| English Folk Songs Suite for Orchestra, IRV 16 Orchestre d'harmonie LudwigMasters Publications
Concert Band; Orchestra 2(2nd dPicc).1.2.1: 2.2.2.0: Timp:Perc(2-3): Str(9.8.7.6...(+)
Concert Band; Orchestra
2(2nd dPicc).1.2.1:
2.2.2.0: Timp:Perc(2-3):
Str(9.8.7.6.5 in set)
SKU: AP.36-A932790
Arranged by Ralph Vaughan
Williams and ed./arr.
Gordon Jacob. Full
Orchestra. Kalmus
Orchestra Library. Folk;
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A932790.
Published by
LudwigMasters
Publications
(AP.36-A932790). UPC:
676737829230.
English. Ralph
Vaughan Williams'
(1872-1958) English Folk
Songs Suite, IRV 16,
consists of three
movements, the first two
of which are based on the
folk songs Seventeen Come
Sunday and My Bonny Boy;
the third adapts four
songs from the Somerset
region collected by Cecil
Sharp. The English Folk
Songs Suite quotes the
Christmas carol Dives and
Lazarus, which Vaughan
Williams later published
five variations of for
harp and string
orchestra. Gordon Jacob,
a student of Vaughan
Williams, arranged this
version for orchestra. An
earlier version of the
English Folk Songs Suite,
written for military
band, premiered at
Kneller Hall in
Twickenham, England in
July 1923.
Instrumentation: 2(2nd
dPicc).1.2.1: 2.2.2.0:
Timp:Perc(2-3):
Str(9.8.7.6.5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $60.00 - Voir plus => Acheter | | |
| English Folk Songs Suite for Orchestra, IRV 16 Orchestre d'harmonie [Conducteur] LudwigMasters Publications
Concert Band; Orchestra 2(2nd dPicc).1.2.1: 2.2.2.0: Timp:Perc(2-3): Str(9.8.7.6...(+)
Concert Band; Orchestra
2(2nd dPicc).1.2.1:
2.2.2.0: Timp:Perc(2-3):
Str(9.8.7.6.5 in set)
SKU: AP.36-A932701
Arranged by Ralph Vaughan
Williams and ed./arr.
Gordon Jacob. Full
Orchestra. Kalmus
Orchestra Library. Folk;
Masterwork. Score.
LudwigMasters
Publications #36-A932701.
Published by
LudwigMasters
Publications
(AP.36-A932701). ISBN
9798888520109. UPC:
676737736347.
English. Ralph
Vaughan Williams'
(1872-1958) English Folk
Songs Suite, IRV 16,
consists of three
movements, the first two
of which are based on the
folk songs Seventeen Come
Sunday and My Bonny Boy;
the third adapts four
songs from the Somerset
region collected by Cecil
Sharp. The English Folk
Songs Suite quotes the
Christmas carol Dives and
Lazarus, which Vaughan
Williams later published
five variations of for
harp and string
orchestra. Gordon Jacob,
a student of Vaughan
Williams, arranged this
version for orchestra. An
earlier version of the
English Folk Songs Suite,
written for military
band, premiered at
Kneller Hall in
Twickenham, England in
July 1923.
Instrumentation: 2(2nd
dPicc).1.2.1: 2.2.2.0:
Timp:Perc(2-3):
Str(9.8.7.6.5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $25.00 - Voir plus => Acheter | | |
| Fantasy on 'The Wee Cooper of Fife' Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18). ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major. A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 Traditional Songs St Rose Music Publishing
Countertenor; Piano Accompaniment SKU: HL.14043618 Countertenor and Pi...(+)
Countertenor; Piano
Accompaniment SKU:
HL.14043618
Countertenor and
Piano. Composed by
Nico Muhly. Music Sales
America. Classical,
Contemporary. Softcover.
20 pages. St. Rose Music
#SRO100097. Published by
St. Rose Music
(HL.14043618). UPC:
840126948875.
9.25x12.0x0.08 inches.
English. Four
Traditional Songs is a
setting of four
heartbreaking and
poignant folk songs by
virtuoso contemporary
composer Nico Muhly .
Composed in 2011, the
songs deal with themes of
death, murder and
unimaginable events that
are emotively arranged
for Countertenor Voice
and Piano. Commissioned
by Carnegie Hall in New
York City and Wigmore
Hall in London, this work
was first performed at
those renowned venues in
2011 and 2012,
respectively. Muhly
states that he drew
inspiration from old
English folksongs, and
would spend time
imagining stylised yet
subtle musical settings
with accompaniments. The
result of this intensive
period of listening
is Four Traditional
Songs , whichlasts around
15 minutes and carries
that incredible sense of
sad balladry that
counters the occasionally
jaunty melodies. This
edition is for
Countertenor Voice.
Please click here
to purchase the Baritone
version. $15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Folksongs from the Eastern Counties Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 3 SKU: AP.38358 Composed by Ralph Vaughan Williams. ...(+)
Concert Band - Grade 3
SKU: AP.38358
Composed by Ralph Vaughan
Williams. Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Masterworks;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Form: Medley. 20th
Century; Concert Band
Classics; Folk;
Masterwork Arrangement.
Score and Part(s). 226
pages. Belwin Music
#00-38358. Published by
Belwin Music (AP.38358).
UPC: 038081430911.
English. Vaughan
Williams traveled during
1903 to 1906, collecting
folk songs first-hand
from residents. Four of
the fifteen titles he
published for voice and
piano in the original
volume comprise Folk
Songs from the Eastern
Counties, including The
Lost Lady Found, The Lark
in the Morning, Bushes
and Briars, and Ward, the
Pirate. Scored for
concert band exactly as
they were first
published, with much of
the accompanying material
also being drawn from
RVW's harmonizations and
stylistic
interpretations.
Experience these
cherished authentic folk
songs creatively complied
for your concert band.
(3:30) This title is
available in MakeMusic
Cloud. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sephardic Folk Songs Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5364-00 8 Four-Part Settings for Choir a...(+)
Chorus a cappella SKU:
BR.CHB-5364-00 8
Four-Part Settings for
Choir a cappella.
Composed by Ohad Stolarz.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Sephardic
Folk Songs, also suitable
for non-professional
choirs. Song. Choral
score. 52 pages.
Breitkopf and Haertel
#ChB 5364-00. Published
by Breitkopf and Haertel
(BR.CHB-5364-00). ISBN
9790004412947. 7.5 x 10.5
inches. The
Sephardic culture
originates from the
Jewish population of
Spain that was banished
at the end of the 15th
century and afterwards
spread to the whole of
the Mediterranean area,
the Balkan and North
Africa. Its unique
Spanish dialect Ladino
was preserved, finding
musical expression in
ballads, lyrical and
paraliturgical songs for
the most part. The choir
conductor and composer
Ohad Stolarz took eight
of these Sephardic Folk
Songs and arranged them
as a cappella settings
for four-part mixed
choir. These arrangements
may be performed both as
a cycle and individually,
being also suitable for
non-professional choirs
due to their lack of
difficulty. The musically
and harmonically
colorful, partly also
exotic pieces therefore
present an enrichment for
the program of every
interculturally
interested choir. The
informative preface and
the translations of the
lyrics into German and
English enable the
content-related
engagement with Sephardic
culture, too. Further
choral literature on this
topic can be found in the
volumes Sepharad and
Aschkenaz by Alon
Wallach.Audio samples:
RIAS Kammerchor, dir.
Justin Doyle, recording
by Deutschlandfunk
Kultur
Sephardic
Folk Songs, also suitable
for non-professional
choirs. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Folk Songs From Somerset Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4908-00 From English Folk Song Suite, Mvt 3. C...(+)
Grade 3 SKU:
CL.026-4908-00
From English Folk Song
Suite, Mvt 3.
Composed by Ralph Vaughan
Williams. Arranged by
Huckeby. Concert Band.
Score and set of parts.
C.L. Barnhouse
#026-4908-00. Published
by C.L. Barnhouse
(CL.026-4908-00).
Folk Songs From
Somerset, the third
movement from Ralph
Vaughan Williams’
English Folk Song Suite
is a classic march
incorporating four
traditional folk songs:
Blow Away The Morning
Dew, High Germany, The
Tree So High and John
Barley’s Corn.
Using both 2/4 and 6/8
meters, Vaughan Williams
has created a unique
educational opportunity
for ensembles to contrast
duple and compound meter.
Creatively adapted for
the Build-A-Band series
by master
composer/arranger, Ed
Huckeby, this masterful
work is now available for
ensembles with unusual or
limited instrumentation.
Your students and
audiences will love this
English band classic! $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folk Songs From Somerset Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4908-01 From English Folk Song Suite, Mvt 3. C...(+)
Grade 3 SKU:
CL.026-4908-01
From English Folk Song
Suite, Mvt 3.
Composed by Ralph Vaughan
Williams. Arranged by
Huckeby. Concert Band.
Extra full score. C.L.
Barnhouse #026-4908-01.
Published by C.L.
Barnhouse
(CL.026-4908-01).
Folk Songs From
Somerset, the third
movement from Ralph
Vaughan Williams’
English Folk Song Suite
is a classic march
incorporating four
traditional folk songs:
Blow Away The Morning
Dew, High Germany, The
Tree So High and John
Barley’s Corn.
Using both 2/4 and 6/8
meters, Vaughan Williams
has created a unique
educational opportunity
for ensembles to contrast
duple and compound meter.
Creatively adapted for
the Build-A-Band series
by master
composer/arranger, Ed
Huckeby, this masterful
work is now available for
ensembles with unusual or
limited instrumentation.
Your students and
audiences will love this
English band classic! $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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