PARTITIONS GRATUITES : ENSEMBLE DE SAXOPHONES
- Trap

SKU: HL.49004207

Composed by Heinrich Lemacher and Hermann Schroeder. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 136 pages. Schott Music #ED 3608. Published by Schott Music (HL.49004207).

ISBN 9783795725235. German.

Diese Lehre des linearen Satzes soll zu rein handwerklichem Konnen, zur technischen Beherrschung aller als klassisch-vorbildlich anzusprechenden kontrapunktischen Satzarten heranbilden. Sie will die so gewonnenen Kenntnisse und Erkenntnisse aber schopferisch auswerten fur das Improvisatiorsche, kunstlerisch Lebendige.Dieser Lehrgang der Musiktheorie mochte eine Vermittlungsstellung einnehmen zwischen Knud Jeppesens rein palestrinensisch ausgerichtetem Kontrapunkt, Ernst Kurths Grundlagen des linearen Kontrapunkts und Paul Hindemiths Unterweisung im Tonsatz.

By Linda Spevacek. For unison/2-part choir (with optional 3-part mixed). Sing Out Series. General, Novelty. Octavo. Published by Heritage Music Press

Piano (Piano)

SKU: HL.50581478

For Solo Piano. Composed by Jonathan Cole. Ricordi London. Contemporary Music. Book Only. Composed 2002. Ricordi London #RICL11. Published by Ricordi London (HL.50581478).

English.

One of the most exciting composers of his generation, Jonathan Cole was awarded the Royal Philharmonic Society Composition Prize in 1999.

Trapdoor was written as a tribute to the great film director Alfred Hitchcock in the year of hiscentenary, 1999. The piece has four sections: Fanfares, Trap, Nervous Shadows and Trapdoor. The last being after the music falls through a trapdoor and into a totally different world. It is a skittish piece and works with a backdrop provided by theresonance of silent chords held with the sostenuto pedal.

Guitar solo - intermediate

SKU: DZ.DZ-3841

Composed by Francois Rioux. 44 pages. Les Productions d'OZ #DZ 3841. Published by Les Productions d'OZ (DZ.DZ-3841).

ISBN 9782897957582.

List ening to and familiarizing myself with the recordings of several jazz musicians from the New York scene of the early 2000s, I noticed that the contrapuntal aspect manifests itself more and more frequently at the level of composition and improvisation. Although we find the manifestation of this concept at different times, notably in the playing of Fred Hersch or guitarist Ted Greene, its spontaneous, systematic and parameterized use seems to become characteristic of contemporary jazz, particularly in the playing of pianist Brad Mehldau. and guitarists such as Gilad Hekselman or Pasquale Grasso. I developed a deep interest in this concept and my efforts to assimilate it materialized in a doctoral thesis in interpretation, in an album, then in this method. We can hear the application of this concept throughout the album, released in the fall of 2021 on the Arte Boreal label: Sens unique.

This collection exposes the methodological approach developed in order to conceive, analyze, and ultimately appropriate the contrapuntal aspect of two voices. The various educational tools and strategies presented in this method will allow the guitarist to quickly identify and then assimilate the many aspects relating to this subject.

Brass Quintet - advanced

SKU: CY.CC2682

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Score and parts. Published by Cherry Classics (CY.CC2682).

J. S. Bach's massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right.

Number Fourteen is a four voice, double fugue that is an earlier version of Number Ten. It was included in the first edition of The Art of Fugue. About 3 minutes in length.