Bell Robertson. Music Education. Book. GIA Publications #5960. Published by GIA Publications (GI.G-5960).

English. Text by Catherine Bell Robertson.

A Guide for Your First Year of Teaching From fundraisers to irate parents, from meeting other teachers to measuring for new marching band uniforms, your teaching methods class never covered this territory! In Confessions of a First-Year Maestro, author Catherine Bell Robertson takes readers along as she rides the roller coaster of first year teaching! Centered on journal entries written during her first year as director of all bands, choirs, and ensembles at a parochial high school, this book captures the surprises, joys, and woes of her hectic year. As a survivor and now veteran teacher, she also looks back on this challenging time and offers insightful reflections. Robertson's journal and commentary are filled with lessons that every future teacher should read, especially those who will teach music. But while offering inspiration and a few warnings for education students, the humorous and often touching stories in this book also offer encouragement and understanding for teachers in their own first year, as well as a trip down memory lane for many veterans. A delightful and sincere look into the world of a first-year teacher as she begins her real education! Kate Robertson teaches at Arrowhead High School in Hartland, Wisconsin (not the school described in this book). She graduated with highest honors from the University of Wisconsin-La Crosse with a Bachelor of Science in Music Education and has been teaching for four years. In her spare time, she enjoys traveling, hiking, gardening, cross-country skiing, and spending time with her husband, Cal, and their dog, Jake. Currently, Ms. Robertson is pursuing a Master's Degree in Education and is beginning work on her follow-up book to Confessions of a First-Year Maestro, entitled More Confessions: A Fellowship of Teaching Strategies, Stories, and Ideas. For more information, or to contribute to this collective book, please contact Ms. Robertson at teacherconfessions@yahoo. com.

SATB, Narration, Double Bass, Percussion, Piano Chamber

SKU: HL.14024954

Composed by Andy Pape. Music Sales America. Hymns & Chorals. Score. 124 pages. Music Sales #KP01401. Published by Music Sales (HL.14024954).

ISBN 9788759880913. Danish.

Confessions Of Time (1999) for Recitation, Double SATB Choir, 2 Pianos, 3 Percussions and 4 Double Basses by Andy Pape. Texts about time by Peter Hoegh and Augustinus Programnote: Jeg har valgt at basere Confessions of Time pa to forskellige tekster, der begge handler om tiden. En moderne tekst hentet fra Peter Hoegs De maske egnede og en gammel tekst, som jeg har fundet i Augustins Bekendelser, skrevet i arene 397-401 e.Kr. Selv om de er skrevet med ca. 1600 ars mellemrum, siger de naesten det samme. Augustins tekst har jeg villet give et skaer af noget gammelt og fjernt, og derfor synges den pa latin (det sprog som Augustin ogsa skrev pa). I kontrast hertil reciteres - altsa tales - Peter Hoegs tekst, som er pa dansk og meget ligefrem og nutidens tekster far saledes lov til at belyse hinanden. Bade Peter Hoeg og Augustin taler om, hvad evigheden er, hvad tid er. Et sporgsmal som jeg finder er vigtigt at standse op og taenke over i disse tider, hvor vi har sa travlt med at fa tiden til at ga, som om tiden er noget, der bare skal overstas. Men dermed glemmer vi nu'et. Det er en almindelig opfattelse at evigheden er det at leve evigt, for altid. Men Peter Hoeg og Augustin siger begge at evigheden er tiden her og nu - det nu, som hele tiden bliver til fortid, og som derfor er sa svaer at indfange. Min hensigt med vaerket har vaeret at belyse tiden gennem musikken, hvilket pa en gang er et banalt og halsbraekkende projekt for en komponist. Banalt fordi musik er tid, og halsbraekkende fordi det r umuligt at give et klart svar pa, hvad tid er, fordi vi - og musikken - lever i tiden: det svarer til at sporge en fisk om, hvad vand er. Og derfor er dette vaerk ogsa et eksperiment.Musikalsk har jeg haft den ambition (som er frygtelig farlig for en komponist) at saette tiden i sta gennem musikken og prove at abne et tidsrum, hvor der ikke sker noget. Hvor det drejer sig om et her og nu, og hvor tiden opleves som noget andet end 'klokketiden'. Tiden er jo noget vi oplever med vores bevidsthed: det viser sig tydeligt hos hjerneskadede, der ikke kan skelne mellem en fortid og en nutid og en fremtid. Indimellem har jeg faet den fornemmelse, at tiden er gaet hurtigere, end hvad faktisk er tilfaeldet, nar jeg har hort et stykke musik - noget jeg tror mange vil kunne nikke genkendende til: nar det sker, er det faktisk fordi, tiden er gaet i sta. Andy Pape.

By Joshua Schmidt. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Shows & Movies. Broadway. Book. 88 pages. Published by Alfred Music Publishing

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000921

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Oboe 1. Sacred vocal music, Mass sections. Single Part, Oboe 1. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/21. Published by Carus Verlag (CA.4000921).

ISBN 9790007248048. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.

Soli SA, Coro SATB, [Ob], 2 Vl, 2 Va, Bc

SKU: CA.4000912

Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/12. Published by Carus Verlag (CA.4000912).

ISBN 9790007248000. Language: Latin.

It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.