| D.R.U.M. Percussion [Matériel pour classe] Alfred Publishing
Other Percussion SKU: AP.BMR08009 Discipline, Respect, and Unity Throu...(+)
Other Percussion SKU:
AP.BMR08009
Discipline, Respect,
and Unity Through
Music. Composed by
Jim Solomon.
Classroom/Pre-School;
Orff; Orff School
Orchestra. Book. 56
pages. Alfred Music
#00-BMR08009. Published
by Alfred Music
(AP.BMR08009). ISBN
9780769268385. UPC:
029156954913.
English. Kids love
drums! The sight, sound,
power, and feel are
tremendous motivators for
many students. D.R.U.M.
is an acronym for
Discipline, Respect and
Unity Through Music. The
original D.R.U.M. group
was formed at author Jim
Solomon's elementary
school in 1995 to provide
an ensemble experience
for students not involved
in any of the regular
music groups. The group
concept is designed to
stress teamwork and
self-discipline while
learning these intensive
percussion ensembles
built on music from the
United States, Brazil,
Africa, and China. Useful
for general music classes
and special groups, this
book is a terrific
learning tool with
unlimited potential! $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sousa's Marches - As He Performed Them GIA Publications
SKU: GI.G-287972 Composed by John Philip Sousa and Kieth Brion. Music Edu...(+)
SKU: GI.G-287972
Composed by John Philip
Sousa and Kieth Brion.
Music Education. 168
pages. GIA Publications
#287972. Published by GIA
Publications
(GI.G-287972). ISBN
9781574634914. UPC:
888680909567. The
performing style that
created the Sousa Sound
and made his music
pre-eminent in the golden
age of bands is revealed
in this thought-provoking
exploration by Keith
Brion, founder and
conductor of his own New
Sousa Band. The band was
formed in 1986 for a
nationally televised PBS
special, The New Sousa
Band on Stage at Wolf
Trap. It has since toured
in every section of the
United States and
performed overseas tours
in Japan and China. Since
1980, Mr. Brion has
conducted his popular
Sousa at the Symphony
concerts with nearly
every American major and
regional symphony
orchestra, often in
repeat performances.
Brion's insight into the
musical depth of Sousa
marches will enlighten
any serious reader.
Includes: · Sousa'a
Marches As He Conducted
Them · Parts of a
Sousa March ·
Articulations, Dynamics,
Phrasing, Harmony and
Counterpoint · Blend,
Color, Balance and Tempo
· The Importance of
After-Beats and Bass
Lines · Instruments
and Instrumentations ·
Percussion in Sousa's
Marches · Patterns for
Conducting Marches ·
Background and Analysis
of The Stars and Stripes
Forever - 2/2 ·
Background and Analysis
of The Invincible Eagle -
6/8 · A Summary of
Sousa Performance
Techniques ·
Performance Suggestions
· New Sousa Band Style
Sheet and Guidelines ·
A List of References:
Books and Recordings ·
Facts and Misconceptions
About Sousa and His
Concerts. $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Phillips, Craig and Dean: Let the Worshippers Arise Piano, Voix et Guitare [Partition] - Intermédiaire Integrity Music
Performed by Phillips, Craig and Dean. Songbook for voice, piano and guitar (cho...(+)
Performed by Phillips,
Craig and Dean. Songbook
for voice, piano and
guitar (chords only). 102
pages. Published by
Integrity Music.
(3)$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Guitar Chord Shapes of Charlie Christian Guitare [Partition + CD] - Intermédiaire Centerstream
Performed by Charlie Christian. Guitar. Book and CD Package. Size 9x12 inches. P...(+)
Performed by Charlie
Christian. Guitar. Book
and CD Package. Size 9x12
inches. Published by
Centerstream Publications
(1)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Red Rock Rag Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS7
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major. When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Transformed - Choral Book Word Music
Intermediate SKU: WD.080689572173 Composed by David Wise. Choral, cantata...(+)
Intermediate SKU:
WD.080689572173
Composed by David Wise.
Choral, cantatas. Book.
Word Music #080689572173.
Published by Word Music
(WD.080689572173).
UPC:
080689572173.
i>TRANSFORMED,
new from Word Music &
Church Resources,
features Modern
Worship Songs
informed and inspired by
great hymns of the
church. These
aren’t hymns that
have simply been revamped
or reimagined within
unique arrangements.
Rather, they are new
songs incorporating
portions of a well known
hymn or that have their
roots and foundation in a
hymn. “Blended
Worship†(the term
we use to describe a
church that
combines the use of
both worship songs and
hymns as a worship style,
a strategic formatting
decision intended to
bring together the old
and the new) has now been
adopted by the
songwriting community as
more and more songwriters
are creating inspired and
anointed new songs of
worship which, at their
core, were birthed by a
hymn.
Hymns such
as It Is Well with My
Soul, I Need Thee Every
Hour, Amazing Grace,
Nothing but the
Blood…all of
these and more lend
themselves to the
creation of deeply
moving,
powerfully-impacting
modern worship hymns for
today’s
contemporary evangelical
church; new modern
worship hymns bringing
together the best of the
past with the brightest
of the future.
Transformed, they become
songs like It Is
Well (Bethel),
Broken Vessels
(Amazing Grace)
(Hillsong),
Come Thou Fount,
Come Thou King
(Gateway)...10 new songs
with a rich heritage,
deep roots, and a fresh
anointing…all
brilliantly adapted for
choir, orchestra and
congregation by arrangers
David Wise and Tim
Paul. Immerse your
congregation in moments
of profound, heartfelt
worship as they join with
your choir in singing
these new, next
generation hymns. $12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Performance Practices In Baroque Keyboard Music Dvd (With Bonus Lecture On Baroque Dance) - DVD Piano seul [DVD] - Intermédiaire/avancé Alfred Publishing
The Anthology of Baroque Keyboard Music is paired with the DVD Performance Pract...(+)
The Anthology of Baroque
Keyboard Music is paired
with the DVD Performance
Practices in Baroque
Keyboard Music for a
comprehensive look at the
literature and performing
conventions of the
Baroque era. On the DVD,
Dr. Hinson performs music
from the Anthology, and
relates invaluable
information on basic
touches, articulations,
dynamics and
ornamentation that will
help the performer create
a more
historically-informed
performance. Also on this
DVD is a lecture on the
history of Baroque dance
and the relationship
between dance and music,
with nine of the most
popular court dances
performed to Dr. Hinson's
keyboard accompaniment by
dancers in Baroque
costume
(1)$35.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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