PARTITIONS GRATUITES : TROMBONE OU TUBA OU EUPHONIUM, PIANO OU ORGUE
- Good Idea

Composed by Andrew D. Gordon and Frank Villafranca. Saddle stitch. Blues/Saxophone Instruction. Book and Downloadable audio. Duration 60 minutes. Published by ADG Productions

Performance Kit/Audio (Teacher w/SGR PDF Access, Audio Access) Choral (Perf Kit with Audio Download)

SKU: HL.35031227

A Musical Revue for Young Voices. Composed by Jill Gallina. Musicals. Elementary, Musicals. Softcover Audio Online. Published by Shawnee Press (HL.35031227).

ISBN 9781495074080. UPC: 888680642136. 8.5x11.0x0.217 inches.

New edition of this popular musical from Jill Gallina! Feelin' Good is a creative musical experience that will encourage children to take good care of their minds and bodies, and help them develop a positive self-image. This revue includes ten original rock-style songs that incorporate movement, creative dramatization and a sing a-long. The songs are arranged in unison with an optional second part and a complete piano accompaniment. The short dialog that precedes each song offers speaking parts for 12 and requires little memorization. If a shorter performance is desired, any song can be eliminated without losing continuity. Helpful performance suggestions, props, staging and costume ideas are also included. PDFs of singer songsheets and dialog are available via digital access. To perform with recordings, there are 2 options. A Performance/Accompaniment CD is available separately. For cost-saving value, the Performance Kit/Audio Access includes the Teacher Book with student PDFs and performance/accompaniment audio recordings via digital access. Songs include: Feelin- Good, Exercisin' Is Energizin', Shake a Leg, We're All Special People, Use Your Head, The Magic Machine, You Are What You Eat, Good Friends, Let's Wash, Sweet Dreams My Friend. About 35 minutes. Suggested for grades 1-3.

Volume 114 - Good Time by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Book and 4 CDs. 88 pages. Published by Jamey Aebersold Jazz

SATB Chorus, & Piano

SKU: SU.96010060

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010060. Published by Subito Music Corporation (SU.96010060).

Instrumentation : SATB Chorus, & Piano
Duration: 3:30'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.

SATB Chorus, & Piano

SKU: SU.96010061

For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010061. Published by Subito Music Corporation (SU.96010061).

Instrumentation : SATB Chorus, & Piano
Duration: 5'
Composed: 2012
Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
About T.N.T

As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.

Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.

At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed.

-- Joe Gianono

Note: Taxi, Noise, and Time may be performed separately.