| 800th Lifetime Piano seul [Conducteur] Seesaw Music Corp
Piano Solo SKU: SS.50001480 Composed by Larry Barnes. Score. Duration 4'4...(+)
Piano Solo SKU:
SS.50001480 Composed
by Larry Barnes. Score.
Duration 4'45. Published
by Seesaw Music Corp
(SS.50001480).
Approximate
duration of The 800th
Lifetime. Dedicated to
James Smolko. Copyright
1978. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lyle's Style Ukulele [DVD] Flea Market Music, Inc.
(Ukulele Master Lyle Ritz Shares a Lifetime of Performance Techniques). By Lyle ...(+)
(Ukulele Master Lyle Ritz
Shares a Lifetime of
Performance Techniques).
By Lyle Ritz. DVD. DVD
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Treasures for Flute and Piano Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano SKU:
CF.WF228 Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228). ISBN
9781491153529. 9 x 12
inches. Compiled
and edited by Amy Porter,
Treasures for Flute and
Piano is acollection of
Philippe Gaubert’s
shorter works for flute
and piano. Gaubertwas a
multi-talented musician,
a marvelous flutist as
well as a
composer,teacher, and
master conductor. Over
his lifetime, he became
one of the mostimportant
musical figures in France
between the World Wars in
the first halfof the 20th
century. Trained in
theory and harmony at the
Paris
Conservatory,Gaubert was
also deeply influenced by
other composers at the
time, includingDebussy,
Fauré, and Dukas.
Editor Amy Porter is a
distinguished Professorat
The University of
Michigan School of Music,
Theatre & Dance, and
hasbeen praised by
critics for her
exceptional musical
talent and her passion
forscholarship. This
edition represents eleven
of the sixteen works from
AmyPorter and Dr.
Penelope Fischer’s
video study guide,
“The Gaubert Cycle:
TheComplete Works for
Flute and Piano by
Philippe
Gaubertâ€. Philip
pe Gaubert
(1879–1941) was a
very important teacher
and flutist in our
classical flute playing
lineage. In this edition
we have gathered his
beautiful, shorter
compositions for flute
and piano all in one
place, to be cherished as
“Gaubert’s
Treasures.â€Philippe
Gaubert personified the
modern French school of
flute playing as
introduced by his teacher
Paul Taffanel
(1844–1908) at the
Paris Conservatory.
Gaubert was a
multitalented musician, a
marvelous flutist as well
as a gifted composer,
teacher and master
conductor. Over his
lifetime he became one of
the most important
musical figures in France
between the World Wars in
the first half of the
twentieth century.
Gaubert’s musical
andpedagogical gifts to
us are passed along
through generations of
students and continue to
touch the hearts of many
who listen to his fine,
and refined,
music.Philippe Gaubert
studied composition at
the Paris Conservatory
with Raoul Pugno, Xavier
Leroux, and then for a
brief time with Charles
Lenepvu. It was after
this study that he won
the famous Prix de Rome
second prize in
composition. Even with
his schooling of theory
and harmony in Paris, he
was deeply influenced by
other composers of the
time, namely Debussy,
Fauré and Dukas.
Between the years of
1905–1914
Gaubert’s early
workswere arrangements
and short pieces written
for the year-end final
exam pieces at the
Conservatory.Between
1914–1918 Gaubert
served in the French Army
during World War I, most
notably in the battle of
Verdun in 1916. This was
considered one of the
largest battles against
the Germans in WWI. He
was wounded but his
creativity level was not
dampened. He was rewarded
for his service and
awarded medals for his
bravery. It was during
this time that he found
the energy to compose his
Deux Esquisses or 2
Scenes, and sketched out
his first flute
sonata.Gaubert composed
his remaining five flute
and piano works after
1922 in Paris, and
clearly his poetic soul
was transformed from the
earlier years. He took in
new forms and styles of
compositions such as a
Suite, a Ballade and a
Sonatine. He also
completed his Second and
Third Sonatas for Flute
and Piano, all of them
dramatic works in terms
of compositional
techniques and grandeur
of tone.Gaubert composed
music easily throughout
his lifetime, especially
during summer breaks when
the orchestra and Paris
Opera seasons were on
hiatus and he was not
conducting. He loved
literature and poetry
which inspired over
thirty vocal works from
1903 through 1938.He also
wrote twenty-six
instrumental chamber
works for other
instruments: oboe,
cornet, clarinet,
trombone, violin, viola,
cello, harp and
combinations of these
instruments with piano.
Some of these were
commissioned jury pieces,
but many were for his
musician friends.Six
full-length stage works,
both ballets and operas
for the stage, several
tone poems and symphonies
were written throughout
his lifetime.This edition
represents eleven out of
the sixteen works from
our video study guide
“The Gaubert Cycle:
The Complete Works for
Flute and Piano by
Philippe Gaubertâ€
with guest pianist Tim
Carey. Omitted in this
edition are Sonatas Nos.
1–3, Ballade, and
Sonatine. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tarantella Carl Fischer
Choral Double bass voice, Piano, Viola, Violin 1, Violin 2, SATB chorus SKU: ...(+)
Choral Double bass voice,
Piano, Viola, Violin 1,
Violin 2, SATB chorus
SKU: CF.CM9735
Jubilate Agno.
Composed by Z. Randall
Stroope. 16 pages.
Duration 0:03:05. Carl
Fischer Music #CM9735.
Published by Carl Fischer
Music (CF.CM9735).
ISBN 9781491161159.
UPC: 680160919741. Key: A
minor. Latin, English.
Christopher Smart and
ZRS. Origins of the
Tarantella The tarantella
is a popular southern
Italian dance with
origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(little spider), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the poison, the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately courtship.
Origins of the Text
Christopher Smart
(1722-1771), also known
as Kit Smart or Jack
Smart, was born in Kent,
England and suffered from
what is now believed to
be acute asthma and other
health issues as a child.
As such, he did not work
in the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke's Hospital
for Lunatics, though this
was based on his mounting
debt, and not on
insanity. (Confinement,
or debtor's prison, was
common during this period
if one's debts could not
be paid.) During his
confinement, he worked on
two of his most famous
works, Jubilate Agno and
A Song of David. (Part of
Jubilate Agno [Rejoice in
the Lamb] was set to
music by English
composer, Benjamin
Britten.) Smart's writing
style (which, at times,
bordered on the absurd),
along with his many
obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of Smart's
Jubilate Agno were used
in mm. 24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance: theraphosa
[teh-rah-fo-sa] a genus
of tarantula spiders
bellicose
[beh-lee-ko-sah] hostile;
aggressive odiosa
[o-dee-o-sa] hateful;
vexation tenebrosa
[teh-neh-bro-sa]
creeping; dark nemorosa
[neh-mo-ro-sa] wooded;
shady lapidosa
[lah-pee-do-sa] stony
area; gritty The
convergence, then, of the
medieval tarantella
(spider dance), the
writings of a brilliant
poet who bordered on the
absurd, and the infusion
of strong, descriptive
and otherwise random,
rhyming words,
synthesizes to make
dramatic lyrics for this
work. About the Composer
Z. Randall Stroope is an
American composer and
conductor. He has served
as Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. Performance Notes
Text: In Latin, the r is
flipped; use s instead of
z on endings such as
phosa, cosa, and so on;
the Latin o is a cross
between oh and aw; in the
transliteration above, I
chose to simply use an o
for consistency. The
director will blend the
oh and aw in the
rehearsals to his/her own
preference. Lastly,
tarantula is pronounced
tah-rah-n-too-lah (avoid
teh-ran-choo-luh) within
the confines of this
text. Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico. In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. The
tarantella is a popular
southern Italian dance
with origins in the 11th
century. (There is even
some mention of the
tarantella in ancient
Greek mythology.) Of the
possible sources of the
dance, the most popular
comes from the villages
of Tanto and Tarentum
(“little
spiderâ€), Italy.
During harvest, workers
in the field were
sometimes bitten by the
tarantula spider. To
combat the
“poison,†the
afflicted workers went
into a frenetic, almost
musical exorcism to sweat
the venom out of their
pores. In the millennium
since, the very energetic
nature of the dance has
remained, although the
curative focus of the
dance has given way to
more enjoyable endeavors,
even stately
courtship.Christopher
Smart (1722-1771), also
known as “Kit
Smart†or
“Jack Smart,â€
was born in Kent, England
and suffered from what is
now believed to be acute
asthma and other health
issues as a child. As
such, he did not work in
the fields, but spent
much time reading and
writing, a passion that
he nurtured for a
lifetime. Well known in
London literary circles,
his career as a writer
floundered due to
mounting debts and his
falling out of favor with
the literary
establishment: Sadly, he
was forced to confinement
at St. Luke’s
Hospital for Lunatics,
though this was based on
his mounting debt, and
not on insanity.
(Confinement, or
debtor’s prison,
was common during this
period if one’s
debts could not be paid.)
During his confinement,
he worked on two of his
most famous works,
Jubilate Agno and A Song
of David. (Part of
Jubilate Agno
[“Rejoice in the
Lambâ€] was set to
music by English
composer, Benjamin
Britten.) Smart’s
writing style (which, at
times, bordered on the
absurd), along with his
many obsessions, lead to
frequent misperceptions
of his work and his
lucidity. In this present
work, portions of
Smart’s Jubilate
Agno were used in mm.
24-31, 103-110 and
149-156. The remaining
text was gathered by the
composer, including the
rapid, almost
patter-like, delivery of
words from A-Z in the
alphabet. (Christopher
Smart had a preoccupation
with the alphabet.) These
words both rhyme and
accentuate the frenetic
nature of the spider
dance:The convergence,
then, of the medieval
tarantella (spider
dance), the writings of a
brilliant poet who
bordered on the absurd,
and the infusion of
strong, descriptive and
otherwise random, rhyming
words, synthesizes to
make dramatic lyrics for
this work.Z. Randall
Stroope is an American
composer and conductor.
He has served as
Professor of Music at
three universities (an
Endowed Professor at
two), conducted 47
all-state choirs, and
directed over 40 times at
Carnegie Hall, among
other American venues.
Randall guest conducts
full-time, and composes
from his home studios on
Merritt Island, Florida
and in Sandia Park, New
Mexico.In Latin, the
“r†is
flipped; use
“s†instead
of “z†on
endings such as
“phosa,â€
“cosa,†and
so on; the Latin
“o†is a
cross between
“oh†and
“awâ€; in the
transliteration above, I
chose to simply use an
“o†for
consistency. The director
will blend the
“oh†and
“aw†in the
rehearsals to his/her own
preference. Lastly,
“tarantulaâ€
is pronounced
“tah-rah-n-too-lah
€ (avoid
“teh-ran-choo-luhâ
€) within the
confines of this
text.Stomp: This can be
done by the entire
chorus, or just the first
row. It is as much visual
as it is auditory. The
string quartet is
preferred over piano when
that option affords
itself. I created a piano
score that is a viable
option and included it in
the piano/vocal score if
a performance uses
chorus/piano. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Life Chorale SSAATTBB SSAATTBB, Piano Carl Fischer
Choral SSAATTBB choir, Piano (for rehearsal) SKU: CF.CM9738 Composed by J...(+)
Choral SSAATTBB choir,
Piano (for rehearsal)
SKU: CF.CM9738
Composed by Jacob
Narverud. 16 pages.
Duration 3 minutes. Carl
Fischer Music #CM9738.
Published by Carl Fischer
Music (CF.CM9738).
ISBN 9781491161180.
UPC: 680160919765. Key:
Eb major. English. Barter
by Sara
Teasdale. Life has
loveliness to sell, All
beautiful and splendid
things, Blue waves
whitened on a cliff,
Soaring fire that sways
and sings, And children's
faces looking up Holding
wonder in a cup.
Life has loveliness to
sell, Music like a curve
of gold, Scent of pine
trees in the rain, Eyes
that love you, arms that
hold, And for your
spirit's still delight,
Holy thoughts that star
the night. Spend
all you have for
loveliness, Buy it and
never count the cost; For
one white singing hour of
peace Count many a year
of strife well lost, And
for a breath of ecstacy
Give all you have been,
or could be. --Barter
from Love Songs (1918) by
Sara Teasdale Sara
Teasdale (1884-1933) was
an American poet whose
short, personal lyrics
are noted for their
classical simplicity and
quiet intensity. Teasdale
was born in St. Louis,
Missouri and traveled to
Chicago as a young woman,
where she grew acquainted
with Harriet Monroe and
the literary circle
around Poetry. Teasdale
wrote seven books of
poetry in her lifetime
and received public
admiration for her
well-crafted lyrical
poetry which centered on
a woman's changing
perspectives of beauty,
love, life, and death.
Jacob Narverud (b. 1986)
is an American composer,
arranger, and conductor.
A native Kansan, Jacob is
the Founder/Artistic
Director of the Tallgrass
Chamber Choir, a
professional ensemble of
musicians from across the
Great Plains. Dr.
Narverud is a frequent
guest lecturer at
universities and
conferences as well as an
active guest
conductor/clinician for
choral festivals and
all-state choirs across
the United States. Many
of his compositions are
publisher best sellers
and are performed
worldwide by choirs of
all levels. Website:
jnarverud.com YouTube
& Spotify:
jacobnarverud. Life
has loveliness to sell,
All beautiful and
splendid things, Blue
waves whitened on a
cliff, Soaring fire that
sways and sings, And
children's faces looking
up Holding wonder like a
cup. Life has
loveliness to sell, Music
like a curve of gold,
Scent of pine trees in
the rain, Eyes that love
you, arms that hold, And
for your spirit's still
delight, Holy thoughts
that star the night.
Spend all you have
for loveliness, Buy it
and never count the cost;
For one white singing
hour of peace Count many
a year of strife well
lost, And for a breath of
ecstacy Give all you have
been, or could be.
--Barter from Love Songs
(1918) by Sara Teasdale
Sara Teasdale (1884-1933)
was an American poet
whose short, personal
lyrics are noted for
their classical
simplicity and quiet
intensity. Teasdale was
born in St. Louis,
Missouri and traveled to
Chicago as a young woman,
where she grew acquainted
with Harriet Monroe and
the literary circle
around Poetry. Teasdale
wrote seven books of
poetry in her lifetime
and received public
admiration for her
well-crafted lyrical
poetry which centered on
a woman's changing
perspectives of beauty,
love, life, and death.
Jacob Narverud (b. 1986)
is an American composer,
arranger, and conductor.
A native Kansan, Jacob is
the Founder/Artistic
Director of the Tallgrass
Chamber Choir, a
professional ensemble of
musicians from across the
Great Plains. Dr.
Narverud is a frequent
guest lecturer at
universities and
conferences as well as an
active guest
conductor/clinician for
choral festivals and
all-state choirs across
the United States. Many
of his compositions are
publisher best sellers
and are performed
worldwide by choirs of
all levels. Website:
jnarverud.com YouTube
& Spotify:
jacobnarverud. Life
has loveliness to
sell,All beautiful and
splendid things,Blue
waves whitened on a
cliff,Soaring fire that
sways and sings,And
children's faces looking
upHolding wonder like a
cup. Life has
loveliness to sell,Music
like a curve of
gold,Scent of pine trees
in the rain,Eyes that
love you, arms that
hold,And for your
spirit's still
delight,Holy thoughts
that star the
night. Spend all you
have for loveliness,Buy
it and never count the
cost;For one white
singing hour of
peaceCount many a year of
strife well lost,And for
a breath of ecstacyGive
all you have been, or
could
be.     Â
     Â
    Â
 —“Barter
†from Love Songs
(1918) by Sara
Teasdale Sara Teasdale
(1884-1933) was an
American poet whose
short, personal lyrics
are noted for their
classical simplicity and
quiet intensity. Teasdale
was born in St. Louis,
Missouri and traveled to
Chicago as a young woman,
where she grew acquainted
with Harriet Monroe and
the literary circle
around Poetry. Teasdale
wrote seven books of
poetry in her lifetime
and received public
admiration for her
well-crafted lyrical
poetry which centered on
a woman’s changing
perspectives of beauty,
love, life, and
death.Jacob Narverud (b.
1986) is an American
composer, arranger, and
conductor. A native
Kansan, Jacob is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble of musicians
from across the Great
Plains. Dr. Narverud is a
frequent guest lecturer
at universities and
conferences as well as an
active guest
conductor/clinician for
choral festivals and
all-state choirs across
the United States. Many
of his compositions are
publisher best sellers
and are performed
worldwide by choirs of
all levels.Website:
jnarverud.com  Â
    Â
YouTube & Spotify:
jacobnarverud. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mackenzie: Benedictus for Violin and Piano Violon et Piano Music Sales
Violin and Piano SKU: HL.14003914 Composed by A.C. MacKenzie. Music Sales...(+)
Violin and Piano SKU:
HL.14003914 Composed
by A.C. MacKenzie. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120038.
Published by Music Sales
(HL.14003914).
8.25x11.75x0.058
inches. Benedictus
is a work of depth and
feeling that some
listeners claim
'out-Elgars
Elgar.'Composer,
conductor and educator
Alexander MacKenzie is
perhaps best known for
his Choral works and his
works inspired by
Scottish melodies and
themes, as in this
well-known work
Benedictus . Benedictus
is extracted from
Benedictus is a work of
depth and feeling that
some listeners claim
'out-Elgars
Elgar.'Composer,
conductor and educator
Alexander MacKenzie is
perhaps best known for
his Choral works and his
works inspired by
Scottish melodies and
themes, as in this
well-known work
Benedictus . Benedictus
is extracted from Six
Pieces for Violin and is
dedicated to Lady Halle.
During hislifetime - 1847
to 1935 - MacKenzie's
programmatic
Scottish-inflected work
was extremely popular,
and he is regarded as one
of those who set the
scene for the British
musical renaissance of
the late 19th century.
and is dedicated to Lady
Halle. During his
lifetime - 1847 to 1935 -
MacKenzie's programmatic
Scottish-inflected work
was extremely popular,
and he is regarded as one
of those who set the
scene for the British
musical renaissance of
the late 19th
century. $12.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Judas Maccabaeus Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc SKU:
CA.5506309 Composed
by George Frideric
Handel. Edited by Felix
Loy. 1x 55.063/21 flute
1, 1x 55.063/22 flute 2,
2x 55.063/23 recorders 1
and 2, 1x 55.063/24 oboe
1, 1x 55.063/25 oboe 2,
2x 55.063/26 Bassoon 1
and 2, 2x 55.063/31 horns
1 and 2, 4x 55.063/32
Trumpets 1-3 and timpani.
Stuttgart Urtext Edition:
Handel. Harmony parts.
Sacred vocal music,
Oratorios. Set of
Orchestra Parts. Duration
160 minutes. Carus Verlag
#CV 55.063/09. Published
by Carus Verlag
(CA.5506309). ISBN
9790007242060. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix. First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and parts available
separately - see item
CA.5506300. $264.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Judas Maccabaeus Chorale SATB Carus Verlag
SMsATB Voices, SATB Choir, 2 Fl, 2 Ob, 2 Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc ...(+)
SMsATB Voices, SATB
Choir, 2 Fl, 2 Ob, 2 Fg,
2 Cor, 3 Tr, Timp, 2 Vl,
Va, Bc SKU:
CA.5506349 Composed
by George Frideric
Handel. Edited by Felix
Loy. Sacred vocal music,
Oratorios; Stuttgart
Editions (Urtext):
Stuttgart Handel Edition.
Stuttgart Urtext Edition:
Handel. Organ. Sacred
vocal music, Oratorios.
Single Part, Organ. 132
pages. Duration 160
minutes. Carus Verlag #CV
55.063/49. Published by
Carus Verlag
(CA.5506349). ISBN
9790007239541. Language:
English/German. Text:
Eschenburg, J. J. / Loy,
Felix. First
critical edition. The
oratorio Judas Maccabaeus
is one of George Frideric
Handel's most popular
choral works. It was
performed over fifty
times during the
composer's lifetime and
was one of his first
works to be performed in
Germany (1772). The
frequent performances
given by Handel himself
resulted in a
particularly large number
of reworkings, reflecting
local conditions. This
new edition therefore
offers the work in two
performable versions:
firstly, the version of
the first performance in
1747, and the one from
the last oratorio season
during Handel's lifetime
(1758/59). This makes
available all the
choruses and arias which
Handel ever wrote for
Judas Maccabaeus.
Reflecting the latest
Handel research, the
edition is based for the
first time throughout on
Handel's conductor's
score, thereby
eradicating not only
long-perpetuated
mistakes, but also
providing clarity about
which pieces were
actually performed by
Handel. By contrast with
the Chrysander edition
obligatory until now, the
aria Father of heav'n
which introduces Part III
is included here in its
original, longer version.
Score and part available
separately - see item
CA.5506300. $80.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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