| Misericordias Domini KV 222 (205a) Orgue Barenreiter
Organ SKU: BA.BA04789-67 Composed by Wolfgang Amadeus Mozart. Edited by H...(+)
Organ SKU:
BA.BA04789-67
Composed by Wolfgang
Amadeus Mozart. Edited by
Hellmut Federhofer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. K.
222 (205a). 7 pages.
Duration 7 minutes.
Baerenreiter Verlag
#BA04789_67. Published by
Baerenreiter Verlag
(BA.BA04789-67). ISBN
9790006456642. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 7 Menuets with Trio K. 65a (61b) Breitkopf & Härtel
Violin 1 (str(without va)) SKU: BR.OB-4747-15 Composed by Wolfgang Amadeu...(+)
Violin 1 (str(without
va)) SKU:
BR.OB-4747-15
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches;
Classical. Part. 4 pages.
Duration 15'. Breitkopf
and Haertel #OB 4747-15.
Published by Breitkopf
and Haertel
(BR.OB-4747-15). ISBN
9790004320211. 9 x 12
inches. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Harmonic Gallery Carl Fischer
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55
Composed by Paul Lansky.
Set of Score and Parts.
8+8+8+8+8+32 pages.
Duration 17:55. Carl
Fischer Music #MXE55.
Published by Carl Fischer
Music (CF.MXE55). ISBN
9781491153864. UPC:
680160911363. Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. Paul Lansky
Frame 1
100 Minuetto
(Post-Classical, c. 1810)
352 Frame
2 125 Angst
(Post-Romantic, c. 1910)
353 Frame
3 122 Dance
(Post-Modern, c. 2010)
535 Frame
4 050 Total Duration
1755 . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. aPaul Lansky
Frame 1
1a00a Minuetto
(Post-Classical, c. 1810)
3a52a Frame 2
1a25a Angst
(Post-Romantic, c. 1910)
3a53a Frame 3
1a22a Dance
(Post-Modern, c. 2010)
5a35a Frame 4
0a50a Total Duration
17a55a . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. aPaul Lansky
Frame 1
1a00a Minuetto
(Post-Classical, c. 1810)
3a52a Frame 2
1a25a Angst
(Post-Romantic, c. 1910)
3a53a Frame 3
1a22a Dance
(Post-Modern, c. 2010)
5a35a Frame 4
0a50a Total Duration
17a55a . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. --Paul
Lansky Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35 Frame 4
0'50' Total Duration
17'55 . Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Harmonic Gallery [Conducteur] Carl Fischer
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55F
Composed by Paul Lansky.
Full score. 32 pages.
Duration 17:55. Carl
Fischer Music #MXE55F.
Published by Carl Fischer
Music (CF.MXE55F).
ISBN 9781491153895.
UPC:
680160911394. Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. Paul Lansky
Frame 1
100 Minuetto
(Post-Classical, c. 1810)
352 Frame
2 125 Angst
(Post-Romantic, c. 1910)
353 Frame
3 122 Dance
(Post-Modern, c. 2010)
535 Frame
4 050 Total Duration
1755 . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. aPaul Lansky
Frame 1
1a00a Minuetto
(Post-Classical, c. 1810)
3a52a Frame 2
1a25a Angst
(Post-Romantic, c. 1910)
3a53a Frame 3
1a22a Dance
(Post-Modern, c. 2010)
5a35a Frame 4
0a50a Total Duration
17a55a . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. aPaul Lansky
Frame 1
1a00a Minuetto
(Post-Classical, c. 1810)
3a52a Frame 2
1a25a Angst
(Post-Romantic, c. 1910)
3a53a Frame 3
1a22a Dance
(Post-Modern, c. 2010)
5a35a Frame 4
0a50a Total Duration
17a55a . Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008. --Paul
Lansky Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35 Frame 4
0'50' Total Duration
17'55 . Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55. $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 7 Menuets with Trio K. 65a (61b) Breitkopf & Härtel
Violin 2 (str(without va)) SKU: BR.OB-4747-16 Composed by Wolfgang Amadeu...(+)
Violin 2 (str(without
va)) SKU:
BR.OB-4747-16
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches;
Classical. Part. 4 pages.
Duration 15'. Breitkopf
and Haertel #OB 4747-16.
Published by Breitkopf
and Haertel
(BR.OB-4747-16). ISBN
9790004320228. 9 x 12
inches. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 7 Menuets with Trio K. 65a (61b) [Conducteur] Breitkopf & Härtel
String orchestra (str(without va)) SKU: BR.PB-4747 Composed by Wolfgang A...(+)
String orchestra
(str(without va)) SKU:
BR.PB-4747 Composed
by Wolfgang Amadeus
Mozart. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
Dances/marches;
Classical. Full score. 8
pages. Duration 15'.
Breitkopf and Haertel #PB
4747. Published by
Breitkopf and Haertel
(BR.PB-4747). ISBN
9790004205532. 9 x 12
inches. $12.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 7 Menuets with Trio K. 65a (61b) Breitkopf & Härtel
Basso (cello/double bass) (str(without va)) SKU: BR.OB-4747-26 Composed b...(+)
Basso (cello/double bass)
(str(without va)) SKU:
BR.OB-4747-26
Composed by Wolfgang
Amadeus Mozart. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dances/marches;
Classical. Part. 4 pages.
Duration 15'. Breitkopf
and Haertel #OB 4747-26.
Published by Breitkopf
and Haertel
(BR.OB-4747-26). ISBN
9790004320235. 9 x 12
inches. $6.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Le comte Ory Barenreiter
SKU: BA.BA10508-40 Opera in two acts. Composed by Gioachino Rossin...(+)
SKU: BA.BA10508-40
Opera in two acts.
Composed by Gioachino
Rossini. Edited by Damien
Colas. This edition:
Edition of selected
works. Paperback.
Gioachino Rossini-Works.
Volumes 5a+b. Edition of
selected works, Critical
commentary. 359 pages.
Duration 2 hours, 15
minutes. Baerenreiter
Verlag #BA10508_40.
Published by Baerenreiter
Verlag (BA.BA10508-40).
ISBN 9790006552177. 24
x 17 cm inches. Language:
English. $530.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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